Amongst the music-themed sponsored posts I see on Facebook, I have learned that David Gilmour, of Pink Floyd and solo projects, is apparently a Dallas Cowboys fan:

Well, he’s British, so maybe he thinks Dallas is really America’s Team.

Here’s the last song on his 1984 album About Face–my favorite of his solo albums. I got it on cassette, about wore it out, and now have it on CD. The song is entitled “Near the End”:

I quote it a lot. Well, relative to other songs.

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Another Entry in the “Is That The Name of the Song or the Band?” List

I briefly mentioned a thought game four years ago to think up bands who have songs that are another band’s name.

Back then, I had such suggestions as Fozzy’s “All That Remains” and Alice Cooper’s “Poison”.

To these I should like to add Bad Company’s “Shooting Star”:

In the early 1990s, listening to AOR on QFM in Milwaukee, one would also hear the band Shooting Star, generally “Last Chance”:

I bought greatest hits collections on cassette by both bands, Shooting Star on the weight of the song above and Bad Company’s based on “Feel Like Making Love” which I’d first bought as a cassette single.

Bad Company might win this game, as the band also has a song “Bad Company”:

I am not sure you can get more recursive than that.

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The Clues in the Songs

One does not have to go all The Da Vinci Code or National Treasure to find clues that will lead to some treasure. I have discovered some sort of conspiracy or puzzle in popular music across the generations.

So a recent (2019) song from Four80East, “Cinco Cinco Seis” has played a bunch on WSIE and DirecTV’s smooth jazz station many, many times:

In it, they repeat like an electro-jazz numbers station, “Uno dos tres quatro cinco cinco seis.”

Yesterday, on the radio, I heard “Pretty Fly (For a White Guy)”, the 1998 hit from The Offspring, and it, too, says that number:

1-2-3-4-5-5-6. What does it mean? Some people might say it’s counting to get the beat before starting music, but the music has already started.

It’s coordinates. Or something.

Does the number 480 and the direction East mean anything?

The beginning of “Pretty Fly (For a White Guy” samples the beginning of 1983’s “Rock of Ages” by Def Leppard:

According to the official account (if you can believe the “official” story), this made up bit of German-sounding language was, again, designed to be the count for the music to begin–in this case, the music does begin after the words.

But are the words a pass phrase? An indicator that one must start at some point in Germany (a rock?) and go east 480…. something? Is 1234556 the password, proving that the people who have hidden vast treasure in Germany or Eastern Europe were as bad at passwords as people on the Internet?

The clues came out in 1983, 1998, and 2019. Will the next clue come out in a little over 20 years? I cannot wait that long.

If anyone needs me, I will be in a room in the basement, posting photos and text and drawing arrows between them until I solve this mystery.

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Wherein Brian J. Gets Confused by the Smooth Jazz

Ya know, when I hear Bona Fide’s “Coupe de Ville” come on WSIE, I think, “Ah, that’s ‘Minneapolis, 1987’.”

Here’s Bona Fide:

Here’s Brian Bromberg doing “Minneapolis, 1987”:

I guess Bona Fide is sampling Brian Bromberg.

Which is weird, because Brian Bromberg has a song called “Coupe de Ville” on Thicker than Water, the same album as “Minneapolis, 1987”:

Is Bona Fide mashing up the two Bromberg songs/riffing off of “Coupe de Ville” with the sample from “Minneapolis, 1987”? I don’t know.

But in researching this post and listening to the two songs, I’m pleased to learn I’m not crazy or that musically challenged. It’s not like when I confuse two singers who sound nothing alike.

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Soon, We Will Not Think The Modern World Is Creepy

On May 28, I posted The Jazzy Pajamas of Nogglestead and mentioned KHTR, which was Top 40 radio in St. Louis until it switched over to oldies one night. I mean, we went to bed listening to the radio on Sunday, and on Monday morning we awakened to oldies. I thought it was a gag or something on the morning show. Oh, but no. I am pretty sure that the oldies station is gone–I see on an Internet search that it’s now like all the other radio stations that play 70s, 80s, 90s, and now–omitting, apparently, 20 years of crap, although today’s music is tomorrow’s crap.

