Welcome to the world’s only ‘bookshop Airbnb’ where guests can spend the night and run the store during the day. The Open Book, a quaint bookshop with a flat above, allows people to sleep upstairs and sell books downstairs.
Located in Wigtown – Scotland’s National Book Town – it offers book enthusiasts the opportunity to ”live their dream” of owning their own seaside shop. According to Airbnb, it is ”the first ever bookshop holiday residency experience” and has garnered such popularity that it has a two-year waiting list from guests worldwide.
. . . .
“Booked through Airbnb, paying guests live in the self-catering apartment upstairs and run the bookshop below it for the duration of their stay.
“During their stay, guests are free to change displays, price books, re-categorise them, and make inventive use of the blackboard that entices visitors in to browse or chat.”
“Some guests are happy to quietly run the bookshop, while others come with firmer plans and creative ideas! Bibliophiles, avid readers, kindred book lovers and adventure seekers from around the world come to Wigtown to experience the life of a second-hand bookshop owner in a remote Scottish town.
Presumably this is all possible because the book sales are not the actual profit center here. It sounds as though proceeds of actual book sales or portion thereof are donated to charity.
Still, a clever idea. Better than opening a secondhand bookshop in the 21st century. And given my abilities in running finances, I am inclined to make that big mistake. I should consider a location where I could have an AirBnB with it as well.
I picked up this DVD in a cardboard sleeve sometime in the distant past. I cannot tell you whether I paid a full dollar for it in a grocery store around the turn of the century when they carried little public domain collections on turnable racks or if I bought it at a garage sale, but it doesn’t have a sticker on it which might indicate it was wrapped in cellaphane when I got it. The sleeve was open, though. So, who knows? (And, probably, who cares? Although, gentle reader, these details are interesting to me, such as Did I have this in the video stacks for twenty years or only three?)
This disc contains three first-season episodes of the television series which ran from 1951-1953.
“Frankenstein” retells, briefly, the tale of the movie version of Frankenstein. In his castle on an island on a lake, Dr. Frankenstein creates life. The monster, played by Lon Chaney, Jr., gets called ugly by a little boy who’s staying in the castle and becomes murderous. Bullets and a fall into the lake cannot stop him, but apparently electricity can. It’s a long book, but the story is more based on the movies more than the book.
“The Cosmic Egg” tells the story of an antiques dealer who asks a professor to examine a crystal egg for which someone offered a high price; the professor eventually determines that it is an alien device for monitoring people on earth. Based on a story by H.G. Wells.
“Appointment on Mars” tells the story of the three men who are first to Mars and hope to stake claims to minerals there. However, they start to get paranoid and turn on each other. The story stars a very young Leslie Nielsen, seemingly before his voice changed, and was written by Salvatore A. Lombino–Evan Hunter/Ed McBain.
The picture and sound quality are what you would expect from a seventy-five-year-old television show that was probably only incidentally taped and lapsed into public domain. Of course, it didn’t bother me because I have watched many such cheap transfers, both for television programs and for actual movies, some of which even had sound. So it’s no telling what kids today would make of them. Probably not enjoy them. But back in the old days, when television was starting to replace the radio, I bet the kids ate these up.
On September 10, I watched about thirty seconds of the presidential debate, when the moderators attacked Trump about his tariffs, and that was all I could take. You know, a long time ago, I would liveblog such things, and in 2008, I went to a rally when Palin debated Biden in St. Louis and shook my head in disbelief whenever Biden lied, and I could not believe that people did not know better. Nearly two decades later, it is I who have been educated, and they do believe it.
So instead of trying to jump into Walden, I picked up this book, a fairly recent addition to the stacks along with a book of poems inspired by the television series The Golden Girls (you’ll be hearing about it) to calm my mind.
Ah! Kittens! Puppies! Forty-some full color pictures beside a quatrain of cutesy doggerel or catterel. It’s definitely a gift book, complete with To and From lines before the title page. Nothing more, nothing less.
As you might know, gentle reader, I have started a cutesy pet picture business at NicoSez.com. I only have fifteen photos/designs up, but, you know what? When I get a litter further along, perhaps I will make a book of it and sell it at ABC Books. Maybe have a signing with Nico.
So I did count this as a book I read. After all, it had as many poems as photos. Well, less if you count the cover, front and end pieces, and title pages. But still. Poems, everybody! Poems!
As I mentioned, we went to the book sale over the weekend, and they had a larger-than-normal selection of LPs even though it was Saturday and half price day, which meant that most were fifty cents each. As I completed some record shelving Labor Day weekend, I felt comfortable… gorging.
