That’s right, I went to ABC Books on a Friday as they had a special lunchtime book signing with Patty E. Thompson, a Phoenix-based writer who comes into town to visit her sister and who has visited ABC Books in the past (I asked how a Phoenix author ended up at ABC Books). She has two books in print, both personal stories illustrating how God is working through her life.
Of course I made the normal martial arts to philosophy and poetry loop before talking to the author to pretend like I was there for something else instead of just to support the authors that visit Mr. and Mrs. E.’s establishment.
I got a couple of things.
These include:
Look What God Did! and Whose Job Is It Anyway?, Mrs. Thompson’s books.
A First Glance At St. Thomas Aquinas: A Handbook For Peeping Thomists by Ralph McInereny. Cheaper than the Summa Theologica anyway. I’m still itching to read some of the primary material after hearing Charlton Heston explain Aquinas last month.
The martial arts section had two new offerings, both titles by Nick Evangelista. I got one The Art and Science of Fencing; time will tell if I get the other (probably, if I read this any time soon).
The art monographs section is also down to only a couple of titles, but I don’t generally buy art monographs from ABC Books–I prefer to get them for a couple dollars each at the library book sale. But I got The Hirchfeld Century: Portrait of an Artist and His Age by Al Hirschfeld with David Leopold. As I often mention (and did so when checking out today), I have a signed, limited edition print from his cousin hanging in my office.
So it was a fairly expensive trip. The books by the featured author look to be pretty short. Perhaps I will read them soon since I read the Brownbooks shortly after I bought them.
Although signs might not be good. I’m only at 67% of the Julian Lynn books I bought two years ago.
I first heard Diamante in the song she sings with Bad Wolves, a band that the local rock station loves and whose new singles they play all the time:
Diamante, not so much.
But I picked up her previous album, Coming In Hot, based on liking what I saw on YouTube.
She’s got a more husky straight ahead rock voice and presentation than the usual symphonic metal songbirds I pick up. Husky, without going full dirty vocals a la Elli Berlin.
I vote “Ghost Myself” from the new album Most Likely To Appear On Brian J.’s Gym Playlist:
So yesterday, as I was putting away two five packs of toothpaste in our master bedroom walk-in closet, I came to a discovery. Not that I am a hoarder, gentle reader, but in this the year of our Lord 2021, when you use one, you buy two, and the word “Limit” in a store means “Buy this many whether you need them right now or not.”
No; as I put the glued packs onto the high shelf in the closet, above my head but still reachable, I pushed them back, and they encountered resistance. I reached up there and found….
A… What, radio?
It turns out it’s a small wired speaker powered by three AAA batteries that you can plug into your Walkman or Discman to play them without headphones, I guess. I suppose it would work with an old iPod, too, as it has the 1/8″ stereo cord tucked under, so definitely designed for some mobile device.
I asked my beautiful wife if she recognized it, and she did not. It looks like a Bluetooth speaker, so I thought perhaps it might have been one that did not work well and that we abandoned. But as it’s a wired speaker….
It’s entirely possible that it’s been on that shelf ever since we’ve lived here, something that the previous owners did not see when moving out. I mean, I certainly did not see it from the ground level, and if I’ve brought a step into the closet to change the bulb, I didn’t look in that direction or it was behind other things. It damns me for not cleaning or reorganizing the closet in the entire time we’ve been here and for not repainting it, I suppose.
I just wish I’d find a trove of pre-1965 quarters instead of the normal sort of electronica I might buy at a garage sale with a modern quarter. Or I would have in days past; I’m not hitting many garage sales these days, and although I’ve gone to a couple estate sales in the recent months, I’m not accumulating the electronic bric-a-brac I used to.
This book is from Faith over Fear Productions, so I expected some faith-based poetry, but there’s nary a mention of Jesus in it. Instead, it’s a collection of street poems, almost raps, dealing with relationships and whatnot. The poems have short lines with a bunch of chatter and not the distinct imagery but rather rhythmic, sometimes, abstract conversation. Less formal than grandmother poetry or decades-old greeting cards and not quite as poetic as more literary poetry of the 21st century, but probably not the poets’ goal.