But Facebook showed me a photo from a group or page it thinks I might be interested in, and it’s the KHTR top hits report, presumably printed in the Post-Dispatch, although the Globe-Democrat was still wheezing along in 1984:

I can actually still recollect most of those songs. The ones I do not remember are:

  • “Love Somebody” by Rick Springfield
  • “Tonight” by Kool and the Gang
  • “Breakdance” by Irene Cara
  • “A Fine Fine Day” by Tony Carey
  • “Illegal Alien” by Genesis
  • “Show Me” by the Pretenders

Of course, if I heard them, I might remember them. It helps that the local 70s, 80s, 90s, and now stations are replaying the hit countdown programs from the 1980s. No fooling; although I did not hear Casey Kasem within the last week (the Springfield station shifted American Top 40 to Sunday evenings instead of Sundays returning from church time), we did hear both Shadoe Stevens and Rick Dees replayed at different times on our trip to and from Wisconsin.

The list includes, what, four songs from the Footloose soundtrack (yes).

Also, Tracey Ullman would later be known as the comedy sketch show where the Simpsons first appeared. And then forgotten.

Holy cats, Generation X is really the last gasp for radio, ainna?

At any rate,

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Misremembering Leads To Errant Music Purchase

In April, I bought a Pat Travers Band album:

Crash and Burn by the Pat Travers Band because someone, I think it was Jack Baruth, posted about him once upon a time recently, although a quick search of his blog does not come up with a post about the band.

Today, while trolling through my archives (sorry, gentle reader: I do not write for you, but I write for me sometime in the future trolling my archives), while trolling through my archives, I discovered a different Pat entirely:

I guess the world wants me to look for Pete Metheny records at book sales.

Clearly, I need a Know The Difference post on these guys.

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Thankfully, It’s Not Musical Theatre

As I have mentioned, gentle reader, I support friends’ and acquaintances’ artistic endeavours. I mean, I will buy books, I will buy CDs, and I will even go to see friends in musical theatre productions. I prefer CDs and book because I do not like musicals, and musicals tend to cost several hundred dollars instead of $10 or $20.

I mentioned I bought Connor Fiehler’s CD Generation Flee in 2020 because I used to work with his parents. When his mother posted on Facebook that he had a new band, I gave it a listen.

She linked to this performance:

Wow, okay, a soul/funk band with a horn section. That’s better than Generation Flee, and the one lead singer can really wail.

The band, The Pitch Pockets, has a single, “Out My Mind”, available on Amazon.

I have bought it, of course, and hope they’ll release more. They’ve got some other things on YouTube worth watching as well.

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Wreckification of Names

So as I was driving to the dojo this morning, “The End of the World (As We Know It)” by REM came on the radio, and it struck me that the song names three people with similar names: Lenny Bruce, Leonard Bernstein, and Leonid Brezhnev.

And I thought, are those all forms of the same name?

Lenny is short for Leonard, of course, but apparently Leonid is not the direct Slavic equivalent–it comes from a shortened form of Leonidas. However, all three do derive from the Greek for lion (Leon). So is there any meaning in this within the song?

I have no idea; however, in reviewing the actual lyrics, apparently a fourth man is named, Lester Bangs, a rock critic who died in 1982. Lester, apparently, comes from Leicester, the English city, and referred to a person from the town. So I got nothing as far as a grand revelation. And I’m not enough of an REM fan to write a treatise on it.

(Name meanings from Behind the Name, the first result in a search for the meaning of Leonid. Hey, since its search engine optimization is on-point, you can take it to the bank.)

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You Will Never Hear It The Same Again

Facebook showed me this ad, which spurred a revelation.

“Moon River” is a cult song.

So it really is about worshipping the moon and offering sacrifices to achieve one’s goals. I didn’t know it, but I know it now, and I’ll never here the song the same way again. Also, I will make a gesture warding against il malocchio whenever I hear Andy Williams from now on. Just to be safe.

