Grammar Nazi Strikes Christmas Classic

Or a winter classic, I reckon. “Jingle Bells” lyric sheets contain one or more grammatical errors.

Jingle bells, jingle bells, jingle all the way

is incorrect. The singer is addressing the bells, so it needs a comma for the noun of direct address:

Jingle, bells; Jingle, bells; Jingle all the way.

It could probably use a semicolon or two as well.

The misunderstanding of the song has made people think there is a class of bells called “jingle bells,” but in the song, the class of bells is probably sleigh bells which jingle.

Actually, I have no idea of if any of the preceding is true. I’m just sitting here trying to do my Grammar Virtue Signalling, wherein I expound upon some fine point of grammar that no one disputes because nobody knows grammar like I think I do and because nobody continues listening when I go into Grammar Nazi mode. You yourself are probably not reading these words.

Creepily Accurate

So Facebook has built an animation for me that shows just how few photos I’ve shared on Facebook this year, and I cannot help but note that one of the images is peeking through a keyhole:

You know, if I were reviewing this, I would have said, “Isn’t that what our users are afraid of?”

Good Book Hunting, December 8, 2018: Publishers’ Warehouse, Osage Beach, Missouri

This weekend, our youngest son participated in a robotics competition in Camdenton, Missouri, which is about an hour and a half away from Nogglestead. Instead of getting up at a very early hour to have him at the competition at 7:15 am, we took lodging in Osage Beach, Missouri, for the weekend. Osage Beach is one of the communities on Lake of the Ozarks, another one of the large dam-created lakes in Missouri that filled in valleys and made lots of lakefront property. However, December is not the peak tourism season for Osage Beach, so we essentially had the place to ourselves.

While the lad did his robotics thing, we did our normal visiting-a-new-place thing: look for book stores.

The area does not abound with book stores. The only we could find within thirty miles was a Publishers’ Warehouse at the outlet mall. Which we visited, and I was pleased to discover they had a $1 book cart (just like Hooked on Books, but with newer books).

I got a couple.

I got:

  • Seaworthy, another book about being on the ocean by Linda Greenlaw. I’ve been picking them up since I read The Lobster Chronicles, but I haven’t read another. I should rectify this soon, since I probably have the whole set.
  • Saint Odd, the last (?) of the Odd Thomas novels. I have not read the one that precedes it (Deeply Odd), but I am current to Odd Apocalypse. I bought this one since I’ll need it after I get that book and read it, so why not save? Although I did pay more than a dollar for this book.
  • Contemporary Mosaics, what I thought to be a modern art book collection about mosaics, but as I started to browse
  • Painted Treasures, which I thought was a book about painted objects, I discovered this book is a collection of how-to projects for how you can recreate the painted objects. The book was published by the parent company of Writers Digest which has a number of art books in its stable, but this is the first painting project book I’ve looked at. So perhaps the mosaics book is about making mosaics as well.

We also got a couple of gifts, and others in the family got fully priced mark down books, so I cannot tell you how much I spent. Maybe ten dollars.

The funny thing was that I did not want to spend a lot of time driving in the darkness, but my trip to Osage Beach was in the darkness Friday night, and we left early this morning from Osage Beach so we could see my beautiful wife sing in a Christmas Cantata at 8am this morning, so what I really did was just split the driving in the darkness by twenty-four hours. Which is okay; I’d never been to Osage Beach before, and it became an adventure with a little book shopping attached.

Book Report: Dammit Bre by Samuel Rikard (2017)

Book coverI bought this book at Library Con this year. As I mentioned, it’s the author’s account of being a single father for his eight-year-old daughter, chock full of incidents and considerations from dating to juggling work and childcare needs. I related to a lot of incidents in the book, and I related to the humble origin story.

The book kind of falters towards the end, where it moves from parenting topics to more general thoughts, but all in all, not a bad effort.

I’ve got the first in his fantasy series around here somewhere. I’ll have to see how he does at fiction.

