I have often said that I don’t really care for the Teaching Company courses that are in my disciplines–English and Philosophy–but this one was an exception. It covers, well, the development of the novel in England and talks about its themes and whatnot from the 1700s to roughly World War II with the death of the Modernists.
The lectures include:
- Definitions and Distinctions
- The “Englishness” of the English Novel
- Historical Context of Early English Fiction
- The Rise of the Novel–Richardson and Fielding
- After 1750–Sterne, Burney, and Radcliffe
- Scott and the Historical Novel
- Austen and the Comedic Tradition
- Austen and the History of Consciousness
- Dickens–Early Works
- Novelists of the 1840s–Thackeray
- Novelists of the 1840s–The Brontës
- Dickens–Later Works
- After 1870–Review and Preview
- Eliot and the Multiplot Novel
- Eliot and the Unfolding of Character
- Hardy and the Natural World
- James and the Art of Fiction
- Conrad and the “Scramble for Africa”
- Ford and Forster–Transition to Modernism
- Lawrence and the “Bright Book of Life”
- Joyce–Dublin and Dubliners
- Joyce–Realism and Anti-Realism
- Woolf and the Poetic Novel
- The Impact of the Novel
I had read just enough of the books and authors mentioned (Jane Eyre, Barnaby Rudge, Sense and Sensibility, Emma, Walter Scott, Thomas Hardy, Charles Dickens, and so on) to feel clever.
And I looked back over my list of books that I’ve read this year, and I was ashamed–I thought I had not read any classic bits of literature this year (but I was mistaken–I read Barnaby Rudge in 2020). So I immediately went to ABC Books to buy a new piece of classical literature to read. Well, not exactly, but on one of my trips up there this holiday season, I did pick up a copy of Wuthering Heights which I have already started to read. Sure, I might have a copy of it somewhere else on my to-read shelves, but they organize their books so much better up there.
At any rate, what did I learn? Well, a little of the evolution of the novel from the epistolary stories in the eighteenth century to the magazine serials to the self-conscious and self-indulgent works from the late 1900s through the work of James, Joyce, Lawrence, and Woolf. As you can imagine, gentle reader, I liked the talk about the earlier books the best, and although the professor did not mean to imply that Henry James ruined the novel, he (the professor) points to James as the guy who branched the novel into Art and Genre. Of course, the professor also likes the Art and the things the Modernists did–he says everyone should try to read Ulysses, for crying out loud, and that’s just foolishness (although I did buy a copy of it recently, as in 13 years ago recently just in case I ran out of other things to read).
I mean, I understand some of the developments such as floating limited omniscient narrators and unreliable narrators–so I’m glad someone invented these things, but things you have to read a second time, after you’ve read the footnotes and a couple of critical essays to interpret the “right” way–I ain’t got time for that.
So a good course, and it’s likely triggered another one of those classical literature kicks that I go on every five or ten years, where I will read a bunch of them in order and then back to genre paperbacks.



This is another one of the turn-of-the-century six hour lectures that I bought
Okay, now this was a fun course to listen to. I was a little concerned that it might be a bit thin on topic matter, as the SETI program itself would be a rather narrow topic–merely talking about analyzing radio signals from space would make for a long six hours.
Like
To be honest, I’ve struggled a bit with writing the summation of this course, or at least what I learned about it, because it’s Africa, which is where [Some] black people come from. I say “Some” because Australian aborigines are dark skinned to the point they might be considered black and not merely southwest Asian brown and because Americans who are black can come from Australia, Africa, the Caribbean, America, or anywhere else. What a freaking loaded topic this is.
This audio course, I wish to remind you, gentle reader, cost me a mere fifty cents at the recent
I started this series not long after finishing
This audio course is entitled The World of George Orwell, and that describes the content of the course. It’s partly a biography, partly a history of the early part of the 20th century in which Orwell lived, and partly a discussion of his works. It’s a seven disc, 14 lecture set that culminates in discussion of Animal Farm and 1984.
After finishing
Now this was a good lecture series.
I checked this audiobook out of the library for a quick listen that took a couple of weeks as, although I played it in my primary truck, my beautiful wife was not a big fan, so I had to listen to it when she was not in the car.
So I had expected to listen to this course, one from my personal library, on trips to St. Charles or the trip from Springfield to Poplar Bluff to St. Charles to Springfield that I’d planned to take last month, but unfortunately, I did not get that travel time, so I’ve been listening to it in fits and starts in my back-up truck.
You’re familiar with his work and his voice–he wrote the the basis for A Christmas Story and narrated it–and he had a long-running radio program back in the northeast where he would spend an hour minus commercials taking a topic and going off on a monologue with diversions about it.
This course extends the lecture on the Inquisition from
This Great Courses series of lectures provided an interesting insight into Economics, or more to the point the mindset of economists, and not necessarily in the way the professor behind it intended.
This course offers a history of how the books of the New Testament became the canon. I guess the title indicates that. But it’s not a straight ahead timeline of the conscious development of the New Testament. Instead, it’s more of a survey of different things to consider when looking at the history. It discusses the different types of literature in the New Testament, the Gospels, the epistles, and apocalyptic literature. It touches on apocrypha that did not make the final cut (and sometimes why). It talks about the creation of the written literature as the church evolved and needed a central repository of teachings to share among the scattered churches. It also talks about copying errors and whatnot and a touch of church history.
This audiobook is a collection of sort little essays about, well, counting your blessings and finding the bright side of things. It has eleven pieces by eleven authors. One of them is, literally, a woman who enumerates one hundred blessings, so it’s a couple minutes of sentence fragments.
This is a short course from the Modern Scholar series that focuses on myths and stories from the Middle Ages and how true they are. The four discs / eight lectures cover:
So the guidebook to this course presents me with a little dilemma: Should I count it as a book against my annual reading or not? I mean, I counted the guidebook for the course
I go through phases listening to these CD courses, and I think I’ve figured out the secret. I tend to accumulate courses in subject areas with which I’m already familiar, like philosophy or literature, and they underwhelm or bore me. That, and if they’re a summary course from the 21st century, I’ll find enough to disagree with politically to not really want to finish them. But something I’m not really familiar with, such as deep dive history courses (not summary courses) or music courses, these I listen to with some zeal, and I learn a lot more from them probably because they’re completely new knowledge to me and not merely rehashing what I already know.