Here is Émie Morissette doing her invocation:

Apparently, she is only 22 years old. So I checked to see if she is Alanis Morissette’s daughter. Because the math would work out, old man. But she is not. She must be part of the same Céline Dion cloning project that gave us Alanis Morissette. And Justin Bieber and Michael Bublé. I am pleased to see that the Canadian government is getting better, as Morissete2 is better than the others.

AND JUST LIKE THAT, instead of a single gag with a music video, this has turned into a “Know the Difference” post. During the course of the research in this post, which was mainly making sure I got the accent marks correct on the French Canadian names above (Fun fact: I am one-eighth French Canadian–it’s the second most pure line in my blood after German, which gets one-eighth on one side and smaller fractions elsewhere–but I never earned an accent mark in my name, and my surname is actually Welsh), as I was saying, during my research, I discovered a one-name artist Morissette:

Although she also goes by Morissette Amon, and probably now Morissette Amon-Lamar, her married name.

She falls between the other Morissettes in age and might be better than them both. More research is needed.

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The Jazzy Pajama Pants Of Nogglestead

Every Christmas, I give the family warm pajamas in their current sizes (which will sometime soon be settling into their permanent sizes, as the boys are finta stop growing soon). This year, I gave everyone kinda fuzzy pajamas, which we soon learned should be line-dried instead of run through the dryer, where they started to deteriorate with one or two tumbles. So we hang them in the bathrooms of Nogglestead to dry. My beautiful wife’s garments get hung in the master bath, and the boys’ things get hung in the hall bath. As they are now using the hall shower, we can no longer use the shower curtain rod as a clothesline, so I’ve put the top on the towel hook and the pants on the towel bar.

Which leads to some motion when the air conditioner cycles on.

I can’t walk by that and not here the synth keyboards of Herbie Hancock’s “Rockit”:

You know, that music video creeped me out when it came out. I was but a wee lad of eleven with a vivid imagination for things that go bump in the night, and the discombobulated mannequins tripped my switch. The song, and video, was popular when we lived in my aunt’s basement; we saw it on KHTR’s Hot Hit Video television program which came on after the news on Saturday nights (we could stay up that late, but not late enough for Friday Night Videos on Friday nights). That’s how kids who did not have access to cable and MTV watched videos. Unlike today, where kids with or without access to cable go to YouTube because MTV started playing its original, insipid, and cheaper, content instead of music videos.

At any rate, to sum up, if you don’t click either of the above videos to play them, the pants move a little when the air conditioner comes on and the vent below them starts blowing cool air, and the Herbie Hancock video has pants kicking in time with the music at various other parts.

I don’t have any Herbie Hancock records, and I assure you, Future Shock, which I assume has similar pre-electronica stylings, will not be my first. Unless, of course, I find a vinyl copy for a dollar.


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Earworm Adjacency

If you can say the name of this flavor without using Tone Lōc’s diction, you’re a better man than I am, Charlie Brown.

Frothy Capp-uccino.

Here, let me help stick it in your head.

There. Now you won’t. Although whether you ever see Gevalia Frothy Cappuccino in the wild is chancy at best.

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Know the Difference!

Somehow, lately, I’ve been getting into Japanese jazz, so allow me to help you not make the big mistakes.

For example, Hiromi is a jazz pianist with clear classical influences:

Note to self: There’s a Blue Note in Tokyo? I shall have to add that to my travel plans.

Harumo plays the saxophone, sometimes with Tokyo Groove Jyoshi, but sometimes independently:

Hiroshima is an American band with many members who were Japanese-American or Japanese and who get a lot of play on WSIE:

I have mentioned once or twice before my favorite Hiroshima song is “311”.

If you’re keeping score as I am, know that I own several Hiroshima albums on CD and vinyl and two Hiromi CDs. But I only have the one Tokyo Groove Jyoshi EP upon which Harumo appears–she does not seem to have any albums or EPs of her own available yet.

(Further public service posts explain the differences between Nazes and Misa/Maysa and also Misia and Messa; only two of these are Japanese.)