It Must Be Real–It Warns Me To Watch Out For Fraud Messages

This morning, I received a communication from the Director of the FBI:

Office of Christopher A. Wray
Director of the Federal Bureau of Investigation
(FBI)Anti-Terrorist And Monitory Crime Division.
Federal Bureau Of Investigation.
J.Edgar.Hoover Building Washington Dc
Customers Service Hours / Monday To Saturday
Office Hours Monday To Saturday:


We hope this notification arrives meeting your good health and mind.Series of meetings have been held over the past 7 months during Federal Bureau of Investigation with the secretary general of the United Nations Organization. This ended months ago when I took to office as the FBI Director. It is obvious that you have not received your COMPENSATION FUND which is to the tune of US$10, 500,000 (Ten Million Five Hundred Thousand US Dollar) due to past corrupt Governmental Officials who almost held the fund to themselves for their selfish reason and some individuals who have taken advantage of your fund all in an attempt to swindle your fund which has led to so many losses from your end and unnecessary delay in the receipt of your fund.for more information do get back to us.

The National Central Bureau of Interpol enhanced by the United Nations and Federal Bureau of Investigation have successfully passed a mandate to the government of the States and Nigeria the exercise of clearing all foreign debts owed to you and other individuals and organizations who have been found not to have receive their Compensation, Contract Sum, Lottery/, Inheritance.

We are happy to inform you that based on our recommendation your outstanding COMPENSATION FUND of over-due payment in tone of US$10, 500,000 (Ten Million Five Hundred Thousand US Dollar) has been credited in your favor in Federal Reserve Bank of New York. Having said all this, we will further advise that you go ahead in dealing with the Federal Reserve Bank of New York, accordingly as we will be monitoring all their activities with you as well as your correspondence at all levels.

NOTE: There are numerous scam emails on the internet, imposters impersonating names and images. We therefore warn our dear citizens to be very careful with any claim email you receive prior to these irregularities so that they do not fall victim to this ugly circumstance anymore. And should in case you are already dealing with anybody or office claiming that you have a payment with them, you are to STOP any further contact with them immediately in your best interest and contact the real bank (Federal Reserve Bank of New York ) only where your fund is laying, with the below information:

Bank Name: Federal Reserve Bank of New York
Phone: +1 209-248-2297
Contact person: William C. Dudley
CEO/Federal Reserve Bank of New York
Department Code:63804

Contact the bank today and furnish them with this information below for processing of your payment/funds accordingly.


NOTE: In your best interest, any message that does not come from the above email address should be nullified and avoided immediately for security reasons. Meanwhile, we will advise that you contact the Federal Reserve Bank of New York office immediately with the above email address and request that they attend to your payment file as directed so as to enable you receive your payment/fund accordingly.
Ensure you follow all directives from Federal Reserve Bank of New York as this will further help hasten up the whole payment process in regards to the transfer of your fund to you as designated. Also have in mind that the Federal Reserve Bank of New York equally has their own protocol of operation as stipulated on their banking terms.

All modalities has already been worked out before you were contacted and note that we will be monitoring all your dealings with them as you proceed so you don’t have anything to worry about. All we require from you henceforth is an update so as to enable us be on track with you and the Federal Reserve Bank of New York. Without wasting much time, we will want you to contact them immediately with the above email address and phone number so as to enable them attend to your case accordingly without any further delay as time is already running out.
Should in case you need any more information in regards to this notification, feel free to get back to us via email so that we can brief you more as we are here to guide you during and after this project has been completely perfected and you have received your payment/fund as stated.

Thank you very much for your anticipated co-operation.


Christopher A. Wray
Director of the Federal Bureau of Investigation
J. Edgar Hoover Building
601,4th Street,
935 Pennsylvania Avenue,
NW Washington, D.C.
20535-0001, USA

That is the most meta Nigerian scam I have ever seen.

Book Report: The Branson Beauty by Claire Booth (2016)

Book coverI don’t know where I got this book; it has the markings of a Friends of the Springfield-Greene County Library Book Sale, but I don’t see it in the photos from this year. It also has a Barnes and Noble Autographed Copy sticker on the front, so it’s possible I paid full price for it at Barnes and Noble and didn’t take a photo of it. Weird. What is this blog for if not to remind me where I get all these books?

The plot: A showboat similar to the Branson Belle runs aground on Table Rock Lake, and as the local authorities are ferrying the survivors to shore, they discover a murder victim on board. The newly appointed sheriff has to deal with Branson business interests and a blizzard in his investigation.

It’s a standard midlist sort of book, something akin to the Jesse Stone novels from Robert B. Parker.