Each poem is paired with a vivid abstract or abstactish piece of painting in color with full bleed to the edge of the pages–kind of like the cover image–and the layout is very good. As one reviewer said of my collection of poetry, the poetry is meh but the design is very good.
This book is a more modern entry in the series (compared to these decades-old cards). They mostly deal with, of course, being young and a woman in the 21st century, relationships and the like. Growing older, learning, and so on. A cut above most of the things I read, actually, with longer lines and some good imagery, but some inchoate images and poems that didn’t speak to me.
A number of the entries are erasure poems, wherein she took another text and eliminated words, sentences, and presumably paragraphs to carry elison (ahut) into a new work with meaning. It’s an interesting exercise, but somehow seems less than writing something from scratch. However, I am sure it keeps the creative juices flowing, and here I am waiting for the muse to strike me at the exact moment I’m sitting at a coffee shop for thirty minutes with a notepad. Which happens sometimes, but not often. Perhaps I should get to coffee shops more.
At any rate, this chapbook was all right. Of course, Ms. Anderson doesn’t need my validation; her copyright page indicates she’s getting her work out without my blog’s linking to her work, which is just as well since it’s not on Amazon, and you guys don’t use the handy links when I provide them anyway.
These two slim volumes came in the bundles of chapbooks that I bought at this autumn’s Friends of the Springfield-Greene County Library book sale. As I have mentioned often and will continue to mention every day or so for a couple of weeks, they bundle a small stack of chapbooks and pamphlets together for a buck, and I cannot help but buy many of them. Something about a grab bag appeals to me–it’s like when the old record store would bundle ten 45 rpm singles fresh from jukebox duty or remainders and mark them $1.99; I bought a lot of such bundles and sometimes found something interesting (such as Madhouse). So it is with the chapbook bundles. Plus, it gives me something to look at between plays whilst watching football on Sundays–and, let’s be honest, watching football on Sundays is a pretext for me to read during the day, not purely to watch football.
At any rate, these two slim volumes are not so much chapbooks as they are holiday cards with several pages of poetry in them. The first is by Ideals magazine (See also here and and was given as a Thanksgiving greeting from Mother and Daddy in 1970. It collects a lot of poetry and photography with harvest, autumn, and Thanksgiving themes with some Christian content thanking God, not just being mindful and grateful. Given that I have Ideals magazines dealing with Autumn and Thanksgiving, I have to wonder if I’ve read some of this material before.
Prayers and Meditations is a Christmas card signed by Norm and Jan in 1988; it collects nine poems by Helen Steiner Rice, religious-themed prayers and musings about the meaning of Christmas. It’s an exclusively religous card, with thoughts and prayers about the birth of Christ and its meaning, and nothing about sleighs and family. Handy, I suppose, if you can’t find only one card with a single poem that expresses what you want about Christmas. Less expensive than a full little gift book, perhaps, and a keepsake a little more than a card. I mean, thirty years later, I read it and counted it toward my annual total.
The two of them remind me how far we are into the year already, another year almost passed, and the fact that they’re fifty-one and thirty-three years old, respectively, reminds me how far I am into life already. Bittersweet, for sure.
It’s so unlike me to do a link dump, but I’ve got a number of interesting bits open in tabs and not enough time to write a post about each. Not that I spend hours writing intelligent, well thought out, and cohesive/comprehensive gloss on what others write anyway.
Yeah, no, I lived in a trailer because we couldn’t afford anything else. I’m not going to do it because it’s cool. Although kids today live in the new subscription economy, where monthly payments for lots more this-n-thats, cell phones, streaming services, and food delivery and whatnot have more line items in the budget than the utilities of old.
Although sometimes I think life would be simpler if I downsized to a single wide somewhere, I know it would not solve the restlessnesses that vex me from time to time because it’s not the sky, it’s myself. Or what Horace said.
Joe at Glorious Trash, whom I linked yesterday, also pointed me to this scholarly work on the early Mack Bolan books. However, a quick online search reveals that it runs $300 or so, so I’ll have to wait until after I get my copy of Summa Theologica, if ever–I have scheduled to forget I want this for next Tuesday.. Unless I find it for a buck at a book sale.
