I tried to lure my boys into watching a film with their old man (is that a slur or just slang? In the 21st century, it depends upon not so much the word nor the intent but how someone feels about it) by watching an Adam Sandler film, but they didn’t bite, which is just as well. This is not a comedy despite what the box nor blurbs say. This is one of the films where Adam Sandler is trying to turn into a dramatic actor as Tom Hanks did, but Hollywood and audience are still not letting him do it.
He’s not even the main character in the film: That’s Flor, played not by Salma Hayek. I am probably to be condemned for confusing Selma Hayek with Spanish actress Paz Vega, but I confuse a lot of people for others for reasons unknown and for reasons inscrutible to others (apparently, Heather Newman does not sound like Mary Chapin Carpenter and so on). Flor is a Mexican woman left by her man with her daughter. She comes to the United States (although not said explicitly, illegally is implied). She finds work as a maid/nanny for a wealthy family, including a famous chef (played by Sandler), a shrewish striving wife (Tea Leoni–has she ever played a character that did not annoy me? The Family Man, maybe?), a dumpy daughter, and an alcoholic mother in law (Cloris Leachman). The wife takes an interest in Flor’s daughter, buys her things, takes her to a salon day, gets her into the daughter’s private school–to Flor’s dismay and discomfort, her daughter starts behaving like the rich Americans. Flor does nice things for the family and gets closer to them, including moving into their vacation home during their vacation with her daughter, and she learns English. When the wife cheats on the husband, who has been busy preparing for a meal serving an influential critic and getting all his stars as well as having a subchef threaten to leave the restaurant–well, throughout, the husband and Flor grow close, but when the wife cheats, the husband cooks for Flor in the restaurant, they share a moment, but Flor leaves, and the husband seemingly goes to reconcile with his wife as Flor and the daughter leave them for good.
The film has a frame story of the girl, in voiceover, telling the story as part of her essay trying to get into Princeton and explaining how much she admires her mother. I’m not sure whether it adds to the film, and I’m not sure how much I really enjoyed the film or if I took any lessons from the film, but I suppose as I’m becoming a pre-Netflix Sandler completeist, I can cross it off the little checklist.
Below, in my defense, I have some pictures of Paz Vega so you can determine if she looks like Salma Hayek.
Continue reading “On Spanglish (2004)”



Two and a half years ago, I picked up this book
This is a two-pack of Tom Hanks comedies from the middle 1980s. Remember when Tom Hanks made comedies? Try explaining that to young men born in the 21st century. Ever since his back-to-back Academy Awards in 1993 and 1994, he’s pretty much been a serious actor. No cross dressing for laughs, as in television’s Bosom Buddies–I am pretty sure that show could not be made today at all, and I bet if I dug, he has probably retcontrited for forty-year-old humor. But I digress.
Before watching the Christmas movies (Die Hard, Die Hard 2, Invasion USA, and Lethal Weapon), I invited my boys to watch this film with me. I’d found it in the videocassette player, and asked them if they’d watched it already–but they had not. So I watched it, alone, as they’re too sophisticated for 80s B actioners now that they’re in their teens in the 21st century.





Ah, gentle reader, I had a hard time writing this particular book report. For this young woman is a New York Times best-selling author, and she has appeared on numerous television programs and many venues, reading her poetry to large live audiences. And, as you might know, I have self-published a collection of poetry (