Author: Brian J. Noggle

I just got this book in January when spending a gift card at Hooked on Books. So I came across it while taking a break from “An Essay on Man” by Alexander Pope (itself a break from That Hideous Strength, which is a break in the complete works of Shakespeare…).

So: This comes from the middle part of Leary’s career, although I guess he’s continued to work since 2008. But it’s in the middle of Rescue Me which was his dramatic fireman series which ended in 2011, fifteen years ago. He’s been busy with other television shows, films, and voice-over work, but because I associate him mostly with the MTV ads in the 1980s, No Cure for Cancer which I listened to over and over in the middle 1990s driving to Milwaukee and back, and his roles in 1990s films like National Lampoon’s Loaded Weapon I, The Ref, and Demolition Man, I think of anything past the turn of the century as part of his later work even though most of his career has happened after that arbitrary point.

So, what do we have? Well, Denis Leary schtick. He rants about the importance of hard work, families, and gores some sacred cows about our softening society (eventually having to walk back some bit about autism). Being it is 2008, he takes some shots at George W. Bush and lauds Obama; I wonder whether he feels any differently eighteen years on–and whether he could or would admit it if he does.

So I flagged a couple of bits:

• On page 25, he mentions Donald Trump making a vodka when he doesn’t drink.
• On page 90, he mentions Paris Hilton who was a thing back then before the onslaught of the Kardashians. I just watched Paris Hilton in National Lampoon’s Pledge This!.
• Here’s a long and slightly vulgar bit:
  

  I could update that bit [a bit from Lock’n’Load about coffee-flavored coffee] this very second with my thesis on how Starbucks may be responsible for the pussification of America–I reresearch the subject once or twice a week when I stand in line there and listen as some limp-wristed, yellow-Lance-Armstrong-bracelet-wearing, metrosexual-har-goo-sporting, Hillary-Clinton’s-tired-old-ass-worshipping puke spends twelve minutes trying to decide between the Orange Cranberry Vagina muffin or the Pumpkin Cream Tampon Cake while fingering a Save the Rainforest Compilation CD featuring Sting, Sheryl Crow, Joni Mitchell, Sting’s Abs, That Hot 19-Year-Old Blonde White English Chick Who Sounds Like Janis Joplin, and Sting’s Penis–who apparently pops out of his master’s yoga pants to sing his new single “How I Have Tantric Sex With Trude Styler For Seven Straight Hours.”

  He means Joss Stone. I was there in 2008. It was so long ago, but not that long ago.

• Donald Trump again on page 191. I mean, for late boomers coming of age in the 1980s and 1990s, he was quite a touchstone. Especially after his television show.
• Talking about memory in male/female relationships, he says “Unless we’re talking about sports or The Godfather Part One and Two or the Vanessa Williams issue of Playboy magazine.” ACKSHUALLY, the photos that toppled her reign as Miss America appeared in Penthouse. My brother had a copy back in the day.
• He says: “Here’s hoping that–two decades from now when perhaps another twenty-million Mexicans have settled in here and begun to legally prosper, vote, work, and play–racists will have at least five or six more slurs to shout at them during an altercation.” Well, here we are twenty years later (almost), and whole swaths of other populations have arrived on these shores, and Americans of all stripes have indeed updated their dictionary of derogatory ethnic terms. And, yet, somehow anti-semitism is the sentiment of the day.

So: It’s slightly a product of its time, with the political jabs at Bush and whatnot, but it’s also notable for how some of the things he identifies are still relatively timely–and that’s not just the parts about where he talks about the importance of family. The seeds for current sociopolitical concerns were already germinating in 2008. And were fertilized by the administration Leary welcomed.

I got this book in Sparta in 2024 with a couple of other loft interior design books. I read the others, Small Lofts and Minimalist Lofts, not long after I got them. This one, however, languished partially complete beside the reading chair for quite some time before I recently finished it as part of my drive to finish up (or reshelve) books that have been there for a long time.

It’s because it has a high copy-to-photo ratio. It has these chapters:

• the loft look
• space
• light
• materials
• color
• styling
• outside in

Yeah, not capitalized, because that’s stylish.

Each two-page spread has three photos, generally a larger one and two smaller ones, but a lot of gushy, purple, catalog-style prose. Each chapter has a “case study” which is slightly more specific, more of the same. Although the book did not depend upon the word liminal quite as much as the others.

So, to underline (as this book does), the loft style of the early 21st century (and maybe beyond) is to create open floor plan condos that look like Scandinavian museums with their light and neutral colors and simplistic furniture and art presentation (a limited number of things per room), objects chosen for how well they conform to the contempraneous concepts of style and nothing else. Architectural elements like floating steps which look like they might last a decade, but don’t most loft dwellers, especially those buying bespoke lofts like those depicted in books, make me wonder what they’ll be like in five or six years. To say nothing of twenty. But, again, I imagine lofts turn over a lot, and everyone who’s buying a pied-à-terre is going to pay designers and architects to redo it in their vision anyway.

You know, I prefer craftsman to almost lodge design, so for me, a loft has exposed brick and industrial elements but also thick wood accents and tend toward the dark colors. And as for décor, the chapter “styling” opens with:

The key to styling urban spaces is balance. Balance between personal treasures and cohesive, clear and contemporary home style. With our choice in furniture, fabrics, and a hundred other details, we stamp our personality upon a room, we make it ours.

I mean, if you cannot trust a philosophy described with a missing serial comma and a comma splice, what can you trust?

So much of interior design, it seems to me, is self-referential and artificial within the industry itself. Making spaces look like other spaces, with external indicators substituting appearance for meaning. Of course, when I look around Nogglestead, I see things and decorative items with meaning. Going along the mantel on the oversized brick fireplace in our family room, for example, we have a needlepoint girl which was a gift to my beautiful wife; a pair of replica dueling pistols which belonged to her uncle; her acryllic plaque for being on the park board; a shadowbox containing duck and goose calls belonging to her father; a time/thermometer/barometer bit which was a gift; the flag from my mother’s casket; the little crystal lamp I bought in 2018; the cartridges from the salute fired at my father-in-law’s funeral in a triangle flag shadow box; a scale that belonged to my sainted mother; a shadow box containing three garrison caps from my mother’s veterans organizations; a mirror which belonged to my favorite aunt; a marble chessboard that belonged to my grandfather and then my mother; a tin cat garden decoration I bought for my wife; two cat sculptures that belonged to my godmother aunt, including one I bought for her; a fireplace tool set which was decorative at my mother-in-law’s house but is functional (some times) at Nogglestead; and a porcelain cat sculpture I’ve named Darla which belonged to my favorite aunt. I look around the rooms, and I can tell you why the things are here. Some elements do not scream Brian J. did this–mostly gifts consumer art from my godmother aunt or chosen by my beautiful wife (although we have one set, down from two, of cheap consumer art I bought in my Ebaying days). So no balance between personal treasures. All personal treasures.

Should I someday have a loft, it will not look like this. It will look like Nogglestead but probably with a more open floor plan. And I will invent industrial lodge cluttercore.