Category: Book Report

I have described “carry” books from time-to-time, gentle reader. These books I throw into my gym bag to read at the martial arts school whilst my boys are taking classes before my class or to carry to church to read during the Sunday School hour. Well, this year has eliminated the latter, and time itself has eliminated the former. When my boys were younger, they took early afternoon young children’s classes, and the adult class was at 7:00, so I would spend sometimes three hours at the dojo before my class. Then, they were in older kids’ classes, which meant I would still spend an hour or so with time to read. But with the new abnormal, once the dojo opened back up, the older kids and adults had classes together, so we have all had class at the same time. And if the school ends up with enough kids again to split the kids from the adults, my boys will both be old enough to take adult classes. So the days of the carry book, or at least the one that goes into the gym bag, are over. And this is one of the last that I will finish, although it spent some time (years) on the table by the recliner because I was tired of carrying it and wanted to finish it during the evening reading (which is how so many of those books end up on the side table for a long time).

At any rate, this is a coffee-tableish book that focuses on showing variations in samurai armor over time more than give a detailed history of the samurai, although it does give a high level overview of medieval Japan and the tensions between the Shogun and the Emperor.

The book reflects my first foray into Japanese history, and unfortunately, it’s not a good intro (which, again, is not so much the point–it’s more a picture book of Samurai armor and art with some overview than a true history). I found it a little challenging because I am not familiar with the topography of the Japanese islands–the book only provides a single map, early in the book, that I had to keep flipping back to–and I am not familiar with the names yet, so I found it a little difficult to follow. Not Russian novel-level bad, but still. The samurai sometimes changed names, which didn’t help.

So it’s a good book if you’re already kind of familiar with Japanese history and samurai armor, as it can reinforce what you’ve already seen or read, but you would better be served reading other works first.

What other works? I will be hanged if I know. A quick search of the local library system for Japanese history brings up titles on how Anime conquered the world and the internment of Japanese Americans during World War II, so I am not sure how much of a NNipponophile I can become from the library books. But I should read up on it a bit. Japanese history looks to be a little more internally directed than, say, China, where China can get invaded (and does) from every direction, but the Japanese islands mean that no outside force can walk there (a key in conquest, I explain). So Japanese history is full of internecine conflict, but not a lot of being conquered by the Mongols, the Manchu, and so on.

But I’ll find something, sometime, at a used bookstore or book sale. If not, I’ve still got primary sources of Frankish history to read, so I am not hurting.

This is a collection of poetry, or rather a group of cantos about America. Spoiler alert: About the only good thing about America is jazz music. Everything else is pretty much killing the Indians, slavery, and oppression. Well, not exactly that bad but mostly so.

So poetical bashing of America goes back a long time, but I guess Charles Sykes published ProfScam in 1988 and The Hollow Men in 1990 (I read them in my formative college years when they still had that new book smell).

The verse itself is not very evocative; rather, it’s expository, preferring to mostly tell what it wants to say (America bad, or at least suspect). The author in a note at the end says he’s trying to emulate Ezra Pound and the Chinese Odes in writing a vast epic built on individual cantos (there are 15) which include a narrator introductions to individual segments in each canto. The author intends for each canto or indeed segment to be an independent poem, so the rhyme scheme and rhythm varies. Some are better than others. But that praise is relative. Nothing in it is very compelling.

The book is signed, an unnumbered copy of a limited printing of 100 copies. It looks like it was laid out with a typewriter.

It probably was, as it precedes the desktop publishing revolution. My first chapbook, Unrequited, appeared during the desktop publishing revolution and still looks like it was laid out with a typewriter. But on a computer! We all got better.

My beautiful wife glanced over at some point and read some of it, pronouncing it not good, and wondering why I read things that are not good (poems and novels). The professor conducting the current lecture series to which I am listening said yesterday that writers can learn as much or more from reading bad things as good. Which is what I also maintain. Although the importantest lesson for writers is to write as I hope to learn someday.

I bought this book at ABC Books in June of 2019, in the Before Times (sudden thought: this might still be the Before Times of something; I’d better get to enjoying them more). As I mentioned then, my martial arts school has been working with escrima sticks for a while, so I thought I might learn something from this book.

Well, I picked it up this weekend and paged through it pretty quickly because it is chock full of pictures.

So, what did I learn from the book?

Well, not a lot of really new materialy. The sticks used in the pictures and this sensei’s training are a little longer than the ones we use in our class. But he described some of the strikes in terms of overhead strikes, forward strikes, reverse strikes, and terms we don’t use in our school–when I turned them into 1, 2, 3, 4, 5, 6, and 7, I got a little more out of it. Because the stick is longer, the book shows two-handed strikes and a lot of rear strikes with the butt of the stick that my kyoshi does not emphasize. The book has a lot of multiple-attacker scenarios that we haven’t covered in my school, but sometimes I looked at them and thought, “Why would you do it that way? You’re turning this way and then reverse the motion to do this instead of following through and doing this….” Of course, some of the training is designed to break down tendencies and habits to add new possibilities to your repertoire. So I can’t discount it as I cannot discount what my kyoshi does at our school. He has really shaken things up after I got my second degree black belt, which made me glad I got it when I did.

However, I am not sure I would ever want to swing the stick up and over my own shoulders and head to attack someone behind me. In part of a second strike on a separate attacker, I would prefer to spin out and strike from a forward position as this would move me out of a position where one attacker is ahead of me and the other is behind me. But, again, I suppose it is important to drill things you probably wouldn’t use so you know how to do them if you have to.