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Good Album Hunting, April 29, 2022: Friends of the Springfield-Greene County Library Book Sale

As I mentioned, I made it out to the Friends of the Springfield-Greene County Library’s book sale yesterday and hit the dollar record bins. The selection was smaller than the last sale’s–I guess everyone is realizing the value of old records, or perhaps the old, old records in the genres that I like have worked their way through the resale markets already.

At any rate, I found a few things.

This includes:

  • Al Jolson Volume 3, a 10″ record (Discogs minimum price: $1.55).
  • Mexicali Brass South of the Border. Man, Herb Alpert really spawned a genre, ainna? I am constantly finding new examples of it. ($6.00).
  • When You Come to the End of the Day by Perry Como. I don’t think I have this one, but I have so many now that the odds of me buying a duplicate are getting higher. On the other hand, Perry Como put out a lot of records. I saw his Christmas album with another variant cover. ($0.98).
  • Ready for the World, self-titled debut. Probably more pop than soul/funk. ($1.08).
  • Natalie by Natalie Cole from 1976. ($.40).
  • Warm and Willing by Norrie Paramor and His Orchestra. The first entry today with the Pretty Woman on the Cover (PWOC). ($3.99).
  • Emotion by Samantha Sang. 1978 Funk/soul/pop, or so Discogs says. PWOC. ($.25).
  • Sound Ideas by Les and Larry Elgart. I have a couple by Les and/or Larry, including one I bought last weekend. I would have had another today, but it was only an Elgart cover with another record in it. ($1.00).
  • Night Rider! by Tim Weisberg. Not my favorite flutist, to be honest (top three are my beautiful wife, Herbie Mann, and Amber Underwood). ($.79).
  • This Land Is Your Land by the Mormon Tabernacle Choir and Philadelphia Orchestra. Pops renditions of American folk songs. What was I thinking? ($.25).
  • Burnished Brass by the George Shearing Quintet with Brass Choir. PWOC. And I like the George Shearing groups, to which I was exposed because the records often have PWOC. ($1.50).
  • Four Rococo Quartets. Classical, but a bit obscure. ($2.50).
  • Highlights from Saint-Saëns’ Samson and Delilah. ($10.32).
  • Holy, Holy, Holy: Hymns We Know And Love. Some hymns, but some pop hymns. This record is not on Discogs, so it must be really collectible.
  • The Music of the Caribbean by the [WIRL] Steel Band. ($1.69).
  • Lightly Latin by Perry Como. Pretty sure I didn’t have it. Everyone released a Spanish-language album in the 1960s, ainna? ($.98)
  • Holidays in Portugal by Lídia Ribeiro. The cover for this record is actually a brochure for a hotel and casinos in Lisbon, with photos and amenities of each. ($5.26)
  • Country Boots by Boots Randolph. Apparently, everyone also put out a country album. So it’s not too different from today. ($1.00)
  • Della on Stage by Della Reese. ($1.25)
  • Tijuana Voices Sing Merry Christmas. I own more mariachi Christmas music than you do. This is not my first. ($1.90)
  • The Holly and the Ivy by the Mormon Tabernacle Choir. We already have a MTC Christmas record, and my wife really likes it. So now we have another, which means our record player or receiver is scheduled to flame-out around the holidays again. However, thanks to my mother-in-law’s recent move and downsizing, we have spares.
  • Today by Perry Como. This is a 1987 record, so in my lifetime. ($1.00)
  • The Way of Today by Vikki Carr. Of course, as with the previous listing, Today in the title is now The old days; this record is sixties hits. ($.63).

So that’s 23 records; according to the Discogs marketplace, I paid just about what they’re worth from collectors, although the covers on many of them are in rough shape. But I’m not doing this to make money: I am doing this to see how much weight the floor of my parlor can take before collapse.

So we will see whether I get back up north today or spend my time on something productive.

So far, though, my purchases at the book sale have been fairly responsible. Which is unlike me.