Boy, howdy, the author, who resides in California, gets a lot of details wrong. It starts when a deputy says that they’re getting some assistance for the boat rescue from the next county. It doesn’t identify which county, which made me wonder about how many details were going to be wrong. Well, not only does it mention that Table Rock Lake is close to freezing–heaven forbid, the lakes down here do not freeze, especially one of the big dam-created lakes like Table Rock. Then, it’s revealed that the sheriff is from Branson County. But Branson is in Taney County. The kids go to Branson Valley high school, which does not exist–in Branson, the kids go to Branson High School. The book refers to 76 as Seventy-six (this is a copy error, not a factual error). There’s a Latino woman saying there’s no Latino community and that people look at her strangely, but, come on, this is not true. When watching the airports for a fleeing suspect, the sheriff talks about the small airport south of town, the Branson airport, and then talks about friends watching the Kansas City and St. Louis airports, but nobody accounts for the Springfield National Airport here in Springfield. The sheriff waits at a convenience store on the corner of Glenstone and Battlefield across from the mall here in Springfield–and there’s no such convenience store. The Springfield Channel 12 reporter–there’s no such station. Oh, and the cold and snow–it’s not typical down here, so people are not that well-equipped for it and it doesn’t tend to last long.

The book has enough errata of this nature to draw one familiar with the area out of the book and perhaps even doubt if the person whodunit really done it.

Which is not to say that she gets all the details wrong–she mentions the twisty drive to Forsyth, and that’s true, especially if you roll through Rockaway Beach, and she talks captures the drive north out of town on 248 pretty well.

Which makes me wonder about how she got some things right, but so many things so wrong.

Apparently, this is the first of a series, so I’m a bit interested if later books correct some of the errors or whether they just let them slide. If I come across others inexpensively, I’ll pick one up to see. I thought about offering to read the manuscripts to flag things that don’t ring true, but I’m not sure I have the time for it.

The Mysterious Frog of Nogglestead

So as I was going to get my children from school yesterday afternoon, I opened the door in my garage and found a large stuffed frog laying against it.

This stuffed frog does not belong to my children; I am familiar with their stuffed animals, especially the large ones.

It was set against the door where the postal carrier tends to leave packages, so I checked it for shipping labels in case someone had mailed us a frog without a box; there were none.

Which leaves me a little mystery, gentle reader: From whence came this frog?

As I am prone to wild speculation, I can only create increasingly outlandish scenarios in my head:

  • It is a warning from the frogs that we should not open our pool in the summer, as too many of their kind jump into the pool and die when they cannot get out.
  • It is a MacGuffin in some plot, laden with drugs or microfilm.
  • It is a gift from a stalker who has, for some reason, nicknamed me “Froggy.” Perhaps because I once looked like this:

    But that would have to be someone who knew me way back when.

  • It blew into the back yard of our next door neighbor, and she or her daughter assumed it belonged to my boys and “returned” it.

To be honest, I’m not sure what I’ll do with it. We’re not bringing it into the house–as one of the unmentioned possibilities is that it is a Trojan frog filled with frogs hoping to invade my home or, slightly more likely, full of bugs of some sort that we don’t want in. I haven’t talked to my newest neighbors of a couple of months yet, and I haven’t talked to most of my other neighbors for years, if at all. If you think I’m going to use it as an excuse to introduce or re-introduce myself to them, well, think to yourselves how you would react to a strange man knocking on your door to ask if this was your stuffed frog. Yeah, I think that, except probably with more 911 calls and gunfire.

And, to be even more honest, I’m posting about it to keep myself on the amused side of the amused/seriously weirded out line.

Book Report: The Tao of Christ by Will Keim, PhD (1997)

Book coverI bought this book in February along with three other books at ABC Books, and I predicted I would read it first since I read The Tao of Pooh in 2016 and The Tao of Elvis in November of 2017. However, of the four books I bought that day in February, I have already read two others (The Virtue of Happiness and The Beauty of Gesture); the other, a history of the Celts, joins another history of the Celts that I bought in 1993 floating around in my backlog.

Well, that’s a lot of bookkeeping. What about this book?

I hoped, as I mentioned, that it would be an insightful comparison of the parables of Christ and the teachings of Lao Tzu, identifying similar thematic elements in each as well as a contrast where appropriate. With a focus on how the Bible is better, of course, along with some little hope that people interested in the Tao might find their way to Christianity through this book (as opposed to Buddhism through Christian Eyes which warns Christians about the sweet seductive lure of heathen philosophy).

