Musings from Brian J. Noggle

I closed out my annual reading with this volume. After all, I’ve read books on the various Tao this year (Tao Te Ching, The Tao of Elvis). I’ve read books purportedly by cats (I Could Pee On This) and books about magical cats (The Catswold Portal, No One Noticed The Cat). So this book fit right into my annual reading selections.

The schtick is that the author’s cat wrote 81 poems just like Lao Tzu, and each talks a little about the way. And about being a cat. In the first couple dozen poems, I wondered if the author was really trying to walk a fine line between amusing and actually trying to convey serious elements of Taoism in the book, but it hits one of the poems–I forget which one–where the author basically says that this is a humor book and not to be taken too heavily.

It’s a bit of a stretch to get a full 81 poems out of the conceit, and the results are uneven. Some are thoughtful, some are amusing, and some are sort of pro forma. But I enjoyed it enough for what it is.

Now that 2017 is over, perhaps my cat book binge can be over, and I can start focusing on ferrets or pot-bellied pigs as pets, detectives, and philosophers in 2018.

I bought this book on the last day of the local GAME Expo in October. You’ll have to take my word for it, as I did not post a picture of the things I bought on that trip. I bought it from the author, who traipsed all the way from Boston to sit at a table in Springfield, Missouri, to sell her books. I was her last sale of the day, as she was heading out to catch a plane home as we got to the game / science fiction convention on Sunday afternoon.

At any rate, this is like, what, three in a row of self-published books that are pretty good? (Obsidian Son and The Leftovers being the others.) I’m a little afraid of delving into more self-published stuff for fear of ruining the streak.

This young adult book centers on four teens on a remote outpost. Ro, the daughter of the chief engineer of the station, is good with computers and whatnot; Jem and Barre are the children of the doctors of the station, and Jem is a good engineering student while Barre seemingly wastes his talents on music; and Micah, son of a disgraced Senator, who is trying to perfect a strain of a plant-based drug called Bitterweed to break the current cartel’s hold on the supply. Ro hopes to get to the university, and she hopes to revive a derelict crashed space transport as a project to show she’s competent. But the teens find guns in the hold with forged diplomatic seals on them and uncover a plot by the engineer and the senator to traffic the goods. A plot that requires Ro to awaken the ship’s AI and make the ship space-worthy. When she does, the confused space AI takes off from the asteroid in a panic, leaving the four teens scrambling to survive and return home even as they’re hunted by the government and the people who want their wares.

It’s pretty good. It meanders a bit, especially towards the end, but I might just get impatient with books that clock in at almost 400 pages. Also, the derelict of the title is treated as ancient, but I believe the book says it crashed forty years ago. That seems a little recent for how ancient it’s portrayed. Even today, we have almost 100 year old ships sailing the seas and some of our airplanes are forty and fifty years old. Perhaps the author is trying to convey the youngsters’ perspective here.

So I enjoyed the read, and if I catch the author at another fair, convention, or festival, I might pick up some of the later books in the series (I believe she brought four titles to Springfield, but was sold out of one of them). But I don’t think I’ll hop on the Internet and order them to catch up. That is just not my way.

The title of this book certainly fits into the philsophy kinds of books that I might like to pick up. Its size (short and paperback) meant it would make a good carry book for me. It did. As I was reading it at the dojo, a very well-read teenager there recognized Watts’ name. After I finished it, I saw a Facebook image with a Watts quote on it. So his influence continues, some thirty-five years after his death.

At any rate, this book was originally published in 1951, so it’s steeped in the Existentialist zeitgeist, but it’s not really an Existentialist book. Watt was at one time a clergyman, but he switched over to Buddhism as a relatively early American adopter (and he knew Shunryu Suzuki). So this is a bit of a spoiler alert. I detected some of the Buddhist themes in the work along with some response and comment on other philosophers’ work, but not so much by name.

It’s a popular bit of philsophical musings. That is, it grapples with some of the main themes in life instead of being a comment on a particular school of thought. The gist of it is that life is changing and fluid at all times, and the more you try to crystallize it into something specific, you lose it. That is, defining a word takes something away from the thing being defined. Also, the early traces of the Mindfulness movement are here, he posits that only the present is real and the past and future are not. So we get into the real nub of Buddhist theory of consciousness, which ultimately doesn’t seem to work: The “consciousness” in the “present” is not the same thing as it was in the past nor is it the same thing that will experience the “present” different from this one. If you accept a certain evolution of the person, the being, the soul, you can sort of think this is right, but the Buddhist thought says, no, literally, the consciousness who came to my blog is not the same one that right now is finishing the third paragraph of this book report.