I got:
This Is The Way I Feel by Marie Osmond. Because I got a couple of Osmond records in May, I guess, and because PWoC. 1977. Discogs value: $1
The Fabulous Billy Daniels. Discogs: $1
A Blossom Fell by Nat King Cole. A compilation record from 1973. Discogs: $1
I Know That I Know by Stephanie Boosahda. 1981. Discogs: $2.99
Pure Music by Chase. Guy on the cover is blowing a trumpet–no way I could ever get in trouble buying this record. 1974. Discogs: $1.79
Love, Life, and Feelings by Shirley Bassey. 1976. Discogs: $1
What Now My Love by the Living Brass. 1966. Discogs: $.64
Pete Fountain. 1966. $.73
Duo-Glide by Sanford & Townsend. I think someone was just talking/blogging about them. 1974. $.74
Hometown, My Town by Tony Bennett. For some reason, I’ve been on a Tony Bennett kick (which means I’ve listened to an LP and a couple of CDs over the last year). 1959. $1
You’ll Never Walk Alone by Roy Hamilton. 1955. $.55
From Sergio with Love by Sergio Franchi. The sale was lousy with Mario Lanza, but this is the only Sergio Franchi record in evidence. I might already own it though. 1966. $.50
Symphony for Tony by the Hamburg Philharmonic Orchestra. Apparently, playing hits of Tommy Dorsey and Glenn Miller. Not on Discogs, no date I could find.
Everybody Knows by Steve Lawrence. Just because he was Mr. Eydie. $.26
…Porque Te Quiero by Carlos Mata. 1985. $3.33
Search by Mission. 1987. $1
Earl Grant (self-titled). 1970. $1
Hell of an Act to Follow by Willie Bobo. 1978. $2.75
You Go To My Head by Billy Daniels. 1957. $5.99
Spanish Eyes by Earl Grant. 1969. $1.33
State of the Heart by Philip Bailey. A dance single, and guaranteed to be better than Zimmerman, Bailey. 1986. $.33
Be My Lover by O’Bryan. 1984. $1
Paradise by Leroy Hilton. Not listed on Discogs.
Roy Hamilton’s Greatest Hits. 1962. $1.
Emotional by Jeffrey Osborne. 1986. $.37
The Fred Wacker Band Swings Cool. PWoC. 1980? $4
The Harp Key / Crann Nan Teud Alison Kinnaird plays the Scottish Harp. 1978. $2
A Woman Needs Love by Ray Parker, Jr., and Raydio. I already own it, but I don’t know which cover is better. 1981. $.50
Romeo and Juliet: A Theme for Lovers by Jackie Gleason. 1969. $1
Report from Hoople: PDQ Bach on the Air. A comedy album, apparently, and not Bach at all. 1974. $.66
Spirituals by Tennessee Ernie Ford. As the Swedish Gospel Singers and even the Teen Tones have been lost in the stacks, we’ve been listening to a lot of Tennessee Ernie Ford on Sunday mornings at Nogglestead. But I’m not sure if I have this one. 1957. $.01
Stand By Me by Earl Grant. 1966. $1.89
Mancini ’67 by Henry Mancini. 1967. $1.29
One Enchanted Evening by the Three Suns. Not sure if I have this one already; I have a lot of the Three Suns. 1964. $1.67
Julie Is Her Name by Julie London. PWoC, of course, but I have a number of Julie London records. They’re all PWoC, of course, but not bad. 1955. $2
30 Hits of the Thundering ’30s by Frankie Carle. Pretty sure I already have it. 1963. $1
The Uncollected Carmen Cavallaro and His Orchestra. 1946. $.88
Mambo Happy! by Perez Prado. 1957. $2
For the First Time Brenda and Pete. Brenda Lee and Pete Fountain. 1957. $1.25
Greatest Hits by Ray Parker, Jr. Strangely enough, I might also have this one, but this cover is very nice. 1982. $1.10
All Star Jazz Concert. 1956. $5.95
Sax-Sational Boots Randolph. 1967. .89
Jackie Gleason Plays for the Pretty People. 1967. .99
Steve Lawrence Sings…. Some album with Steve Lawrence on side one and Charlie Francis on side two. Apparently, this Spinorama disc is worth more than other versions at $5.
Keepin’ Love New Howard Johnson. 1982. 7.99
Hugo Winterhalter Goes South of the Border. Man, I am a sucker for the 1960s Mexican brass sound popularized by Herb Alpert. 1961. 1.25
This Is Henry Mancini. I probably already have this one, but, you know, fifty cents to make sure. 1970 .50
Jackie Gleason Plays The Most Beautiful Girl in the World. 1967. .50
A Que Florezca Mi Pueblo Mercedes Sosa. 1975. 2.20
Sound Spectacular Ray Anthony. 1959. 1.65
Shearing Today! George Shearing. 1968. 1.96
The Fabulous Arrangements of Tommy Dorsey in Hi-Fi. 1958. 1.00
Songs of Wonderful Girls Richard Hayman. PWoC. 1962. 1.00
Pete Fountain’s Jazz Reunion. I sure buy a lot of Pete Fountain for the amount of Pete Fountain I actually listen to. 1981. 1.38
Today’s Romantic Hits for Lovers Only Jackie Gleason. I listen to a lot of Jackie Gleason, though. 1963. $1
Music Until Midnight Percy Faith and Mitch Miller. 1954. 3.25
A Salute to the Great Singing Groups: The Clark Sisters. 1961. .53
Dream Along with Me Perry Como. I might have this already, but, c’mon, Perry Como. Can you ever have enough? 1957, but this is a later reissue. .23
Themes in Brass The Brass Hat. 1969. 14.99
The Simon Sisters Sing For Children Lucy and Carly Simon. 1973. 1.31
Don’t Mess with Tess Teresa Brewer. 1962. 2.91
Nana Mouskouri Sings Over & Over. 1969. 2.99
Song for Liberty Nana Mouskouri. 1982. .73
Roses & Sunshine Nana Mouskouri. 1979. .10
Ah, gentle reader, that is 66 new titles–67 records total as one is a two-record set. I spent less than $40 for the lot. I’ve checked the price listings on Discog to see if I made out with any real scores, but probably not. But I have a couple of Jackie Gleason records I didn’t already have, and a new George Shearing, and I’m most excited about them. I’m looking forward to some of the soul/R&B/pop records I picked up as well.