At the Imaginative Conservative Poetry and Holding the Center talks lauds memorizing poetry and how what you’ve just read tends to appear in the real world:
In an article for First Things in May of this year, the British writer Dan Hitchens reflected on what it meant to have poetry memorized, to have it “by heart,” as the old expression goes. He quotes a number of poems that have had a personal meaning to him or to others; as he puts it, they often don’t produce an epiphany, but rather “make sense of a feeling.”
What he means is a little different from the way that literature illuminates experience by making us see the real world more perceptively. The other afternoon, my daughter Julia was reading to me from the The Little Town on the Prairie, the seventh in Laura Ingalls Wilder’s series, and in this scene, Laura tries to teach a young calf to drink milk rather than to suck it from her mother. She has to counter the calf’s instinct to butt the cow’s milk bag because the calf would knock over the bucket. After Julia finished reading, we went inside to dinner, and through the glass door we could see a fawn and a doe (mule deer are everywhere in Wyoming) close by in the adjoining pasture. The fawn repeatedly butted its mother’s milk bag, swinging its head up violently as it tried to nurse, obviously with the same instinct as the calf. It was like an illustration. Would we have noticed it in the same way if we had not just read Wilder’s description?
(Bob Belvedere of The Camp of the Saints turned me onto The Imaginative Conservative through Facebook postings–I am thinking about adding them to my blogroll but have not yet.)
I have known some operators like this, and double-dippers like this have made for awkward moments when interviewers ask me if their companies hire me whether I’d continue to consult. The answer is, yes, a little, from time to time, to keep my company active and to continue to support local causes who might have come to depend a little on my company for support. But not two full time positions at once, brah–I’m not going to burn myself out like that. But I am sure many of the interviewers have not believed me. If I were unscrupulous, though, I would just lie.
A local lawmaker has made an official request for Springfield Public Schools to search three years worth of email and other documents for any reference to critical race theory and 21 other “trigger” words or phrases.
State Rep. Craig Fishel filed the far-reaching Sunshine Law request in early September. The district responded to provide the cost for searching, copying and redacting an untold number of public records.
The district requested a deposit of at least $170,000 to start searching different servers. The final cost, including any copying and redaction, was expected to be higher, although the exact amount was unknown.
Fishel, a Republican from Springfield, alleged the district used “worst case scenarios to inflate the cost of fulfilling the request,” according to a press release sent Sept. 28 by the Missouri House.
In the review for A Bend In The Road, a book of poetry put together by a nursing home operating company featuring poems by its residents, I said:
Man, I remember nursing homes in the 1980s. Two of my sainted mother’s aunts ended up in a couple of different facilities, and the facilities were as cold and efficient as hospitals but with less care. It depressed me to go visit those old ladies–I was young then, and impatient. Times have changed now, though; one local senior living facility has been running ads showing a tatted up, goateed and mohawked pierced grandpa with big headphones on taking a selfie. One expects the new facilities are more fun, but then again, the ones that advertise in 417 are probably the nicer ones anyway; one would probably find my relations in more traditional centers.
I went through several copies of 417 we had on hand to try to find the ad in question to share it with you, but I could not find the full page ad nor remember the name of the place to look for the ad online.
But I got the new issue of the local slick this weekend, and Turners Rock has reduced it to a quarter page, which trims it a bit, but you can see whom they expect to live in their senior living facilities:
I guess he doesn’t have a mohawk after all. And we can’t see piercings, but they’re definitely implied.
You know, I’m not far off of eligibility for senior living facilities, but I can’t see myself downsizing that much. I have too many books yet to read and too many records to fit into a small apartment, and I am used to playing my music as loud as I want. But fifty-something is not turning out to be adulthood and elderliness that I remember from when I was young. I cannot tell whether that’s because my perception has changed as I have aged or whether being older has changed. Probably both, and both to a large degree. But, truly, truly, I say to you, most of the metalheads I know these days need Advil after a concert, not so much for hangovers but for body aches.