Oh, but no.

It’s more of a daily meditation structure. Each of the 48 lessons presents a teaching of the Tao, a parable or Gospel teaching, and then Keim’s own meditation, some of which seem to have nothing to do with the preceding. Many of them rely on an, erm, contemporary translation of the Tao Te Ching, such as:

When a country is in harmony with the Tao,
the factories make trucks and tractors.
When a country goes counter to the Tao,
warheads are stockpiled outside the cities.

There is no greater illusion than fear,
no greater wrong than preparing to defend yourself,
no greater misfortune than having an enemy.

Whoever can see through all fear
will always be safe.

Strangely enough, the original does not mention factories, tractors, or warheads. So I started comparing the translations of the Tao in this book with another translation that I have, and it has quite a bit of variation in it. I didn’t compare the translations of the parables, though, but the stories themselves were familiar and not updated to modern contrivances.

But Keim is not traditional in the Christian sense as he often refers to God as She; I thought perhaps it was only a translation thing as he refered to the Tao Te Ching Master as either he or she, but, no, he was probably equitably translating the same there as well.

So I was going to say that the best thing about this book was that it got me to reading the Tao Te Ching again and the parables, but now I’m even not sure I read them in honest translations.

So I’m going to have to say the best thing about reading this book is that I’m done.

Book Report: Matisse by Volkmar Essers (1989, 2002)

Book coverI bought this book a couple of weeks ago and delved right into it. I hoped it would be a football browser, albeit something I could browse during night games to hopefully not expose the nude model photographed on the back to my children. But it turns out this book has a lot of text that includes not only biographical information about Matisse and a broad discussion of his artwork as it relates to trends in the art world and whatnot but also lush descriptions of the images that explain why the images are awesome.

Text like this:

In 1944 the Argentinian diplomat Enchorrena, who was resident in Paris, commissioned a door to connect his bedroom and bathroom. Initially Matisse opted to present an idyllic theme: a nymph sleeping, observed by a faun. But both subject and composition left the artist dissatisfied, and his work was a trial to him and stagnated. The diplomat persisted, and Matisse tried again. He chose a new subject, and this time succeeded. The mythological ‘Leda and the Swan’ (p. 82) has been stripped of all narrative content. Jupiter, who according to the myth came to Leda in the form of a swan, can be seen in the upper part of the picture, his arabesquely curved neck and head bending across a black space to Leda, who turns away. The monumental female nude has been fashioned sparingly and vastly. The empathetic, streamlined figure has something heroic, and restores the dignity to the myth. To right and left, red panels with a leaf design provied the triptych’s frame and give Matisse’s interpretation a revelatory flavor.

Which describes this:

The text contains a lot of art criticky words about the colors (the subtitle of this book is “Master of Colur”), flattening of the foreground, the additional complexity of the patterns when a table is turned in perspective in an otherwise flattened picture, and the wonderfulness of simple geographic patterns (sometimes repeated!).

But, come on. This stuff is insipid and stupid.

I have mentioned that that I don’t grok primitive art, and I really, really don’t care for the early 20th century’s descent into simplistic, unrefined brushstrokes as art. I mean, looking at a lot of this, I conclude that individual choices in the strokes, lines, and coloring doesn’t really matter. If that crescent had been an inch to the right, what difference would it make? My beautiful wife said she could probably not do better, but I don’t think she could do worse, and she and I are not fine artists with devotees and collectors and some influence (for some reason).

I’m starting to wonder if my beloved Impressionists, even the good ones (Renoir, Manet, Cassatt, and I suppose Monet) irretrievably broke art when they diminished the reliance on clean lines. The bad ones (Degas, Toulouse-Lautrec, and so one) might have led to Cubism and whatever ism Matisse is. In celebration of the hundredth anniversary of World War I, a lot of commentators told us that the war broke Western civilization. Looking at Matisse, I expect the cracks were already there.

So don’t expect to see Matisse prints at Nogglestead nor any other monographs of his work reported on in these pages. A Good Book Hunting post from 2015 indicates that I have another Matisse title around here somewhere, it might be akin to What Makes A Picasso A Picasso?–that is, a children’s book. So that might be the exception–I’ll certainly not buy another Matisse monograph.

Oh, and since this the Internet, I know you’re all jonesing for the back cover. I’ve put it below the fold.