Hopefully, this trip will not completely overload the new shelving. We still have two boxes of records to unpack from when my mother-in-law downsized, and having a little space on the shelves would make it to organize the music library. Someday. Probably not soon. Or ever.
I bought this, the first half of the first season of the television program The Streets of San Francisco, recently, but apparently as part of a purchase that I did not enumerate for you, gentle reader. Perhaps it was the beginning of August, when I went to the antique malls to finish my Christmas shopping before I spent a couple days of my vacation ferrying my brother to and from his homestead to a medical appointment in St. Louis. I wanted to have the Christmas shopping done so I could take the Christmas presents over since I could not ship them because I lack certain stickers for the package. I bought a couple things for myself during this excursion, but apparently not enough to have posted about it.
Not that it matters where I got it, but I dived right into it. I remember that my sainted mother watched this show, whether on first run when I was really young or in syndication when I was what would later be called a “tween.” (Where did that word go? I haven’t seen it lately. Maybe I don’t see it because my boys are past that now.) But I didn’t remember much about it, and what I might have–San Francisco and Karl Malden–is undoubtedly mixed with Rice-a-Roni (the San Francisco treat) and American Express (Karl Malden saying, “Don’t leave home without them.”) commercials.
This set of 4 DVDs contains the first half of the first season, which is the television movie pilot (based on a book called Poor, Poor Ophelia which I might just look for now). This is actually a pretty good snack size for my television watching, as larger sets that we have which include complete series daunt me–they will consume my evenings for a couple of months–but this one was only a couple of weeks. I might pick other such volumes up if I see them, as I enjoyed the series.
If you’re not familiar with the series, it has an older police detective, Mike Stone (Malden) partnering with a new detective (Michael Douglas) who is educated/a college boy (not clear: how he came to be a detective; a few years in uniform would have acclimated him to police work and made him less of a college boy than he is in the show, but never mind–maybe that’s covered in the book). They work all kinds of cases, not just homicide–although they get their share of those. It was filmed on location. Well, from the second season on, the entire show was filmed in San Francisco, so you really do get a sense of place. I’ve been to old San Francisco twice in the early part of this century, and even then it was dingier than in this program comes out of the 1960s and shows a little bit of the seemy side. But not as gritty as modern shows, I imagine.
I won’t go episode-by-episode (Wikipedia has a list with short plot summaries). I will say that the story structure varied widely; it was not a formulaic body-detect-solve or body-we know who the bad guy is-detect-solve structures. In some of them, the actual crimes do not occur until the second or third act (each portion of the show is enumerated as Act I through Act IV with an Epilog outro). In others, the crime occurs within the first minute. We have some kidnappings, some assaults, and some homicides. In most cases, Malden wants to talk or negotiate with the criminal. There’s a little fisticuffs and a little gunplay, but most of the time the bad guy is taken into custody.
So it was a pleasure to watch, not only for the sudden nostalgia I’m having for the 1970s. Anemoia, I know, nostalgia for a place you’ve never been because I was very young then and did not have to deal with an adult’s cares, but I remember it as a secure time for young child Brian J. and I remember the look and feel of the time. The film made me want to get a couple of sport coats and return to going Grant which I have fallen out of again because I’m really not going anywhere, really, these days, and when I do, dressing business casual makes one stand out in not a good way.
I could not help but note how the intro kind of matches the style of that for Hawaii Five-O. Both have that sixties/seventies sound to them and feature a lot of quick clips of tourist locations with a lot of zoom effects. Compare:
The later program started earlier and lasted longer, and I watched it in syndication more completely than this program.
As my youngest took his driving test as I started watching, I could not help but chuckle that the drivers followed all of the obscure rules that trip you up on the driver’s test. They turn the wheels to the curb when parking, but that’s easier to remember when you’re parking in San Francisco on a thirty degree incline. When kidnappers nab a guy on the street, they signal to re-enter traffic from the curb. So a little extra for me. The lad passed first try, or I would have made him watch the series with me.
I couldn’t help but notice, also, the guest stars in many of the episodes went on to get series of their own. One episode has Hutch, and then a later episode has Starsky. An early episode has Mr. H., and another has Mrs. H. from Hart to Hart–and the latter episode has Devon Miles from Knight Rider. Mel from Alice is a recurring character as is Dr. Huer from Buck Rogers in the 25th Century. So in addition to a bunch of that guys from 1960s and 1970s television, we get people who would go onto some success of their own. Lost, I am sure, on younger viewers. But are there younger viewers? Probably not.
And, yeah, the anemoia is hitting me hard these days, what with all the books from the 1970s I’ve been reading an my earlier excursion into Sha Na Na this summer. I suppose if it all turns out okay, my boys will have a similar sense of the 2020s that my parents probably would not share with their adult perspectives and no assurances.