In a related note, they’re building a lot of senior living around Springfield, giant complexes with hundreds of units. Theoretically, many of those seniors will be moving out of their homes and putting them on the market. And builders keep building lots and lots of new single family homes. Who is going to live there? The population has been holding steady. We haven’t been cranking out babies to warrant this much growth (we only did one for me and one for you but not one for the bishop). Are the powers that be planning for a population boom from somewhere else (abroad or aliens?), or are they merely pursuing a build-build-build strategy not unlike China’s which will lead to an eventual bubble bursting?
I dunno, but I’m not taking out any home equity loans based on valuation that says Nogglestead has almost doubled in worth since we’ve been here.
Well, here’s something else we can thank Joe Biden and the pack of ignorant fools he has surrounded himself with: New books will be hard to come by for the rest of the year, due to their ill-conceived economic policies that completely messed with the supply chain. First toilet paper, then, lumber, and now books:
Publishers are warning sellers and consumers that supply chain issues have forced a major slowdown in book production and threaten a shortage of certain titles for the rest of the year. Supply chain problems have touched almost every aspect of book production, storage, and delivery, mostly as a result of Covid-related bottlenecks. Printer capacity issues plagued the publishing industry last year, too, though 2021 is expected to be worse.
Naturally, those of you who prefer printed books will be, as they way, hardest hit….
Not me, brother. I have thousands of books to choose from here at Nogglestead, more than I can read in a lifetime.
I’m just waiting for the federal government’s forthcoming Cash for Thunkers program, where you must trade in used books for cash, or maybe just copies of the latest “educational” material, and the black market of books leads to real price increases. And organized crime. Where you can go to Bidnetto’s Lending Library, but if you fail to return a book, let’s just say that it won’t be the Library Policeman that comes for you.
I picked this film up recently at a garage sale or thrift store as I accumulate films on media because they’re about to disappear–I see that this film is not available on Amazon Prime in my location, perhaps because I’m in the buckle of the Bible belt.
The film comes from the era when Tom Hanks made silly comedies and Hollywood was trying to make Adrian Zmed a star. Hanks plays a guy who’s about to get married to a nice girl from a rich family (played by Tawny Kitaen, this character is sweet and it’s from before Kitaen became a full Vixen around the Whitesnake video era, as I recollect, but I was young then). Hanks is a bit of a slacker, a school bus driver for a Catholic school who is also a metal sculptor, but he doesn’t measure up to her parent’s standards–they prefer Cole, played by Robert Prescott (who would later play Kent in Real Genius, which I watched this spring). When he announces the engagement to his friends, they decide to throw Rick a bachelor party with hookers and booze. Rick promises his fiance that he will behave, but hijinks ensue as the women at the bridal shower go to a strip club and then dress like hookers to crash the bachelor party, but they end up mistaken for real prostitutes.
So the story has a lot of room for raunch, and there’s some nudity. Drug usage is not a big part of it, but they do bring in a donkey for sex at one point–although the relationship isn’t actually consummated.
Strangely enough, though, I found it less offensive than more modern comedies like Ted because the main characters demonstrate some mature care for one another, and Rick makes a promise and stays true to it in its fashion. and Or maybe I’m just partial to 80s movies. Rick doesn’t get the full he-grows-up-and-does-great-things redemption at the end–this isn’t a Michael J. Fox movie–but one wishes him well.
The film also has Michael Dudikoff in it, fairly fresh from his turn in the brief sitcom Star in the House, when he was playing silly, high-pitched comic characters before American Ninja turned him into a B-movie action star.
Overall, amusing in spots and certainly a cultural artifact of a more innocent time, where even the raunch was more innocent.
I know I have not been reading much over the last couple of weeks; a chapter or two of a book or a short story or part of a long short story at night, Christmas cards and chapbooks during football games.
Which is not going to get me through this library any time soon. And it’s not getting me to reading the source material from audiobooks and audio courses I’ve listened to such as Aristotle or St. Augustine (although Pamela which I heard about briefly in The English Novel, remains only barely started beside my reading chair).