Also, the starting stick position in the book is the stick held down by the legs, which I guess is a good practice starting position for carrying a walking stick or an umbrella, but I would definitely worry about speed in bringing that up for defense. An improvised weapon, though, would probably go to our ready-start position, which is up over the shoulder. Also, the book talks about using the stick as a block against kicks and punches, which seems a little iffy to me–it’s placing the strength of your wrist against the body weight of an attacker, and I don’t think my wrist and stick would completely stop an overhand right from someone my size–or smaller, even. But, like I said, perhaps it’s best to practice things you will never use in case you ever do.

You know, in addition to browsing martial arts books since I’ve been taking martial arts, I also checked them out from the library when I was a scrawny kid and wanted to learn karate so I could show those other kids. Unfortunately, I never did learn the martial arts from the books because you really can’t from a start and end photograph. You can learn how to use a weight-lifting machine from the iconography on the machine because the machine really inhibits motion to the proper point A to point B (Dom Mazetti notwithstanding). The human body is not like that, though, so one can swing a stick in many ways. How far outside the body line should the stick go from up to down? How much arc on the whack? Oh, yeah, do not drag like you’re cutting with a sword–swing to the point of contact and back.

So a book on martial arts is a good reminder or perhaps good inspiration if you already have experience with martial arts and know how some of the moves should work before looking at the pictures. But you’re not really likely to become good at stick fighting just from this book. You need the reps. So do I. We’ve got a new kata that started last cycle, and I only kind of remember the first three positions/moves. So I should get to class more often, you’re saying; indeed, I should.

Also, I noted in the book that the author cites one of his previous volumes: The Martial Artist’s Guide to The Five Rings, which I bought and started to read in October 2018. I don’t think I finished it; I wonder where it has gone (one of the book accumulation points, no doubt).

So I shall probably have to pick that one up again when I find it.

As you might recall, gentle reader, I ordered this book from ABC Books in May right as the lockdowns were ending here in southwest Missouri. Although I started The Power of Positive Thinking before I picked up this book, I finished this book first–back in September. I didn’t review it before now because I wanted to do a little comparison of them as I did, and I wanted them to be fresh in your mind when I did so. Of course, if you’re reading this first, some of the comparisons won’t make much sense. Not that these book reports make much sense or are much actual “book reports” in any sense of the word anyway.

So. Joyce Meyer, if you’re not familiar, runs a successful (prosperous and it reaches a lot of people) multinational ministry business. I think she started out at a small church in the St. Louis area and then went national, whether just from attending large conventions and writing successful books or whether she got into television which springboarded her to national prominence (or at least the success she has enjoyed). In the St. Louis area around the turn of the century, though, her company employed a lot of IT contractors, so I knew a lot of people who had done some work not with her but on her business anyway.

At any rate, the subtitle of this book is Giving Yourself Permission To Lighten Up. So the focus on the book is, again, not heavy theology but rather explaining that you can enjoy your life and be a Christian. It does not focus on giving or service, but on enjoying what you’re given without feeling guilty about it. So if you want to come charging in with judgment blazing about prosperity gospel, you can make a case, I suppose, that this book does not emphasize Jesus telling someone to sell all his goods and follow Him.

However, the book does focus on the scriptures where Jesus and the disciples relax from their labors. Also, the Psalms. In contrast with The Power of Positive Thinking, or maybe not so much, the book does not really look to using prayer and positive thought as a tools for success but rather as a respite from the tasks and efforts the world requires–as well as some material things, like buying a pair of shoes (which I don’t understand, because I’m a male) or eating a cookie (or a whole pie, which I do understand as I am, well, me). Although these are material and sensual pleasures, the book highlights verses from the Bible which indicate it’s okay to enjoy life in the material world as long as it’s not your primary pursuit.

It’s written to a lower reading level than The Power of Positive Thinking, more conversational. Shorter paragraphs. Modern. The balance of supporting anecdotes come from Meyer’s own life and not so much from other people who critics claim did not exist. The book didn’t change my life, either, and I didn’t like it as much as the Peale book, but I can see how they’re on a continuum and what role they play amongst Christians. Whereas the Peale book might have had the hope and perhaps the effect of bringing back to the church some non-practicing Christians, the Meyer book is targeted to practicing Christians, I bet.

I have a Joel Osteen book around here. I expect I’ll find it very similar.

This book might well represent the longest time between reads on my shelves. I read it in late middle school or early high school when I got this copy, perhaps from the flea market up the hill from the trailer park or perhaps from my grandmother. Or maybe I am confusing it with How To Win Friends And Influence People by Dale Carnegie which I got about the same time in paperback. Given that I inherited a copy of that book from my grandparents, that’s probably the provinance of this book as well–my grandmother was high up in the local Toastmasters, after all, and this would probably fit into that curriculum. Re-reading it in 2020 would put it at about thirty years, give or take, between readings, which beats out Dinosaur Time and Mike Mulligan and His Steam Shovel which I read as a child and then read to my children. Captains Courageous, as you recall, represents the longest elapsed time between when I got the book and when I read it at 30 years. Although I did pick this book up in 2012 when my beautiful wife and I tried the habit of reading books to each other in the evenings. We did not finish this book at that time, so it really is thirty some years between completions.

At any rate, I picked up this book earlier in the year because I thought I could use a little positive thinking. My interest in the book waxed and waned throughout the year as did my application of the lessons in it.