On Saturday, we went to a cross country meet in Lebanon, about an hour or so northeast of Springfield off of I-44. You know what was also just off of Interstate 44? Half-price day at the book sale. So my beautiful wife and I went; the youngest remained in Lebanon with his team, and the oldest was still at home, so it was a date. But I won’t make that mistake again, as she bought a lot of heavy things, and the two trips I would normally make to the car carrying large boxes of book turned into four.
The stacks to the right represent the cookbooks and magazines that my wife bought along with her five LPs. Somehow she managed to spend about a quarter of what I did.
But I got these books:
Nine early editions of Edna St. Vincent Millay’s works, including The King’s Henchman (1927), Fatal Interview (Third printing 1931), Renascence (1921, ex-library from Hawthorne College in New Hampshire), A Few Figs from Thistles (1922), Make Bright the Arrows (1940, ex library from the Dallas County library), The Buck in the Snow (Stated First Edition 1928), The Harp-Weaver and Other Poems (Stated First Edition 1928), Huntsman, What Quarry (Stated First Edition 1939), and Flowers of Evil, Baudelaire’s poems which I read in 2015–I had not realized Millay along with George Dillon translated an edition in 1936. I owned most of these already, but I’m not sure which I own which are first editions–and I just read Mine the Harvest earlier this year for the Winter Reading Challenge and The King’s Henchman2007. Having only two book reports for Millay books on the blog means I am due to read these again. All but one of them were in the old and collectible books section, which means I paid a half of a premium on them, but I’d rather spend that money than have them ground into cat litter. It also likely means that these books all came from one person’s collection donated to the sale, and I have to wonder who that person is or was.
Harvest of Gold by Ernest R. Miller, a collection of pieces of poems and whatnot he’d clipped.
Who Would Win? A Guide to Great Imaginary Showdowns presented by Justin Heimberg. Things like Pac Man vs Cookie Monster, etc. Looks like fun.
Makers of the Modern Theological Mind: Gerhard von Rad by James L. Crenshaw. I have a number of others in the series which I bought at ABC Books and/or other sales. I was pleased to see I did not have this one. If I had, though, it would be the kind of thing that would pass muster on the church free book cart.
Dust and Stardust by Edna Becker, a 1955 collection of poems by…. someone? She had numerous other books listed. This might have been self-published back when that was expensive.
One Hundred More Poems from the Chinese: Love nad the Turning Year by Kenneth Rexroth.
Unbeknownst by Julie Hanson, poems.
A Night Like No Other by Chip Davis, a Mannheim Steamroller-branded Christmas novel. Man, I have seeded my library with so many Christmas novels to ensure I can find at least one in December that perhaps I should start reading them now.
Honey and Salt, poems by Carl Sandburg (1963). Makes me think I need to order more mylar, as I’d like to cover this book.
Rare Books Uncovered: True Stories of Fantastic Finds in Unlikely Places by Rebecca Rego Barry. Oh, yeah, I am going to like this one–I liked A Pound of Paper earlier this year which was about a book seller finding books in odd places.
Hot X: Algebra Exposed by Danica McKellar. I don’t often say it about books, but Pretty Woman on Cover. This is Winnie Cooper’s math book. Well, the intro to higher math book. Which I might read soon–when my boys started taking algebra in middle school, I bought a couple of primers to refresh my understanding which I’ve since lost in the stacks. But this will be on top, likely.
Zen Interiors by Vinny Lee. Definitely not my style–I’m browsing a look book from the 1970s which really taps into what I like, and this is not that. But I got it anyway.
Living in Wyoming: Settling for More by Susan Anderson/photos by Zbigniew Bzdak.
That’s, what, 21 books? My wife pointed out that she bought more. But the records are another story (and another post).
I also picked up the following audio courses to store in my closet until I take another car trip:
Rediscovering Shakespeare: The Tragedies
Existentialism and the Meaning of Life (if you think there is a meaning of life, you might be doing your Existentialism incorrectly)
Famous Romans
Turning Points in Modern History
Rome and the Barbarians
The Life and Times of Benjamin Franklin
An Introduction to Greek Philosophy (only part 1 of a 2 part set)
Every time I buy cool sounding courses, I want to commute. But we’re currently fewer vehicles than drivers at Nogglestead again, so it’s not as though I would get to go anywhere anyway.
So I spent…. Well, probably $80 on books and audio courses, which is not bad given the Millay collection. Although I wish I had kept a running total as I went because that seems a little high.
I picked this book up from the free book cart at church. I might have mentioned before that I pick up a book sometimes on Sunday mornings, especially ones where my beautiful wife has to be there thirty or forty-five minutes before service begins. I’ve also been known to drop off books when I find a duplicate in the Nogglestead stacks, but only if the book is fairly wholesome–the Battlefield park little free library gets the saucy stuff. For a while, other people were also leaving books, non-church books–westerns and whatnot–but then on Sunday all that was cleared off as though someone decided that was not what the cart was for. The cart, I imagine someone saying, was for inspirational Christian books. And, brother, this book is not a Christian book.