So there are lessons one can take away from the book, which are basically the things you find in Mindfulness listicles all over the Web. Try to improve your mindset and adaptability to changing circumstances; let go of the past; don’t worry about the future; enjoy the present as it is. But unlike a listicle (and contemporary Mindfulness books written by the listicle authors), the book has depth in exploring some ontology and epistemology.

So a good read, and apparently still relevant if contemporary high school kids, albeit precocious ones, talk about the author.

Technically, the copy of this book that I read is the third book in a three-novel omnibus edition called 3 Martian Novels; however, the other two are Thuvia, Maid of Mars and The Chessmen of Mars, both of which I read earlier this year when I read the omnibus John Carter of Mars. I know my book reading accounting system is arbitrary: In my annual tabulation, the five volume omnibus is a single book, but the one novel that I read in this collection is one book instead of a third of a book, which is why my annual reading is currently at 83 instead of 87.33. But I’m accountable to no governing authority on this enumeration, so I’ll do what I want.

Where was I? Oh, yes. In this book, we have another Earthman, a WWI soldier who dies in combat, transported to Mars. He ends up in the employ of a great scientist who has learned how to transplant just about anything–including brains from one body to another. The scientist, a supremely rational being, maps out a plan where he and the Earthman will swap each others’ brains into new bodies every thousand years or so, essentially conferring immortality upon each. The plan goes awry when the Earthman meets the mind of a sweet young Martian woman whose brain has been swapped with into the body of an aged despot, and the Earthman vows to put things aright.

It’s a pretty quick little yarn; John Carter makes the obligatory appearance at the end, but Burroughs has already learned by book 4 of the series that after elevating the main character to the pinnacle of power (John Carter became the jeddak of all jeddaks in the third book) that it would be wise to focus on other, more approachable characters whose struggles would still be acute and adventurous, in the series. So many series keep heaping power, fame, and whatnot on the series characters so that they’ve continually have to find ever more powerful struggles and villains to fight, and the characters end up caricatures or so powerful that the reader cannot identify with the protagonists.

Bully on Burroughs for avoiding this trap.

Also note that my estimation of this book is probably higher because I haven’t read five or six in the series in a row. Mixing the series books in with other books helps keep them fresh, hides some of the formula, and helps each stand alone instead of being instantly comparable to the last one read. So I should take that to heart, although I’ll probably still read omnibus editions as a single book. Except maybe the Detective Book Club books.

This book represents my annual Christmas book, and it’s the one I bought most recently (October, in fact). Although I’ve bought a couple more such books this year, they’ve hidden amongst my to-read shelves, whereas this book was still relatively front and center.

At any rate, apparently, this is the fifth of the Cape Light books; I read one from ten years later last year (All Is Bright from 2014), and I didn’t care for it. As a matter of fact, I said:

So although I undoubtedly have destiny that includes one or more Kinkade paintings, I doubt I’ll revisit this series.

Well, fortunately, I forgot that particular New Year’s Resolution, as this book was better.

A pastor visiting Cape Light while he recovers from malaria collides with a pregnant woman on the run and under an assumed name on a snowy evening. He helps her out, and they start to have feelings for each other, as she hides out in a boarding house and integrates into the friendly community until a private investigator hired by her vindictive ex-husband shows up. Side plots include one daughter of a wealthy widow wanting to marry and another daughter dealing with the lingering effects of a miscarriage and her husband’s attention paid to a needy boy at a local shelter.

Overall, a pleasant book to read. A nice bit of fiction without major crimes involved, but enough intrigue with the woman on the run story to keep a genre-fan like me engaged. Which might be what the other Cape Light book I read lacked. It has its unanswered questions: What, exactly, is the promise in the title? How did the detective find her? It rather quickly covers the whole holiday period with big gaps, and then it drills into conflicts that might have been resolved within those intervening weeks, but do not. That’s a flaw I see in some television programs, too.

Now, back to the genre fiction for me.