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Good Album Hunting, April 24, 2022: Relics Antique Mall

This afternoon, my youngest son had one of his few remaining middle school youth group activities; his activities are an hour and a half long, and the ride into town is 20 minutes, so instead of coming home and going back to get him, I killed the time at Relics Antique Mall.

As you might recall, gentle reader, I received four $25 gift certificates for Christmas, and they’re not gift cards–they’re old timey gift certificates, but the antique mall does not give change on them, so the best strategy is to spend a little over the face amount and pay the difference. Well, that’s the theory.

So I got some records.


  • Sundown Lady by Lani Hall, aka Mrs. Herb Alpert, but a noted singer (and author) in her own right. I actually own this album on CD, but now I can spin it in the parlor.
  • The Shape of Things To Come by Larry Elgart. I’ve got some of his other works and they’re okay, so I’ll spend $2 on another.
  • Steve & Eydie Together on Broadway by Steve Lawrence and Eydie Gorme. Apparently, I bought a copy in 2015, but if I’m not sure, I’ll spend the $2 to make sure. Besides, this is a radio station copy, so more collectible?
  • Family Portrait, an A&M Records sampler collection.
  • Watch Out! by the Baja Marimba Band. I probably already have this one, too, as I own a lot of this A&M band’s recordings, but it was gift certificate money, man, and I don’t see it in a quick search of previous Good Album Hunting/Good Record Hunting posts. Something interesting about this: It was in a different booth from the tag, and it had two Longine Symphonette records stuck in it. I took them out and left them at the booth where I was shopping, but this will likely cause all sorts of mayhem and perhaps my picture on the Relics Wall of Shame.
  • Artie Shaw and His Gramercy Five
  • Crash and Burn by the Pat Travers Band because someone, I think it was Jack Baruth, posted about him once upon a time recently, although a quick search of his blog does not come up with a post about the band.
  • Hot Pennies by Red Nichols because he’s blowing a trumpet on the cover, and trumpet music is always in fashion at Nogglestead, home of the prettiest trumpet player in the world (leaving Cindy Bradley and Tine Thing Helseth to battle for the #2 spot).
  • Meet the Five Pennies by Red Nichols, because if I like him, I should buy all of them available right now.
  • Swing Along With Jonah Jones by Jonah Jones (a copy of which I bought two years ago at Relics.
  • Swingin’ ‘Round the World by Jonah Jones. When I bought the first album two years ago, I mentioned a second album that I did not buy. There’s no telling if it was this album that I saw. Certainly not this copy.
  • Brazilian Bird by Charlie Bird, another duplicate–I bought a copy in September 2020. This is the first record I picked up, so my trip was snakebitten with duplicates from the start.

So that’s twelve records with 3 or 4 duplicate copies and one an album I already had on another format. So maybe that’s not actually good album hunting.

Jeez, maybe I do really need to organize my record collection so I know what’s in it.

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Not Depicted: Who You Are

I guess there’s a comedienne coming to town, but the Facebook ad does not say who it is:

I guessed correctly Margaret Cho even though her name was not listed on the advert, and even though I was not familiar with her work on the listed programs, but I remember she was a big deal from the television program All-American Girl. Twenty-eight years ago. Right about the time I stopped really paying much attention to television or stand-up comedy. So, yeah, I could not really name any comedian under forty.

On the other hand, at least Facebook presented me with an ad for a show in Springfield. Other times, I get ads for artists I’d like to see, like Joss Stone, but she’s performing in Memphis.

Other times, I get bands I’ve never heard of performing nowhere near me.

The who? In Memphis?

And the other who? In LA?

Someday, I would like to have more money than sense. But until then, no jetting off to see unknowns. Given what I’ve heard on the “free” CDs and downloads I’ve seen advertised on Facebook, I’m not even inclined to take those low-cost fliers, either.

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Proving the Rule

Speaking of artists who try to cross types of art, Severian sez:

Indeed it seems the only “artists” who won’t stay in their lanes are actors. I can’t even count the number of actors who have released shitty albums (and no actors who have released good ones).