Instead, it is a collection of quotes from Klemp, who apparently is the leader of Eckankar, which scans like Hinduism blended with just enough Christian iconography to perhaps attract wandering members. The book talks about God, and it talks about the Holy Spirit, but it also talks about the soul as being part of divinity, different worlds/planes of existence to which the soul can rise, and reincarnation. Stuff that your pastor probably would prefer you not like too much.
The book, again, is a set of quotes from other works (Klemp had over 60 books by 2006, and probably many more in the intervening decades). So it doesn’t go into too much the ontology of the recently developed school of religious thought, but one wonders how much deep ontology one would find in the more seminal works–whether they would tend to the academic and scholastic or just be happy guides to letting your soul glow.
C’mon, man, you can’t read that phrase and not sing it.
At any rate, one of the passages reads:
Each Soul is an individual and unique being. We have two parts to our lower nature: the positive and the negative. When we get to the Soul Plane, we find that threse two parts become one.
I can’t see “Soul Plane” and not think of the film. And I can’t help but say it my head like this:
Sorry, I didn’t take this book very seriously. It’s got just enough of the ontology, the talk of different planes of existence and whatnot, to not be completely useful as a simple mindfulness self-helper. And I’m not really a spiritual kind of guy looking for a new framework to help me understand my place in the universe. So, ultimately, I cannot actually assess the book nor its religion properly. But it’s definitely different from the lightweight Buddhism I sometimes read.
In this case, the book covers mostly monster movies as the “horror” films–slasher films would only be coming into prominence about the time this book was coming out (the original Texas Chainsaw Massacre was 1974). We do get some Hitchcock-style thrillers, and I laughed out loud when a still from the opening of Zardoz was on page 18.
So the book is probably designed for people who are fans of the genre to page through as kind of a checklist or a reminder of things they’ve seen or items to add to their list of things to catch on the Creature Feature on Saturday mornings on a UHF station. I have seen a number of films in it, including a couple quite recently (Dracula and Barbarella if you, as I do, count 2022 as recently). I’ve also seen Night of the Living Dead, Cabinet of Dr. Caligari, The Birds, King Kong, Metropolis, Soylent Green, The Pit and the Pendulum with Vincent Price (recently, but not recently enough to have blogged it), and maybe all or parts of some others. I have to say I’m less inclined to go hunt down the old horror films than the old noir films in Tough Guys and Gals of the Movies, but I’m not likely to find many of either in the wild.
It’s a product of its time also in that one in the 21st Century knows to call some films the original. Films the book discusses, such asInvasion of the Body Snatchers, Psycho, The Fly, and King Kong would be remade not long after this book came out. Some of the actors became more widely known for other things–Peter Cushing and Christopher Lee, for example, starred in a number of monster films in the 1960s and early 1970s, but they’re most known for Star Wars and/or The Lord of the Rings.
I did spot one error in the book; it says The Omega Man was set in New York, but I knew it was in California (I’d thought San Francisco, but Wikipedia says Los Angeles).
As with the previous book, I found it to be a pretty quick read; it is chock full of photos, mostly black and white but some color, but the ratio of text-to-image was too high for browsing during football games. Now that that old life is behind me, I shall endeavor to go through more of these sorts of book. Heaven knows I have a couple more like it.
Of course, it probably is just a matter of “journalists” suddenly watching news services and X.com for matching stories to dish up as companion pieces.
It does not calm my nerves, though, that the summer has been full of stories about shark attacks.
This was the only book I bought at the Friends of the Christian County Library book sale last month, and after finishing Glory Road (and whilst still working, slowly, on Walden), I wanted something a little different.
Do not confuse this book with Tough Guys and Dangerous Dames, which I reported on in 2004. Not that you would; that one is a collection of pulp fiction, whereas this one is a litany focusing on actors (and some actresses) who played hardboiled or sub-versions of such characters in the movies, whether detectives, villains, or…. monsters? Yes, Bela Lugosi and Vincent Price are mentioned. Of course Cagney, Bogart, and Robinson are mentioned. So are later arrivals like Kirk Douglas and Burt Lancaster (I’m pretty sure I’ve only seen these actors together in a film called, oddly enough, Tough Guys which was on Showtime back in the day). At the very tail end of the period covered, we get actors like Robert Redford, Gene Hackman, and some others who were getting into 70s tough guy actors who were really not that tough at all.
It’s an interesting role call (ahut) that includes some older actors who are mostly forgotten today (Dan Duryea, Charles Pickford, and so on) as they did not reach the heights of some others.
This was a longtime high school library book in Ash Grove, but not necessarily a popular one. It was checked out 7 times in 1982, 4 times in 1983, 2 times in 1984, 3 times in 1985, 2 times in 1987, what looks to be once in 1992, and once in 1983. I have to wonder how relevant this book would have been to high school students in the early 1980s, as the majority of the films covered in the book were released in the 1930s through the 1950s. Probably more relevant than a similar time elapsed period today as old films were still in rotation on UHF stations and on Saturday afternoons and late night shows, and the cable viewing diaspora had not occurred yet. I guess some of the actors were still working in the 1980s–Vincent Price provided voice over for “Thriller”, Clint Eastwood was still playing Dirty Harry and had perhaps his best Western yet to come, Raymond Burr was still making Perry Mason movies, and, of course, the aforementioned Tough Guys.