Continue reading “Book Report: The Power of Positive Thinking by Norman Vincent Peale (1952)” →

As I mentioned, I last read a Gor book in in 2014. I’m not saying it’s old, gentle reader, but then-frequent commenter John Farrier and now-frequent commenter Friar overlapped. Wow. Friar is moving into nomination to the MfBJN Commenter Longevity Hall Of Fame, second only to Charles Hill (PBUH). Higher than my own sainted mother who passed away when this blog was but six years old. Rob K. and Gimlet could unseat him, but they don’t comment that frequently. But that’s neither here nor there, but it’s probably more interesting to think about than this book.

After the previous seven-year hiatus from the Gor books, and I said:

So I was disappointed with this book, and I’ve got at least three remaining on my shelves. I might pick up another one soon–before 2021, I would hope.

So that became a twee goal of Brian J. If it weren’t for twee goals, I would have no goals at all. With a month to spare, I picked this volume up and….

Well.

I was disappointed with Captive of Gor because it was not a Tarl Cabot story; instead, it focused on a woman who was not a very likeable character who had some chances for redemption, perhaps (sorry, I read it seven years ago and cannot be remember exactly), but she chose poorly instead each time that option came around. I have mentioned before (see also book reports for Vienna Days, 2007, and Clemmie, 2010) that I really end up disliking books with unredeemable protagonists who just make their lives worse through poor decisions after some success (shut up, Ted!). Which might have carried over, but the degradation of women in the book was a part of it, too, perhaps.

Well.

This book is about 60% explaining slavery on Gor and treating women slaves poorly (although the male slaves do not fare well, either). The female slaves crave the domination, and they’re happy in their servitude when they give into it. Which is a bit of an extreme presentation of traditional roles of the sexes, but, eesh. Not so much. Perhaps liberals think the newest Supreme Court justice is into this. But probably not.

The other 40% is a pulp story of Tarl Cabot going into the untamed forests in the north of the Gorean continent to find his True Love from the early books (I mention in my report on The Priest-Kings of Gor, 2006, that I did not read the series in order, my memory of the saga is soggy). He has lost the home stone of Ko-Ro-Ba and has been cast out of Ar and is now a merchant in Port Kar. To be honest, I didn’t remember much of the continuing saga as I went along, so some of the reminisces and probably foreshadowing (the assassin probably lives, and I’ll probably read about him in the next volume, someday). But he has heard that the wild women, the Panther Girls, of the forest have her, so he sets up an expedition with a galley and some trusted people to go looking for her. The leader of the city-state whom formerly employed Tarl, the leader of Ar, is also looking for his daughter in the north forests. Tarl dreams of finding the daughter first, triumphing, and elevating himself to the highest levels of Gorean aristocracy, and the book repeats this a bunch. I thought perhaps it was setting itself up for some counter-narrative when Cabot himself gets captured as a slave, but, no. After a series of set pieces and reversals and betrayals, Cabot alone hunts his enemies who have taken the leader of Ar and his retinue slaves and are headed to their exfil point but Cabot hunts them down. At the end of the book, a bunch of slaves are manumitted, but many of the women return immediately to slavery at the hands of their beloved former masters. And Tarl returns as the Bosk of Port Kar, leading into another book which I will likely read before another seven years pass. If only because I set another alarm.

At any rate, the book moved all right, although perhaps that’s because I was skimming a bit.

But one thing stuck out, and I flagged it:

In hunting, one often fells the last of the attackers first, and then the second of the attackers, and so on. In this fashion, the easiest hits are saver for last, when there is less danger of losing a kill. Further, the lead animals are then unaware that others have fallen behind them. They are less aware of their danger. They regard as misses what may, in actuality, be hits on others, unknown to them.

I flagged it because Gary Cooper tells his barracksmates that this is the way to kill turkeys in Sergeant York.

So if I have learned anything this month, it’s how to kill a line of turkeys or Gorean slavers on the march.

I was looking for something to read, so I picked up this Tarzan book that has been floating around the outer ranks on the to-read shelves in my office for a while now. I mean after all, I just read a couple of Tarzan books, didn’t I? Well, no–I read Tarzan of the Apes and The Return of Tarzan in 2009. They would have been some of the last books I read in Old Trees before we moved down to southwest Missouri. I can’t believe it’s been that long, but look at the comments by Deb, a frequent commenter in those days when the blog was only six years old. In my defense, I did “just” read some of the John Carter books in late 2017, so it was more “just” than eleven years ago.

And closer review of the cover indicates that this is not a Tarzan book at all; it’s the third book in the hollow Earth series set in Pellucidar with the main character of Tanar (completely different from Tarzan who appears in the fourth book in the series, Tarzan in Pellucidar). I guess the first two books deal with men from the outer world who find themselves in the hollow world which contains dinosaurs, primitive men, and intelligent lizard men who rule them using ape-men as muscle. So I gather from research reading the Wikipedia article.

This book starts en media res: Seafaring raiders known as Korsars attack the Empire of Pellucidar, set up by the outer earth men in the first two books, and take prisoners, including Tanar; the emperor himself sets out in a small boat to rescue Tanar. Tanar meets a haughty but attractive young woman aboard the pirates’ ship; she is the assumed daughter of the pirate leader by a woman captured on a small island of loving people. After a storm, which is almost unheard of on the seas of the hollow world, Tanar and the woman are shipwrecked on what turns out to be her ancestors’ island. There, they are met with suspicion but eventually are adopted by Stellara, the woman’s, father. Subplots ensue, a pirate who wanted Stellara for himself returns, Tanar ends up thought dead, but he’s really in caves of the Morlocks Coripies, underground dwellers. He escapes with the resident of a nearby island of hate, where the residents hate an berate their family members–this fellow kidnaps Stellara, and Tanar goes to the rescue. He gets captured by the Korsars a couple more times, subplots ensue, and he links up with the Emperor and they eventually back to their homeland.