Continue reading “Book Report: Matisse by Volkmar Essers (1989, 2002)”

Coming Sooner to Missouri

Well, Missouri passed Proposition B which will raise Missouri’s minimum wage to $15 an hour (see also Won’t Someone Think Of The Soulless Automatons?), we can look forward to our retail establishments being early adopters of technology like this: Robot Janitors Are Coming to Mop Floors at a Walmart Near You:

Robots are coming to a Walmart Inc. near you, and not just as a gimmick.

The world’s largest retailer is rolling out 360 autonomous floor-scrubbing robots in some of its stores in the U.S. by the end of the January, it said in a joint statement with Brain Corp., which makes the machines. The autonomous janitors can clean floors on their own even when customers are around, according to the San Diego-based startup.

Who could have guessed it? I mean, aside from someone with any proper sense of economics? Which is in very, very short supply amongst people under, what, forty in this country?

Compare and Contrast, St. Louis Post-Dispatch-Style

Why housing choice is important for voucher holders:

Mobility Connection is a program that helps voucher holders move from low-opportunity areas to high-opportunity areas. Tara Kennard, a Mobility Connection Client, and Janie Oliphant, program director at Mobility Connection, talk about why some housing voucher recipients seek greater flexibility in choosing where they live.

Housing people in government-run centers is bad! Letting them choose through vouchers is good!

Editorial: Bad report card for federal school voucher program:

There’s long been a cherished belief among some education reformers that student performance can be lifted by giving private-school tuition vouchers to children stuck in low-performing public schools. That belief took a big hit last month, the latest in a series of big hits.

The U.S. Department of Education’s research division released a report saying that first-year participants in the District of Columbia’s Opportunity Scholarship Program did much worse in math than the kids who were denied a voucher and stayed in public school. Students from kindergarten through fifth grade also fared much worse in reading, and among older students, reading scores were close to those of their public school peers. The findings help debunk the notion that voucher-enabled students in private schools produce better outcomes than those attending public schools.

Educating people in government-run centers is good! Letting them choose through vouchers is bad!

Just kidding about the compare and contrast. Clearly, these are conceptually two different things, not alike at all. At all, you hear me?

Good Album Hunting, November 30, 2018: “Christmas Shopping” at Relics Antique Mall

On Friday afternoon, I led my reluctant boys out “Christmas shopping” to Relics Antique Mall mostly to get them out of my beautiful wife’s hair as she finished her work day.

Not surprisingly, this led to little actual Christmas shopping and a whole lot of record browsing. Which leads me to my first lamentation: The price of records at the antique mall is going up. Whereas the floor for album prices was a dollar, with a few going for five or eight bucks, now the floor is essentially three dollars with some titles of recognized bands from the 1970s or 1980s (or beyond) going for over ten dollars each. Which is a little rich for my blood. Which means I find it impossible to justify a stack of them such as I can with records that are only a buck.

Now, my second lamentation. The record I did not get? Phoebe Snow:

The first record I saw that I was excited about (the first I picked up was a two dollar Latin compilation album with a saucy woman on the cover). But the Phoebe Snow album…. Well, all right. I said in September that I was going to keep an eye out for this LP, and here it is!

Except: It had no price on it. No price tag that had fallen off that I could find. As it’s an antique mall, the people running the registers have no idea about the pricing set by the individual booth renters. This particular booth sold LPs for between two and ten bucks. I think I would pay ten bucks for the album, but I was not in the mood to take it to the registers and tell them I’d pay it; they’d think I’d taken off the tag which was priced higher yet.

So I set it on top of the record display, hoping that the owner of the booth will see it has no price tag and will price it (at $2, I hope) so I can pick it up in a week. When I will return to see if the album has been priced and I can buy it when I return for more “Christmas shopping.”

But I did console myself with a few other things.

