This is not a Teaching Company/The Great Courses production (or even Modern Scholar). It’s a mid-1990s Knowledge Products two cassette set that I bought this spring, so it weighs in at about two hours. Amazingly, instead of college professors holding their own lectures, though, they feature Hollywood talent. Lynn Redgrave, for example, handles the heavy duties on this particular–what, item? Set? At any rate, the two cassettes. When it comes time to quote either Socrates or other people talking about Socrates, other vocal talent comes in–often with appropriate accents and whatnot. My beautiful wife found it distracting, but I did not.
Well, as you know, gentle reader, Socrates left no writings of his own–the dialogues of Plato feature Socrates as a character in them, perhaps derived from his actual works, but probably not exactly. This, um, bit explains that the earlier Plato dialogues are probably more from Socrates real concerns and later things are Plato’s work with Socrates as a character. The book/series/audiocassettes focus as much on Socrates’ life as his work, and some contemporaries or relatively contemporaneous sources talk a bit about Socrates’ life (in appropriate Serious Classics Voices, although not so much in Greek accents).
So, you know what, it’s not a bad bit of drive time. Of course, all of you are not driving a top-of-the-line ca. Obama Elected truck that also has an audio cassette player in it, but brothers and sisters, I assure you that when I have another vehicle and upgrade the sound system, I am going to ask for a cassette deck in it just so I can continue to listen to these sub-dollar bits of lectures in them.




I have made a gag in the past, probably on Facebook, that now that we have settled that Die Hard and Lethal Weapon are Christmas movies, we have to move on to proving that The Ref is a Christmas movie. After all, it has family coming over for the holiday meal and a story about redemption. Well, maybe not redemption.
I have been pleased with a couple of the Executioner books I’ve picked up lately. This book and
This movie is a two-fer, at least for where Brian J.’s Rule 5 movie report posts go: It has both Marisa Tomei (from 
I bought this collection of poems at the
I saw this film early in the trailer park years–it seems to me that I saw it over and over, which probably meant it was on Showtime but rotated out pretty quickly. Of course, we got our first VCR right after we moved into the trailer, so I suppose we could have gotten it as a rental in the days when every grocery store and some gas stations rented videocassettes. Which, conceptually, is about as dated as this film.
I bought this book almost two weeks ago (already?) when we visited
Well, this should have been a blockbuster, ainna? A young Mel Gibson in his heyday, a young Robert Downey, Junior, version 1.0 fresh from the Brat Pack days. A buddy film set, part comedy and part adventure, with corrupt government officials as the bad guys, flying action scenes and stunts, and….
The book bears the subtitle An Office Power Ballad. It details the author’s brief employment as a marketing executive at a record company headed for a takeover told in a series of short vignettes. The voice is a bit neurotic, a bit “I can’t believe I’m here” laced with imposter syndrome as he meets different musical artists and normal-in-these-books corporate interactions.
As you might recall, gentle reader, I have listened to a couple of other lecture sets in the musical Great Masters series, most notably
When I bought this book
You know, gentle reader, I am so old now that I think of things from long ago as recent–so I think of this as a recent Clint Eastwood movie, perhaps because it’s from the 21st century, and Eastwood’s filmography goes way back. But he has been making and acting in films up to the present day (I posted a Toby Keith song with clips from the really recent movie The Mule
We don’t skip but a month ahead in time between publication (in December 1995)