John Kass has published his last column for the Chicago Tribune.
Gentle reader, when I first got myself a sit down in an office job in an IT company in 1998, I had an Internet connection all day long, and so, in addition to writing documentation using software that made the contract technical writer cry in frustration, I started reading a lot of newspaper Web sites every day. Especially the newspaper columnists. I read Roeper, Steinberg, Kass, Greene, and Schmich from the Chicago papers.
Over the years, the number I’ve read has dwindled. After 2000, most of them veered too left for me, and Greene was dismissed from the Chicago Tribune. Although I still say “Everybody’s free to wear sunscreen” whenever the topic of sunscreen comes up at Nogglestead, I don’t tend to read new Schmich. Kass was the only one I would go to the Chicago Tribune Web site, intermittently, to read.
Perhaps the loyal devotion to columnists tailed off when it became clearer that I was not destined to be a columnist.
At any rate, for some reason the Chicago Tribune separated him, which means that the only remaining reason I have to visit that Web site is to gleefully follow the heartbreak of another Bears season. Intermittently, and maybe.
Although the corporation is probably better off without me, too, as I don’t tend to click the ads and do not subscribe to Internet publications. But Tronc, or whatever the corporation calls itself these days, has sacrificed a reason old people like me read the physical paper when we do (as a reminder, I subscribe to five newspapers from around the state, soon to be seven now that The Licking News has a way to subscribe online finally and because I’ll also take the adjacent Houston Herald).
For the news, yes, but also the voices of Jim Hamilton, Larry Dablemont, Father Hirz, Cassie Downs, Amber Heard, Karen Craigo, and other friendly print voices. Which does not mean 23-year-old Web content producers writing clickbait listicles; it means adults.
I hope Kass continues writing; I have seen his work in other venues, but that might have just been his Tribune columns syndicated.



As you might recall, gentle reader, I have listened to a couple of other lecture sets in the musical Great Masters series, most notably
When I bought this book
You know, gentle reader, I am so old now that I think of things from long ago as recent–so I think of this as a recent Clint Eastwood movie, perhaps because it’s from the 21st century, and Eastwood’s filmography goes way back. But he has been making and acting in films up to the present day (I posted a Toby Keith song with clips from the really recent movie The Mule
We don’t skip but a month ahead in time between publication (in December 1995)
I watched this film with my boys since I’ve got a son who’s going to be soon eligible for a learner’s permit (what? at eight? he’s not eight any more? what sorcery is this?). This movie came out when I was 16 and was, hence, by age eligible to learn to drive. However, my high school drivers’ education classes were held in the summer, which I spent with my father in Wisconsin, so I did not really get much shot at learning to drive in my high school years aside from a couple hours with a private driver’s school and Pixie’s then-husband driving with me once.
This is the book of disasters and diseases that I brought along on my recent vacation and kind of
This film is a Jason Statham film, so you know what you get: Jason Statham being tough and whatnot. The plot, which is told at the outset in flashbacks that jumble the main characters’ recent-ish lives leading up to now, but omitting some important details until the story is under way. A mixed martial arts fighter accidentally wins a fight he was supposed to throw when he knocks his opponent immediately–which not only puts the fight promoter in the bind, but upsets the local Russian mob who bet a bundle on his loss. The Russian mob kills Jason Statham’s wife and leaves him alive, but telling him that they will kill anyone he gets close to, starting with his landlady if he’s not out of his home in 24 hours. So we get a montage of his experience on the streets until he’s thrown out of a store after being pickpocketed, but the police detective who rousts him recognizes him as a former police officer who ruined the corruption a collection of crooked cops were running, so they beat him and encourage him to consider suicide. Meanwhile, also in flashback, a young Chinese girl is very good at math. She embarrasses her school teacher, gets picked for a special school in Beijing, but in reality, it’s a job for a Chinese mob working with numbers and memorizing things because the mob boss does not like computers. She is brought to the United States and works in Chinatown (New York) in memorizing and analyzing details. The MacGuffin of the plot is that the Chinese triad want her to memorize a long number, and she will be required to memorize another long number and then get further instructions, but before this happens, the Russian mob tries to capture her, but in evading her, she meets Jason Statham as he’s about to jump in front of a subway, and then Statham happens.


I bought this book
I got this book at
All right, then, let’s skip ahead. The last Executioner novel I read was 