The book also has a frame story where Edgar Rice Burroughs is talking to a friend who is into the new fangled radio, but who discovers a wave that travels through the Earth–and it’s through a broadcast on this wave that this story is transmitted to the outside world. So the guy with the radio plans to go to Pellucidar to rescue the men from the outer world who are trapped there. Which leads, according to Wikipedia, to the Tarzan book. This book came fourteen years after the preceding one in the series; they came a little faster after that, but the series was never as popular as Tarzan or John Carter series and the length of the series reflects that. Burroughs wrote a lot, but he wrote a lot more of what was popular.

I don’t think I have a lot more Burroughs floating around, but do you know what I pass over from time to time? One or more of the remaining Gor books I have. So maybe I will pick up one of them sooner rather than later. If only to address this comment I made when I read Captive of Gor in 2014:

So I was disappointed with this book, and I’ve got at least three remaining on my shelves. I might pick up another one soon–before 2021, I would hope.

With a little dilligence, I can make that goal!

I read Gahr’s short story collections Random Realities and Random Fantasies within the last year and a couple weeks after buying a bunch of his books at LibraryCon 2019 in the Before Time that none but us old timers will remember.

I said about those that Gahr has a good imagination, interesting stories, but could really use an editor. The same holds true for his novel-length work here: A number of missing words or wrong words, some little things (referring to a character by name before introducing her name), and some improper capitalization. He’s run it through a spell-checker, though, and maybe an automated grammar reviewer, but the works could use an actual editor reading them first. But maybe that would just slow the young man down (actually, I don’t know how old he is, but I am at an age where I can splash young man and young lady around pretty liberally and be correct in relationship to my age more often than I would like). Perhaps I should offer to edit the books by going through them once with a red pen for a case of beer. I was just talking with one of my boys how professional editing for new authors can be prohibitively expensive–I was approached by an acquaintance for a quote on editing her daughter’s novel, and even at the low end of the spectrum (a couple hundred bucks), it was too rich for her blood (I still have not sold enough copies of John Donnelly’s Gold to pay the $300 for the professionally designed cover much less the promotional copies I mailed hither and yon, and as for my other books, I’ve not paid out enough for the UPC and the ISBN number, word). But going through Gahr’s Proofreading Copies would be fun. And it would save me the expense of later buying them when I bump into him at a con.

At any rate, this book tells the story of a ship run by the banished? self-exiled? son of a nobleman. Set in the future, when the solar system and part of the Oort Cloud have been colonized, nobles control their colonies and sets of stations and rule their fiefdoms with the threat of cutting off the air to their serfs. As a matter of fact, the captain of the ship left his father’s station after his ruthless parent vented a section of the space station on the son’s behalf. He has gathered a couple of crewmates, including: a woman who was a trainee in a secret, hidden group of humanity protectors who had been captured and held prisoner by pirates for several years; a reverend of the powerful church; a genetically enhanced warrior who might have some deep mental programming counter to the best interests of the crew; and a recycling technician sent away from her dark asteroid colony because her parents couldn’t feed her. They’re scraping by, mostly, when the go to Mars for repairs and discover a pair of twins who have created what they claim is a Faster than Light engine–which it is. They try to use this discovery to help liberate the serfs–first by seeking a colony that set off for interstellar space hundreds of years ago to hide in, only to find that the colonists want the FTL drive to return to conquer the solar system and then, after helping defeat the interstellar colonists, by fomenting rebellion on their own.

So it definitely has a Firefly vibe to it including its selection of characters, but it’s not just fanfic retread as something else (personally, I enjoy the scrappy interstellar trader genre; remember Desperate Measures?). It does a bit of world system building that makes sense. The incidents are a bit episodic but do kind of lead to the next, and the backstories of some of the characters are woven in as flashbacks that are effective for the most part, although sometimes the episodic and jumping nature jarred me when I picked up the book the next day, and the next chapter seemed out of nowhere (they’re on Earth? Was that mentioned in the past chapter where I finished last night? No.). The book is light on description–not a lot of physical details and colors of the ship. Maybe just enough. The storytelling, though, is very fluid, and I enjoyed the book.

I picked this book up because I get Gahr’s newsletters (and read them sometimes). He just released another book in this series (Spaceship Vision: One Tin Soldier. Hopefully, it will have a print version that I can pick up next time I see Gahr at a con somewhere. Until then, I have a full-length fantasy novel by him somewhere around here that I’ll get to. Probably before I actually find Joshua Clark’s series, which one would think I would spot easily since it’s several books grouped together, but no–my inability to find them is becoming a legend here at Nogglestead, at least in my own mind.

Apparently, I have blown through the monographs, travel books, and chapbooks I have recently acquired, so I had to delve into the back recesses of my to-read shelves to come up with this book which I bought in 2017. Which is “recently,” on one hand, but it seems like a long time ago. Fun fact: It looks like I also bought a copy of Janissaries, which I read earlier this year in the omnibus Lord of Janissaries, so if I find that slightly mutilated copy in my stacks, I’ll have to think of someone to give it to (since I have bought copies of Lord of Janissaries as Christmas gifts for the people to whom I normally give science fiction duplicates). I also found a Reader’s Digest classice scopy of Around the World in 80 Days, which I “recently” (2017) read as part of the omnibus The Best of Jules Verne. So I’ll put that on my read shelf along with my other Reader’s Digest Classics. Unless I already have a copy, in which case I will have to deal with the duplicate.