I got:

  • Elvis’ Christmas Album by Elvis Presley. You hear a number of selections from this album on the radio from time to time, but he didn’t make it onto the compilation albums of the era.
  • The Beat of Brazil by Sergio Mendes.
  • Confetti by Sergio Mendes.
  • Homecooking by Sergio Mendes and Brazil ’77.
  • London Underground by Herbie Mann.
  • Voyeur by David Sanborn.
  • Straight to the Heart by David Sanborn. Jeez, button your shirt, brah. I almost needed to buy two albums with saucy women on them to compensate.
  • Too Tough by Angela Bofill.
  • Let Me Be The One by Angela Bofill. Compensation: Complete. Also, I like Angela Bofill, as you probably know if you read these posts all the way through.
  • Shangri-La by Jackie Gleason.
  • Riff Jass by Jackie Gleason.
  • Breakout by Spyro Gyra. I’ll pick them up when I find them now that I’m straight on who Spyro Gyra is and is not.
  • Monument Proudly Presents Boots Randolph with the Knightsbridge Strings & Voices by Boots Randolph, presumably, and the Knightsbridge Strings and Voices.
  • Second Childhood by Phoebe Snow. Her second album, which went Gold (Wikipedia tells me).
  • Latin Escapade by The George Shearing Quintet, the aforementioned Latin compliation platter.

Okay, I’ve said the last was saucy. Here’s what I mean:

I don’t know whether my calling that saucy tracks with your idea of saucy or not, this being the Internet and all, but I do buy an extraordinary number of platters by artists/groups I don’t know/normally buy when they have a fetching lass on the cover. Or a saucy woman. Which must mean that the people who designed the cover art of said things were onto something.

So Many Quips, Only One Spam

  • I don’t need you to loan me a 5k; I have enough of my own.
  • On the other hand, I have created a new category in my financial software specifically for 5ks, and I’m afraid to see at the end of the year how many hundreds of dollars we will have spent on them. Perhaps I will need to add another mortgage to my house next year to pay for them.
  • “Reduce debt with a loan”? That’s not how it works. But, perhaps this sort of reasoning works on people who only learned Republicans are evil in school.

The Review Is In!

Well, it’s not technically a review. I entered Coffee House Memories in the Writer’s Digest Self-Published Book Awards competition this year.

I did not win.

Part of the contest is the promise of brief commentary from the judge. Here’s what the judge said about Coffee House Memories:

In Coffee House Memories, a book of poetry by Brian J Noggle, we are presented with a tour of the speaker’s mind and heart, a journey that moves from immaturity to maturity to that delicate balance we strike when we look back with fondness or regret on our past selves. The title for this collection seems to this reader to be bland, missing an opportunity to more evocatively cast a tone for the collection to come. The book is broken into sections which helps the reader to navigate through the various themes and ideas that are presented throughout. The poetry here is formal, adhering to set rules and forms, but this does the subject no real service. Form is a useful tool, can be a worthwhile constraint that gives the poem shape and substance while pushing the writer into nuanced phrases and word choice that might not have been available otherwise. Here, however, the form is a kind of lockstep that forces the writer into clunky language and line. The overall design of the book is professional. It features an interior layout that is crisp and clean with text design on each page that is readable and presented soundly. It may seem minor, but getting the interior in order is an important step in getting the reader hooked! Also, the cover image for the book is straightforward and relatable.

Well, it sounds a lot like what Dr. Berry said in my poetry class at the university. I did improve upon my sonnets from that era, though.

And I got really good scores for my book design. That must be a product of years of designing technical documentation or something.

Still, I guess it’s about what I should expect. Maybe some of the lines are clunky, but the book includes some really good poems, too. You could take my word for it, gentle reader, or you could spring $.99 for a Kindle copy and see for yourself.

Book Report: Bitter Harvest by Hazel Hirst (1984)

Book coverThis book is a collection of 14 poems about living on a farm and then losing the farm. It comes out of the 1980s Farm Aid era of family farms lost to corporate interests, a genre that somehow was a big thing in the middle 1980s (a response to President Reagan, perhaps?) but has dwindled (although, apparently, Farm Aid is still going, so perhaps it’s just my awareness of it that has dwindled).

Apparently, the purchase of this book in 1984 included a raffle ticket to win the Hirst farm. The author and her husband, faced with debt and foreclosure, tried to sell 50,000 copies of the book to pay off their debts, but ultimately they cancelled the raffle. 50,000 is a pretty lofty target for a chapbook. Take it from a poet who thinks 100 copies is a stretch goal.

At any rate, the poems are lyrics, generally over 12 or 16 lines long and end rhymed. Opposite pages have photos of the family farm and the livestock, so it’s a quick enough book to read. Nothing that sticks out, really. A little more meat than Under the Sunday Tree but that’s mostly because the lyrics are lyrics and longer.

More interesting for the story behind it, though.