Part of it is that my reading chair is near the video game arena in the family room, so most nights it’s given over to my boys playing video games and watching one or two different videos each which does not lend itself to quiet, reflective reading (unlike, say, football games).
I might have to remove myself to another location to read in the evenings. When we first moved to Nogglestead twelve years ago, I did my reading upstairs because my recliner was in front of the television for watching football until we got a living room set for the lower level. I might make my way up there again, which would also lend itself to listening to records, which would mean that it wouldn’t take me months to read the things I accumulate at book sales.
So I mentioned that I recently bought Brenda Russell’s album Get Here amongst sixty or so other records at the Friends of the Library Book Sale a couple weeks ago. I didn’t recognize the name, but as I was spinning the platter tonight for the first time, it yanked me back.
Her biggest hit, “Piano in the Dark”, comes from this album.
Suddenly, I am back in the computer room–a, what, spare room or bedroom except it had the stairs to the basement in it–in our house down the gravel road. It’s summer, and I’m monkeying around on the Commodore 128, typing programs in from magazines or playing disks’ worth of games we downloaded from BBSes before moving to a house in a valley a mile or so off the state highway where we had a party line. In 1988. The songs from those two and a half years are somehow more vivid than from other periods in my life.
Then I heard her sing “Get Here”, the title track from the album, and I thought, That’s not quite right.
Because I remember the Oleta Adams cover, which charted much higher, a couple years later.
Suddenly, I’m in college, noodling around either on the Commodore 64 I bought from the later Goth King of St. Louis to take to school or on the old 286 that that my stepmother’s mother bought for $2000 with an employee discount at Sears and I repaid over the course of six months at minimum wage. Probably playing it on the stereo I bought from Iron Maiden poster Dave for $20My mom says I should charge more because it’s a good stereo, so give me $5 more for the speakers in the days where WKTI played songs like this one and “I Wanna Be Rich” over and over again.
Well, that was certainly worth the dollar I paid for it.
When I pulled up the YouTube video for “Piano in the Dark”, YouTube queued up Breathe’s “Hands to Heaven” and Glenn Frey’s “You Belong to the City” as things to play next. I already have both on CD already, on All That Jazz and the Miami Vice soundtrack. Because I was into 80s pop in the 80s, and I’ve only gotten into LPs and R&B records (and R&B influenced pop) in the 21st century. Or because I’m a racist/misogynist. Maybe both.
The woman kept on running after the car hit her. She eventually returned to the scene with minor injuries.
You know, running out of Nogglestead takes you on a number of two-lane farm roads with high rates of speed and a state highway, but I’ve only had to dodge a car once (as it turns out, one of the fellows with whom I’ve studied martial arts and who built our new pool fence nine years ago was driving right behind the car I dodged and saw the whole thing).
One more reason for me to not run. Because if I got hit by a car, I would take the opportunity to lie down for a little while. Unlike some Gladyses of the world.
Also, the question arises, How out of date is “man card”? Seven years? Ten? Or more?
My Facebook feed these days is about 70% ads and promoted posts from old Hollywood, random authors, and retro/nostalgia sites.
One of which recently delivered this up to me:
How many of you had pieces of furniture in your house in the 1970s?
Well, I did not have any of these in my house in the 21st century, but my sainted mother had two differently sized end tables and the coffee table in her home in the 21st century:
My brother inherited the items after she passed. I am not sure if he still has the pieces–I didn’t look too carefully the last time I was out there–but these are heavy and heirloom quality. After all, I am pretty sure that my mother inherited them from her mother in the middle 1980s or perhaps from her sister.
Regardless, I have to wonder how many of these nostalgia clickbait posts are written by young people who don’t realize that, as you get older, the past, especially the artifacts, come along with you. Or perhaps it’s just me, someone who relies on personal relics to connect to the past since so many of the people I knew and could corroborate my stories have passed on or don’t remember.
C’mon, man, it’s Benedict Cumberbatch. Even less difficult than guessing Simon LeBon.
And as for a bit of a behind-the-scenes note here at MfBJN: In composing this post, I fact-checked myself and did not publish two things I thought to be true but which are not.