But that’s neither here nor there; we have come to praise The World of Herb Caen.

The book reminds me of The World of Mike Royko. They’re the same thing, basically; A coffee table book of quotes from the recently deceased columnist, photographs of the city they covered, and occasionally a longer excerpt or maybe a complete column. Barnaby Conrad, a long-time acquaintance of the columnist, gives us a nice introduction detailing Caen’s career, which is very helpful to those of us not from San Francisco. He started in the San Francisco papers in 1938 and wrote until almost the end of his life in 1997. So he, like Royko, was active in the golden age of newspaper columnists and really became the voice of the city where he lived and wrote. They really don’t make columnists like that any more; perhaps John Kass would be the closest we have to that in the 21st century. Newspapers probably cannot afford the luxury of a highly visible metro columnist any more.

At any rate, the book is not a complete respite from contemporary issues as it features a number of photos and Caen’s endorsement of Willie Brown for San Francisco mayor. Kamala Harris, though, does not make an appearance in the book. If only they had known.

I probably can have a bit more affection for the Golden Age columnists who passed away before the turn of the century because their columns and styles did not have the opportunity to shift and become demeaning to their political opponents as so many of their later counterparts did (although I read most of the Chicago Tribune columnists in 1997 and the early part of this century, I don’t read Steve Chapman, Mary Schmich, or Eric Zorn any more, and I don’t read the Chicago Sun-Times columnists Richard Roeper or Neil Steinberg even though I even corresponded with them around the turn of the century in the early days of this blog). Royko, too, would probably have taken a harder left turn within the decades of their deaths. Although, to be honest, I have only read this book on Caen with a single column and some excerpts, so I am speculating a bit that he was not that way. I think I have one or two of his collections, so I will have to check them out to see if my retro predictions are true. Unlike Royko, I did not read Caen back in the day.

So I liked the book. It’s got wit, interesting tidbits of celebrity encounters (where celebrities include jazz musicians from the height of jazz as well as movie stars throughout the decades), and great vintage photographs of old San Francisco. Not a bad way to spend part of a Sunday afternoon.

I was supposed to read “Goblin Market” in college, perhaps in my poetry class. I had a literature poetry class, but not a poetry writing workshop because the latter was held at the same time as the advanced fiction writing workshop class my last semester, and I was going to be a fiction writer. Too bad they didn’t have an obscure blog writing workshop class; I could have really put that to use.

At any rate, I didn’t read it probably because it had two sisters and goblins in it, and it was long. But almost thirty years later, I picked this collection up in between the complete works of Keats and Shelley that I have intermittently been working on for years and the Marvell collection I picked up after reading the Milton recently (see this and this). You know what? I might have a new top five favorite (my beautiful wife, Edna St. Vincent Millay, and Robert Frost pretty much have locked up the top three spots, so other poets can only fight for #4 and #5 in the top five).

The language of the early-to-mid nineteenth century is much fresher and easier to read than the seventeenth century Milton and Marvell and the eighteenth century Keats and Shelley–although Rossetti does drop the occasional ye. Rossetti’s poems are lyric in rhythm, easily end-rhymed, and in most cases relatively short (which is not to be overlooked in a poem–I like mine easily digested and not something I have to put a bookmark in). Thematically, she talks about death and lost love a lot–so a proto-Goth poetess, but with talent–and she also talks about Christian faith. Sometimes, the poems focused squarely upon faith are reminiscient of grandmother poetry, but a cut above it, of course.

Although Rossetti’s first published collection was also called Goblin Market and Other Poems, the back cover indicates this is a new collection of her most famous works, of which “Goblin Market” is the most famous (at least, it’s the one that was assigned in college in the late 20th century).

Fun fact: Rossetti was working on these poems at the same time that William Edward Williams was working in London. Given that it was one of the largest, if not the largest, city in the world at the time, the odds are pretty good they never met.

So I enjoyed this collection more unabashedly and thoroughly than I had a collection of poetry (excepting my own, perhaps) in a long time (which is partially my fault as I read a bunch of poetry chapbooks and grandmother poetry as well as the aforementioned old poems which are at a remove from me given their language). If I had read “Goblin Market” when I was supposed to, perhaps Rossetti would have been one of my favorites for a long time. However, perhaps I am getting to read this at the right time, when I need new poetry for enjoyment and inspiration as my doggerel revival arises.

This book is a little text-heavy for reading during football games, but I started out browsing it last Sunday and finished it late last week in the reading chair.

The heavy text tells the biography of the artist, William Edward West, a portrait painter born in Kentucky but who lived amongst friends in Natchez, Mississippi, for a while, traveled to Europe for a long time, including Italy and London, and then returned stateside and spent time in New York and later Baltimore in the late eighteenth and early nineteenth centuries.

The artist was from a well-to-do family in Lexington, Kentucky, which was apparently a hopping place arouns the turn of the nineteenth century. He lived from 1788 to 1857, so the period between the first two civil wars (I kid, I kid–but it’s gallows humor). He made his living apparently by attaching himself to wealthy families, staying with them or in their orbits, and enjoying their society while painting their portraits. Portraitist is a particularly mercenary form of artist, after all–much of their work was for-hire, so one cannot come down on this fellow too much for schmoozing.