C’mon, man, I know William Shatner, Leonard Nimoy, and most of the other actors who appeared on Golden Throats compilations (full disclosure: I own three of the four) fit this description, some actors/actresses did release records that did not suck.

It might not be high art, but Bruce Willis’s The Return of Bruno was fun:

I like it so much I am disappointed there was never a follow-up.

I am not sure I ever saw an episode of E.R. in its entirety, but Gloria Rueben had a role in it somewhere, at sometime, before she started releasing jazz recordings:

Of which I have two so far, and they’re pretty good.

And, as you might recall, I ordered Pier Angeli’s record, which is not half bad:

She was a movie actress in the fifties and sixties linked romantically to James Dean and Kirk Douglas. She, too, looks to only have released this single album.

And Chris Jericho’s band Fozzy rocks:

Alright, alright, alright, so he’s a professional wrestler, but you know that’s not real, right?

So, most actors recording music (and a lot of contemporary “musicians” recording music which is their voices, corrected, dubbed over computer renderings) are vanity projects of dubious quality. However, using the logical square, or rectangle, or quadratic equation (it’s been decades since I’ve formally studied logic, so I’m a little fuzzy on the particular geometrology of it), to disprove Severian’s All assertion, I need only to prove One is not, which I most certainly have.

But one must have sympathy for Severian, who apparently thinks the Lenny Kravitz version of “American Woman” is superior to the original by The Guess Who. Clearly, this marks him as a closeted fan of 1990s music.

UPDATE:I was talking this over with my beautiful wife this evening, and I said, “You know, there are some actors who fronted bands, like Gary Sinese and Kevin Bacon. And…wait…. Jared Leto’s band, Thirty Seconds to Mars…”

Which doesn’t suck, although I haven’t listened to a lot of them. Here’s a recent track:

Jared Leto strikes me as a moonbat. Which is better for a rock star than an actor anyway.

So maybe this will evolve into a series of posts over time.

By the way, my beautiful wife suggested Jennifer Lopez, but I demurred, saying she was a dancer, so she was in music first. But her timeline on Wikipedia indicates she was an actress first and a singer second. However, gentle reader, I cannot in good conscience put her forward as an example as I am unconvinced as to the merit of her music. Strangely enough, for a guy who owns a bunch of Paulina Rubio and Shakira CDs, not to mention jazz artists like Rocio Durcal, Rocio Jurado, The Triplets, and, yes, even Selina (for whom Jennifer Lopez got noticed when she acted in a movie about the young songbird), I don’t know much of Jennifer Lopez’s music.

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I Knew Which of The Three He Meant

Last night, on the way home from Maundy Thursday service, my oldest in the back seat said, “‘Learning to Fly’ is a pretty dope song.”

“Coming down is the hardest thing,” my beautiful wife said, quoting Tom Petty and the Heartbreakers.

“He doesn’t mean Tom Petty,” I said. I know the young man. He did not mean the Foo Fighters either.

No, the young man, my son, meant Pink Floyd’s “Learning to Fly”:

You know, it’s the oldest of the three; it came out in 1987 on A Momentary Lapse of Reason which I first got on audiocassette early in college. Tom Petty and the Heartbreaker’s version came off of their 1991 album Into the Great Wide Open; I am pretty sure that I bought the song on a cassette single, but not the whole album. The baby of the bunch, the Foo Fighters song, came out in 1998; I bought the CD for There Is Nothing Left To Lose based on this song. They all came out within, what, eleven years of each other, each an aspirational sort of song about trying and succeeding.

Do they even make pop songs about that any more? Don’t ask me; I don’t listen to pop, and Brazilian death metal is not quite so aspirational.

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Seems Backwards

Ad on Facebook:

Wait a minute: A Pink Floyd tribute band, and Living Colour is the opening act?

What kind of parallel universe is this? Living Colour is the lesser of the acts in a major amptheatre?

Sweet Christmas. I have been wearing a beard (despite my pronouncement last summer that I was done with facial hair for a bit) for a couple of months, but I shaved it off just to see if I can somehow put this universe aright.

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