First, I asserted in a throw-away line that Benedict Cumberbatch had two doctorates, one in Who and one in Strange. However, I looked to make sure he did play Doctor Who, but guess what? He’s one of the British actors who appeared in American media around the same time, so I just assume that they all played the new Doctor Who at some point. However, neither he nor Tom Hiddleston actually played Doctor Who, which I shall have to remember to avoid making this mistake, perhaps in haste, in the future.
The second one was that I was going to make light of this other article from The Sun the same day:
I was going to say, Haw, Haw, dumb journalist! That’s not a spade, that’s a shovel! However, apparently in Britain, according to this Web site, and perhaps everywhere in the world except Nogglestead, the spade does not look like the playing card suit with a pointed tip; what we call a spade at Nogglestead is merely a digging shovel, and the spade has a flat edge after all.
So journalists and headline writers in the U.K. might be smarter than me. Or perhaps I need to work in the garden more instead of spending a lot of time writing and researching a blog post to be seen by a handful of people.
But rest assured, I have lairs and lairs of fact checkers.
I was talking to the woman at the cleaners who handles my eldest’s JROTC uniform weekly about how time passes differently for kids versus we elder folk because each year is a larger percentage of their lives than ours. So a kid who’s fifteen, his fifteenth year is 7 percent of his life, and likely 10 or more percent of the life that he remembers well. Someone who’s going through his fiftieth year, the year is only 2 percent, and he might not remember much of it at all.
I’ve long felt that I understood why this was. Let me give it a shot.
For a newborn, the second day it’s outside and breathing is 50% of its entire life. For a six-year-old, half of their life is three years – much more. It’s not a big percentage, but it’s much smaller than 50%. For a sixteen-year-old, half their life is eight years.
If you’re forty – half your life is twenty years. 1/8 versus 1/20? It’s amazingly different. We don’t perceive life as a line. We’re living inside of it – we compare our lives to the only thing we have . . . our lives. Each day you live is smaller than the last.
But that’s not everything.
As we age, novelty decreases. When we’re young, experiences and knowledge are coming at us so quickly that we are presented with novel (new and unique) information daily. New words. New thoughts. New ideas.
I have known this and have explained it to my sons and to everyone who will listen.
I have some photos rotating on my auxiliary monitor beside me; one crops up of the boys with medals for a middle school event. To me, it was very recent; to the boys, this was, what, 2018? A long time ago. By the time that period elapses again, the oldest will be out of the house, and the youngest will be, what, a junior in high school? The whole lives that they have known here will only be an interlude in my life, and the soon-to-be-over beginning of the rest of their lives. I’ve known this, too, for a while–I have been saying that we’re on the downhill slide since the oldest was nine. But it gets realer and realer in my imagination.
I already grieve for this time, even as I spend too much of it on work and other things or being frustrated/exasperated with them when I’m with them. Fortunately, I will only remember the best parts. And not my own, what, dread of our separation?
I bought this in one of the three packets of chapbooks that I got for a dollar each at the Friends of the Springfield-Greene County Library book sale this autumn. The three sets of chapbooks and another volume of poetry are about all the books I got, instead focusing on albums as you might recall, gentle reader.
Well, about this book. Apparently it’s a chapbook of “poetry” from 1972. That’s what I gather from limited Internet searches for the book and the poet on the Internet. The first poem, or perhaps the section, is called “Nightmares in the Dark”, and the whole collection with its dated poems ranging from 1968 to 1972 read like a Vietnam veteran working through his PTSD or perhaps a patient in an institution working through some things. The prose poems are reflective of nightmares, where the poet-narrator is in the jungle, or meeting with a woman whom he gores or who gores him, and there’s a clown that keeps reappearing.
Most of them are in paragraph form, not verse, and some themes repeat. But it’s not very poetic, and it’s not compelling reading. I finished it, not browsing during football–the prose is too dense to glance down and glance up–but in the chair just for completeness sake. And to add to my annual tally easily.
So far, no nightmares of my own on account of it, which is nice.
So probably something to avoid.
But I get the sense that the story behind the book is better than the book, and that’s quite probably lost.