He made himself when he was traveling in Italy and got to paint a portrait of Lord Byron, one of the last before he went of to Greece and died. So he used that story to unlock doors in European and British society.

Many of the portraits in the book come from wealthy people of the period, so it’s not like you will recognize any of the names except for Lord Byron and a pre-Confederacy young Robert E. Lee, whose painting is on the cover (which probably means I should BURN THIS BOOK for JUSTICE!). The book only contains a couple of non-portrait works: A maritime picture which supposedly shows Lord Byron rowing out to visit the USS Constitution and a couple of group settings with stories to them.

The works are well-executed, although steeping myself in 20th century works from time to time means I’ll be impressed with the works of art school drop-outs from the eighteenth century. I enjoyed the book, although I am not sure how long I will remember William Edward West’s name. In the 21st century, it’s not likely to come up, even in trivia nights, should such things ever happen again.

Actually, the Capitol with ‘o’ means the building where Congress meets, at least until the new administration dismisses them (I kid, I kid–but it’s gallows humor). This book does not deal with Congress, so it should probably be Capital Hit, but that does not clearly indicate Washington, D.C., on the cover. So we get a possibly intentional mistake. In the 1990s, I suppose we could give adults the benefit of the doubt. Ignorance as the default is yet to come in the 21st century.

Mack Bolan returns to Washington after a plane containing a Vietnamese actress is shot down with a Chinese-provided anti-aircraft missile. I think the point is that the Chinese are providing materiel to a Jamaican drug gang in exchange for a couple favors, such as killing a Vietnamese actress because. Mostly, though, that’s a reason given to put the city on the brink of a war not only between the emboldened Jamaican gang and other Jamaican gangs but also law-abiding Jamaican vigilantes and CIA-connected Vietnamese vigilantes. So The Executioner must thread the needle of conducting his operations often with a member of one or both of the ethnic communities along.

So, again, we have a more complex plot outlined which could have built a more modern thriller but executed with the touch of someone experienced in writing straight ahead men’s adventure novels. So, again, we can see how some things were stubbed out that were not exploited fully. Of course, exploiting all of the potential plots and subplots would probably push the book to a modern thriller’s 300 or 400 page length, so it’s just as well that we don’t get the full treatment on all of them. If only the author could have toned down or eliminated some of the groups, though, the book would have been tighter. But perhaps part of the contractual obligation is to follow the provided outline completely, so much like in modern software consulting, you get a result that meets the contract but not the best possible outcome.

Still, my march through the Executioner series continues, sometimes more doggedly than others.

The last Executioner book I read was Hawaiian Heat, #155, so my collection has jumped ahead seventeen. My collection has a couple of near runs left–a handful in the 170s to about 182, then a dozen or so in the low 200s, and then 305–but these gaps are going to be a little jarring considering that I’ve read a fair number before now in relative proximity. Also, I look back at when the books were on the rack at the grocery store and think about what I was doing at the time. We’ve leapt ahead here to the second semester of my junior college. What was I doing? Working a pile at the grocery store, writing still decent sonnets about my college crush, but not wearing the trenchcoat and hat yet nor doing open mics–those would come senior year.

Oh, well. You’re here, gentle reader, to hear what Mack Bolan was doing. Or, more likely, you’re kind of scrolling by to get to the amusing things I sometimes post. Carry on, then.

Mack Bolan is sent to Germany as it’s unifying as someone or some group is killing spies, businessmen, economists, and other people who support reunification. So he’s got to navigate the shadowy world of many different powers working together and against each other, including a woman who is simultaneously working for the Stasi, the French secret police, and the CIA–will she be Mack Bolan’s ally or doom? Spoiler alert: She’s beautiful, so of course she’s less doom and more boom chaka chaka.

The book is paced with a more modern thriller sensibility: Bolan is dropped right into the maelstrom and the set pieces come quickly, with Bolan not sure what’s going on or who the real players are. The book also features car phones and lap-top computers, so the stories are catching up with modern times as well–although in 1993, the laptops were pretty clunky as I recall. I bought a refurbed Windows 3.11 laptop which I still have around here somewhere in 1996 or 1997, and it’s a chonker. I remember seeing a portable 286 from the early 1990s, and it was the size of a small suitcase. But from here on out, I guess the books will have a more modern sensibility–and it’s probably only a couple of years before Bolan starts using the Internet himself.

So it was a pretty good entry in the series, and I am looking forwardish to the next couple in the series from the time when I was graduating college.

And given how few of them I have left and how much I have been tearing through them this year, it’s entirely possible I will finish the paperbacks purely in the Exeuctioner series in the next year or so. Although I guess I’ve only read seven this year, so if I have a couple dozen left, it’s probably three years off. Or more.

Well, consider my enthusiasm curbed. It wouldn’t be the same as reading The Story of Civilization or The History of Philosophy or even The Complete Works of Shakespeare, but it would be something.

It seems like it took me a lot longer to read this book than it did. As you might remember, gentle reader, I bought this book along with two others (Divine Fruit and Four Gates to Health: Eastern Ideas and Techniques for Vital Living) last May at an ABC Books book signing. I read the collection of poetry soon after I bought the books, and I am pretty sure that I started this book in the beginning of June last year.

It has the word devotional right in the title, and that’s what it is: A Hindic yoga-based devotional with 365 entries ranging from a couple sentences to a couple of pages. Each is designed to make you think, to let go, and perhaps, if you’re an active yoga practitioner, something to think about when you’re sitting. Although in Buddhism, you’re supposed to try to empty your mind as you sit, perhaps you’re allowed to think in yoga. Or maybe these are things to think about at other times.