I enjoyed the book and read it quickly, and it made me really want to find some of these classics on home video. Which might inspire me to spend even more at the upcoming Friends of the Springfield-Greene County Library book sale than I would. Although restraint has not really been one of my strong suits.
When I bought this book in 2021, I said, “…a browser that would be right up Lileks’ alley.” And so it was, although with less depth than you get out of Lileks’ The American Motel site which Lileks has built over years from postcards.
This book, though, is a quick, inexpensive collection of photos featuring mostly motel signs but also some actual motel photos, including a few interiors and a couple of the fronts of motels or the grounds. A few are black and white for real retromania, but others are relatively contemporary. Ha! I mean contemporary to people of a certain age. Judging by the cars outside the motels, the photos only go up to the 1980s.
You know, I was kind of expecting to have visited a motel depicted within the book. Not because I’ve visited a lot of non-chain motels in my day–I think I’ve stayed at maybe three or four in my lifetime, and Budgetels, Hampton Inns, and whatnot. But given that the cover of the book has Route 66 right on it, I fully expected to see St. Louis’s Coral Courts in it somewhere because they had a distinct art deco look to them–and as I mentioned, I “urban explored” them before they made way for a subdivision. But no.
I suppose it counts to my good that my scores on checklists of churches exceeds the score of quizzes based on one-night cheap motels I’ve visited.
I ordered this book from ABC Books during the Covid lockdowns in 2020; apparently, that day I was browsing the animal listings as I bought a number of cat books (and probably sent some to my friend Glenn who never acknowledged it).
It’s basically a listicle of things you can do to be friendly to a cat with one item per page aside a picture of a cat doing something cute (not that I would try to monetize something like that). Basically, it’s a little book designed to be a gift for someone you know who likes cats. Which makes it all the more not-needed-to-be said: That person you know who likes cats probably already does most of these things already because they’re pretty obvious. Also, the age of the target audience becomes obvious when you run into an Ethel Merman reference. C’mon, man, she was old when she was in Airplane!, and that was forty-five years ago. Very few people under the age of 60 will know who she was.
Still, it counts as a full book for the annual total. And, to be honest, I’m a little surprised that it took me this long to get to it. Perhaps I’ve been reading magazines and poetry for end-of-the-evening browsers, and I haven’t really been watching football enough to run through books like this. Still, good to have moved it along in the to-read stacks > read books > estate sale pipeline. Not really looking forward to that last step, admittedly.
I’ve had this book atop the bookshelves in the hall facing out for a while. Well, I guess we did just move/reorganize the shelves out there last autumn when we had some work done at Nogglestead, so it might not have been looking down on me every time I passed through the hall since I bought it ten years ago. But for some reason, I’ve passed over it time and time again. Except this is the year of Sword and Sorcery at Nogglestead (or a year of Sword and Sorcery as the stacks have enough of the genre to support many such years), and the book has a man with a sword talking to an ogre on the cover, so now was the time.
The edition I have is from 1982, so I was going to expound upon the rise of the “normal people from earth go to a fantasy world” subgenre which I would have posited was a mainstay of fantasy in the 1980s, drawing upon my familiarity of Rosenberg’s The Guardians of the Flame series and Chalker’s Dancing Gods series, but further reflection indicates that the subgenre goes way back to the Chronic (what?) cles of Narnia and the Gor books whose reviews pepper the last 20 years of this blog, so instead of a thesis easily disproven, you get this paragraph. Also, this book was originally published in 1964, but thematically it seems later as we will see.
It starts out in that fantasy genre: An early Vietnam vet musters out and bums around, eventually answering an ad in a European magazine. He finds himself transported to a magical universe with a beautiful woman and a short sidekick. Apparently, he’s the hero that the woman needs to complete a quest which takes them across vast distances and through strange environs so that he can help her recover an artifact she needs as queen of the multiverse.
However, after a couple of set action pieces befitting a fantasy novel, we veer into Heilein polyamory philosophy. And then the quest is completed two-thirds of the way through the book, and after that, it explores a bit of what it’s like to be the queen of the multiverse and to be her consort. So it gets a little blowsy in the last third as not much actually happens besides a little politics, musings on male/female relationships, and a visit home by the hero who has changed on his journey.
So: A quick read, well-written but not necessarily action-packed. Not remembered as one of Heinlein’s best, and probably a transitional work between the rocket jockey stuff and the adult stuff with the alternative lifestyles. But perhaps that transition preceded Stranger in a Strange Land more than I commonly think.
Since Friar was hooked on Sarah Holcomb’s accent in Caddyshack, I decided to research her appearance in another of her four movies (this being her first in 1978, and Caddyshack her last in 1980, and Internet searches for “Where are they today?” lead to different flavors of LLM-generated “we don’t know; she starred in four films and disappeared with rumors that it was drugs and schizophrenia based on what one guy affiliated with Caddyshack said nearly thirty years later.” So, to answer the important question of whether she was from old Eire: No. She apparently was from Connecticut, and she did not have an accent in this movie.
At any rate, the film describes the happenings at a party fraternity at a fictional college. Two freshmen are looking to join a fraternity, so they visit the hoity-toity fraternity first and are not pledged, and then they go to the Delta house where they have an “in” as Dorfman’s brother was a member of the frat, so he is a legacy. But it’s the lowest frat, and Dean Wormer has them on probation and then “double secret probation” and looks for an excuse to toss them out. Hijinks ensue, including a toga party, a road trip, and culminates in an attack on the powers-that-be during a parade that is less funny now in an era of instability than it would have been in 1978 (but set in an even more stable 1962).