The daily bits range from stories about people she meets and how they inspire her to simple little aphorisms about recognizing beauty around you in everyday things. Some are a bit twee, and some of the stories seem a bit self-congratulating about helping others.

At any rate, as I mentioned, it took me a while to read it. Partly because it’s typeset in an italic font, which slows one down when it comes to reading. Perhaps that’s the intent. The other was that I was not doing it in a steady day-by-day fashion–I would go in read a couple of days’ worth of these devotions to end a night of reading fiction for a couple days, and then I would set it aside for a while, and then I would read a couple more.

I enjoyed it and grokked it a bit more last year when I started it. Looking back, I really haven’t steeped myself in Buddhist and Hindu thought much this year–maybe they haven’t spoken to me following a year of losses. As I finished it over the last couple of weeks, though, the message did not speak to me as much.

So I probably enjoyed it overall more than the poetry and probably more than I’ll enjoy the nutrition book when I get to it. Perhaps I would have enjoyed it and gotten more out of it in a more receptive frame of mind.

Okay, wow, now that is impressive. I have recently read a book on Windsor Castle and was not that impressed. But Versailles? Oh, my.

In Windsor Castle’s defense, it is almost six hundred years older than Versailles and started out as a military fortification, where Versailles started out as a hunting lodge but turned into a château (literally smell of cat) for entertaining, holding court, and then living for the seventeenth century French monarchs, built and expanded at the height of the French monarchies, republics, and empires.

The book has a blueprint for each floor of the main building followed by a description of each room as you would take a walking tour and a lot of large, lavish pictures. Even if they were small, the pictures could be nothing but lavish. The rooms are large, with high ceilings (modern homes have great rooms with high ceilings as a selling feature; in Versailles, all rooms are great rooms). They have great original works hanging above the giant doors, not to mention on select walls and with painted ceilings.

You know, normally I see something like this and say, that must be hell to heat, but the book mentions that the temperature at Versailles rarely gets down to freezing–they have orange and palm trees that they bring out in the spring for the gardens.

Oh, and the gardens–the book also includes walking tours of the vast gardens behind Versailles and Trianon, the “little” getaway cottage(s) that are within walking distance of Versailles.

When my beautiful wife say this book on my desk prior to my writing this report, she asked if that was the place I didn’t have to go since I’ve seen the book (that, remember, is Marseille.).

Versailles, though: I wouldn’t mind seeing that.

This is the third of Munroe’s books I read. I read What If? in 2018 and How To earlier this year. And my enjoyment has declined in that order. The first dealt with interesting hypothetical physics questions in a whimsical but physics-oriented fashion. The second dealt with how to make common problems or procedures unnecessarily complicated with Rube Goldbergish answers and the physics behind them. And this volume tries to explain complex things using only the 10,000 most common words and Munroe’s illustrations.

Unfortunately, that leads to some oversimplification that was frustrating to read and, at times, hard to comprehend. He covers appliances, computers, nuclear reactors, submarines, ships, and so on (and the United States Constitution) and really does break them down into comprehensible bits, sometimes using metaphors instead of actual jargon, but, again, the over simplification makes it hard to read and to comprehend.

Munroe is trying to be amusing as he’s explaining, but unfortunately, I was not amused and not as informed as I would have been with a more straightforward explanation.

Basically, this conceit didn’t work.

Still, based on the weight of What If?, I’ll probably pick up other books he has yet to publish if I see them. Whether I pay extra for two signed copies or order them on Amazon (as I did with this book, which is saying something for me) remains to be seen.

I picked up this book at ABC Books in June at another author’s book signing. As you know, I had read My Name Is Rock, the first book in this young adult series, earlier that month. I thought I might get another one someday, but that turned out to be sooner than I had anticipated.

At any rate, what I could say about the first I can say about the second: It’s a young adult novel with a Christian protagonist who prays before going into the set piece battles. It has the kind of set pieces connected feel you get out of the more obviously outlined-and-filled men’s adventure paperbacks, but with simpler language, even less connective tissue, and a whole lot more explanation points.

In this book, Rock Rodgers has to go pretty immediately from Egypt (his doings there described in My Name Is Rock) to Siberia. The leader of The Agency, the clandestine black ops group Rodgers works for, has been kidnapped by the wife of the US Senator whose son was kidnapped in the earlier book. The wife, before she married the Senator, owned her own mining and shipping company and was a worldwide trafficker in drugs before The Agency started disrupting her operations. So she’s going to try to get the head of The Agency to reveal its operations, and Rock has to figure out where to find the Colonel before he does.

So we get a series of set pieces: Infiltrate deep into Russia, go to such and such place, shoot some people, find a clue, go to another place, do a hard probe / hit the enemy compound while the bad guys play off of each other.

So it is a lot like an Executioner novel, but with a prayer or two thrown in.

When I was writing novels, I kind of had an idea where the things would go and what scenes would arise, but I didn’t work from a hard outline, so I’d like to think my scenes didn’t feel like set pieces. Perhaps I should, though, as people who outline novels seem to have some succes in finishing them.

But back to this series: I am not sure I’ll read the next book. When I bought this book, I bought a copy of My Name Is Rock for my boys. I am not sure they’ve read it yet. When I was their ages, I had transitioned to adult novels. Maybe I should instead get them some early John D. MacDonald work.