You still hear quotes from it and allusions to it (double secret probation, “Was it over when the Germans bombed Pearl Harbor?”) and see memes about it (Kevin Bacon’s character saying “All is well!”) So it must have hit a certain segment of, well, influencers in just the right way to make it stick culturally. Heaven knows the humor in it was mostly miss for me (as was The Blues Brothers). I guess I was too young to see them at a formative time in my life, or perhaps too old.
And we discussed the Maggie O’Hooligan versus Lacey Underall dilemma in Caddyshack; given that Karen Allen played Boon’s girl in the film and is the only developed female character, if we want an Internet argument, I guess we have to gin up an argument about Babs versus Mandy, the two sorority girls vying for the affection of the leader of the soc fraternity. Continue reading “Movie Report: Animal House (1978)”→
After finishing Houses of Worship, I wanted another book to serve its purpose: Something a little light to read or browse not during football games (probably not going to watch many again this year) but in the fifteen or so minutes between finishing a chapter in a longer work and actually going to bed. I didn’t find a similar coffeetable book immediately, but I did pick up this book which I bought in April 2022, and, as it happens, I read the whole thing in one sitting.
Not because it was compelling nor particularly good poetry.
Instead, it’s a litany of poems written about specific lovers and wives whom he cheated on with named and poetized lovers (and the wives, apparently, cheated on him as well). But it’s written as a bit of a retrospective, a lyin’ in the winter of his years, trying to recapture a bit of his youth and/or maybe brag.
Although published in 1984, this book is a bit of a throwback; the author’s first (of only a handful) collection appeared in 1957, and he went into teaching in the 1960s. So he was in academia in the free love era, when poets were sexy, and he took advantage of it. Yet I can’t but characterize him as Rod McKuen without the depth.
How did this signed copy come to Missouri from back east where the author taught? Apparently, he was a Springfield native (although he did not live here for most of his life). So it’s not like finding Bernard O’Donoghue’s copy of Five Themes of Today here.
Just for Rob K., who is a legacy Modern Woodmen, I’m posting Modern Woodmen news from over in Elsinore:
Of course, a gift to a small museum does not emphasize the old fraternal part of the fraternal benefits organization, but they’re still around and doing good things.
I think they should have proper walk-on music, though. Something almost along the lines of this:
That’s Gloryhammer with “The Hollywood Hootsman” from their old album Space 1999: Rise of the Chaos Wizards from 2015. I still think of Legends from Beyond the Galactic Terrorvortex as their new album even though it’s five years old. I guess I have actually joined the Ancient Oldmen.
Well, I guess he couldn’t steal it since I didn’t publish it on the blog, but our air conditioner failed us on Saturday. When I came in from cutting and screwing some record shelves, I found the A/C was blowing warm air. As it was going to be a mildish weekend, I didn’t call the HVAC company on an emergency basis, so we trotted out some extra fans. And I joked that we were on only fans this weekend.
I mentioned last month that painting the fence and tending the pool left me with a number of empty buckets in my garage and in my driveway, and I was not sure if I knew what I was going to do with them.
Well, this weekend, I used a bunch of them in lieu of saw horses to keep the new record shelves I was building out of the grass so I could paint them.
Also in Nogglestead news: I have finally built the record shelving that I’ve needed since, well, before I got deluged with free records in May.
I have three short stackable shelves to fit the empty wall in the parlor where we used to have a CD holder. But my beautiful wife took it to furnish her office downtown, giving us space for more record storage.
But! She gave up the office before I built the shelving, so the CDs are now in our foyer.
I hope to put the longer set of shelving under our console stereo. However, in the middle of the night, I spent far too many brain cycles thinking, “Aw, man, I measured for the length of the stereo, but what if the shelving is not as deep as the stereo? What will I do then?”
I guess I will find out this afternoon when I bring the shelving in.
And then I guess I’ll finally put the buckets in the shed with the extra wood that I bought for the shelving which I did not end up using.
Will this be enough to make me comfortable going to the book sale next weekend and buying a stack of fifty cent records? This, too, will be TBD until I get all the records off of the desk in the parlor (and maybe out of the boxes under the desk in the parlor which we received as part of my mother-in-law’s downsizing two and a half years ago–not to mention the box or two of my mother’s pop records which have been in storage for a long time as well).
I bought this book at the end of June, and I selected it as my end-of-night, I-don’t-want-to-start-another-chapter-of-a-longer-book book. What are those longer books I deferred whilst paging through this book? In order of time spent on my chairside table without my planning to throw them back into the stacks, they are The Complete Works of William Shakespeare, The Life of Greece (the Story of Civilization Volume 2), The Rape of the Lock by Pope (not a long book, but eighteenth century verse is harder and slower to read than nineteenth), and whatever bit of fiction I’ve got. I have other books on the side table, but I’m going to one day soon clear them from that table and throw them back. It’s been long enough that I’ll want to start from the beginning again. Well, maybe not The Innocents Abroad.
At any rate: This is a hardback publication by Ideals Publishing, the firm behind Ideals magazine (at least in those days). It has 36 different entries on old churches and cathedrals not just Christian or Catholic but also including a synagogue, a temple of the Bahai faith, the Church of Latter Day Saints, and Christian Scientists. I guess, depending how ecumenical your faith is, the latter two are Christian faiths of a sort as well. But anyway.
They’re broken into chapters grouping them as old churches of New England (and a little west), missions, modern churches, and whatnot. Each entry has one to three pictures about it as well as a couple paragraphs of the location’s importance or origin. Many of the locations were by then (1977) abandoned by worshippers and picked up, sometimes after some time, by foundations or historical societies for restoration as museums.
The Joan of Arc Chapel on the Marquette campus. Although I spent many hours reclining on the wall between the chapel and the Memorial Library, I only visited the chapel while showing the campus to someone else, either my mother at graduation or a girlfriend after. But I’ve been in it.
The Church of Annunciation, also in Milwaukee, which was the location of an annual Greek festival. Maybe I’ve only been on the grounds, but I have a sense that I took a tour at some point.
The new cathedral in St. Louis, where I attended the funeral of the father of one of my beautiful wife’s co-workers.
Which is a surprising number, actually, as I don’t tend to seek out old churches when travelling (active Missouri Synod Lutheran churches when staying over on a Sunday, but not old churches). And I have not been to the southwest (home of Spanish missions) or much to New England.
So an interesting little browse, especially for the purpose I use it: To pad out fifteen minutes before bed and to pad out my annual reading count.
I mentioned when I bought the book that it had an inscription. Here it is:
In it, Mrs. Gamble apologizes to the Barner family for “crashing their party” and hopes that they enjoy their retirement.
Internet stalking says the Gambles founded a gift shop in the 1960s that sold Waterford Crystal and that they later sold the store in 1984 to a local poet/children’s book author and his wife. The shop closed in 2018. Mr. Gamble died in 1990; Mrs. Gamble died in 2021 at 101. Mr. Barner was a local banker who died in 2021 at 100. Given that the inscription is dated 1986, he had a nice long retirement. Mrs. Barner died in 2009.
I really have become an Internet stalker of people whose books I later own, and this seems really weird because unlike Mary Ovenshine, these people could have been neighbors. Well, probably not, but some of them lived in Springfield when I did.
well, as I bought this film on Friday, of course I watched it Friday night. I mean, it’s Zardoz. You might never have heard of the film, but if you’ve been on the Internet for any length of time, you’ve seen Sean Connery in his costume.
And if you have not, you’ve seen it now.
The film is dated 1974, and it was filmed in 1973, but this is a very British and very 1960s movie.
The plot involves a bifurcated or trifurcated story set in 2293, 320 years in the future. A flying stone head, the god Zardoz, distributes guns (but no ammunition seemingly aside from what might be in the guns) to Connery-clad Brutals. The orange-clad ones are Exterminators, tasked by Zardoz to hunt down other Brutals, the normal ones, and exterminate them to keep them from overpopulating or just because this is a 60s British movie. However, I guess the Exterminators are also making the other non-Exterminator Brutals raise grain for Zardoz. Which, it turns out, is a front for the Eternals, a group of people living in luxury, albeit a early to mid-20th century luxury. The Eternals are protected in a society run by a crystal-based AI called the tabernacle, written/built mostly by their parents who locked them into one or more protective societies called Vortexes, and they have evolved beyond sleep, instead doing hippie-dippy group meditation or something. They’ve got their problems, too–some of them have become Apathetic and don’t bother to move, and others who commit thought crimes are artificially aged, so a group of old people live in permanent old age in an old folks’ home. But Zed, Connery’s character, sneaks aboard Zardoz and lands in a Vortex. He is taken into custody, studied, and displayed as a curiosity even as one Eternal, played by Charlotte Rampling, wants to destroy him before he can destroy the Eternals.
As I mentioned, this is a very 60s British movie with more of an idea and cinematic execution of an idea than a gripping or even plausible plot. It starts with the floating head of the Eternal flying the, well, flying head of Zardoz explaining some of what he was doing followed by the head barfing guns and the Exterminators taking them and Sean Connery shooting the camera/audience before the titles. Some of the scenes and set pieces are very cinematic and perhaps influenced a bit by expressionism of some sort, and the sets have a spareness you might find in Blake’s 7 or The Prisoner. And the ending where Zed takes a woman, impregnates her, and family snapshots as they grow older with their single son and then die leaving little trace (even though Zed had received all knowledge of the Tabernacle through “touch teaching” which was a very groovy sex montage) kind of leaves one wondering, and not in a good way.
I mean, would man evolve that much and that way in only 300 years? The Brutals getting shot looked like they were dressed for the mid-20th century. And why were they shooting brutals who were producing their food? Was the whole thing a long plan designed to introduce Zed to destroy the Eternals, some of whom inherited the life and were bored with it? One could say It’s a timely metaphor for Western Civilization in the 21st century if one wanted to, and one could maybe write an academic paper on it that few people would read. Fewer people than would watch Zardoz in the 21st century, perhaps.
Yeah, so a cinematic idea more than a movie. And more an event to witness because that photo of Connery is floating around.