On a recent visit to the Kansas City area, my aunt said she was looking to get rid of some books that someone had given her, so I took the lot. Which was good, as I was staying in a hotel that night and had somehow failed to bring a book to read. Atop the stack was a book by David Baldacci; I kind of recognized the name because my beautiful wife has been known to get his books from the library from time to time. So I started with this one.

It starts with an ex-military man named Archer getting dropped off a bus in a small town, and I thought, Aw, man, I’ve already read this book. But it’s different: Archer is getting released from prison and taken to a starter town where he will be on parole. He gets offered a job by a rich and somewhat shady fellow, the town’s leading citizen, collecting the collateral on a debt from the the other rich man in town. As Archer investigates, his employer is murdered across the hall in the hotel the night after Archer has relations with his employer’s mistress, who happens to be the daughter of the man whose car he is supposed to collect. So he finds himself arrested for the murder and has to work to clear his name. As he investigates, he finds a plot not unlike those you’d find in Chandler or (the author featuring the other Archer) Ross MacDonald.

The book is set in 1949 or thereabouts, so it has a bit of an anachronistic feel but with modern sensibilities and prose styles–it’s definitely less dense than Chandler, MacDonald, or even Hammett.

It’s a little thick, though, in keeping with modern times that charge $17 for a mass market paperback, and to be honest, I had a little trouble getting into it as a lot of the front of the book was lavish in the description, building the world of Poca City and the post-World War II milleiu for those of us not steeped on novels of the time or books from the 1950s and 1960s. But after a while, the descriptions lighten into the action, so the pace picks up. But the author still likes to go long on descriptions at times–Archer walks into a lavishly appointed room, and we get three or four long paragraphs describing the opulence of the furnishings before mentioning the man in the room. You know, I would track the description a little closer to how the protagonist’s attention would track: Man, things around the man, and maybe then other things not near the man. But this book is told in third person, so I guess you don’t have to jibe description with attention exactly, but it’s something I would do.

At any rate, I enjoyed the book enough that I’ll watch for other books from this best-selling author at book sales in Nixa and Ozark (the Friends of the Christian County Library book sales, should they ever happen again) or at garage sales. I don’t like them enough to run out and spend $17 or $30 on books new, though. To be fair to this author, I don’t really buy many books new, at full prices these days. Although perhaps in a frenzy at Barnes and Noble or Books a Million, I might buy his work for $8 or $10 from the discount rack. When I am in a frenzy. Because when I am caught up in that moment, $10 for a book doesn’t seem too much.

You might have thought I already read this book, gentle reader–I could see how I might have gotten that impression, as I have already perused Brady’s Civil War. As you might recall, gentle reader, that book was a collection of photographs taken by Matthew Brady in the eastern theatre of the Civil War. This book collects very similar photos from Alexander Gardner, who at one point was Brady’s assistant–even during some of the Civil War photo shoots. So perhaps the books share some of the photos, as Gardner took photos that he had taken when he left. I really did not do the analysis myself to see if they had any overlap.

At any rate, the text included is ascribed to the photographer himself. Unfortunately, it is in about six point font in the book; tiny print, and I’m starting to get to the age where tiny print in poor light makes me think I am getting to the age where, if you know what I mean. So it was slow reading. The text is definitely on the side of the North, as it calls the Confederates traitors and treasonous and whatnot.

Like the Brady book, it reminds me that I own a lot of history about the Civil War (and live within a musket shot of) a national battlefield, but I really haven’t kept the history of the conflict fresh in my mind.

Perhaps I should look for a course on the Civil War or two–although I am pretty sure those are the first to go at the book sales around here.

Sixteen years after Hawaiian Hellground, Bolan returns to Hawaii to rescue comrade and comedian Tommy Anders from a Chinese triad that’s holding him hostage because he’s building up a network of Chinese and Japanese business people who are tired of paying of their countrymen.

So Bolan gets involved to help the businessmen disrupt the Triads and Yakuza who are co-existing on the islands, with a precarious truce as long as the organized crime people stick to their ethnic constituencies. As part of his plan, Bolan nudges them toward a full scale war as long as he can protect the innocent.

So I can see the plot as outlined, and it could have been handled better. Some of these later books must have had more elaborate plots, perhaps more in line with the Super Bolan titles, as the page count increases, but some of the authors don’t execute them as well. In this book, it looks like the author was used to the old 180 page limit. The action moves from set piece to set piece fairly well, but you can kind of see where some plot points are left unaddressed or just mentioned in passing.

The book contains a couple of tactical problems. Of course, everyone has a different kind of gun, again, which means no one can swap ammo if needed. And he carries two spare magazines for a combat assault. Cmon, man. Kim du Toit takes two spare magazines to the bathroom. Also, Bolan takes “cover” behind a couch. It’s a heavy couch, the text says, but, this is the 21st century–we all know the difference between concealment and cover, ainna? I wonder if kids these days steeped in first person shooters could write more intelligently about military tactics and concepts. But probably not the “everyone has a different gun” thing.

Ah, well. It’s not Shakepeare. It was a quick, enjoyable read. Not as good as Firebase Florida, but not bad enough to put me off the novels for a while. I kind of think I’m on a tear here; I am down to 18 titles in the Executioner series. With “dilligence,” I could finish them by the end of next year. However, I would still have dozens of related paperbacks to go, not to mention thousands of other better things to read. So I won’t predict or promise that I’ll finish them out any time soon, gentle reader–you still have several years of intermittent Executioner book reports to look forward to.