Author: Brian J. Noggle

I watched this film with my boys–they were interested in it because it stars Adam Sandler, Chris Rock, Kevin James, and other comic figures they know. But I warned them that this was a more adult-oriented film, and that Sandler plays an adult in it, not the zany man-boy of films like The Waterboy, Little Nicky, or Happy Gilmore.

A junior high school basketball team wins the only championship in the school’s history; thirty-some years later, the coach of the team dies, and the team members assemble for his funeral. They include a successful agent (Sandler) whose wife is an international fashion designer and whose kids are spoiled brats; a househusband (Chris Rock) whose mother-in-law lives with he and his wife (Maya Rudolph); a hippie sort married to a woman several years his senior (Rob Schneider); David Spade playing David Spade (but not Joe Dirt); and a recently unemployed furniture store employee (James) whose wife (Maria Bello) still breastfeeds their four-year-old. They come together and spend the weekend in a lakehouse to reconnect with each other and with their families. The film climaxes with a rematch basketball game with the other team from that championship led by Colin Quinn.

I had seen this film before as a rental before my local video chain closed, so I liked it well enough to pick it up cheaply. Some of the humor is a little crass, but it’s the kind of crass that you get when you’re around friends. Believe it or not, gentle reader, even *I* can be a little crass around my friends from way back. So it fits into the movie instead of defining the movie. And it’s a movie with a lot of heart, with a message that resonates with someone who’s in the middle of that middle age, with a family and responsibilities and wondering what happened to being young–and how to get in touch with the joy of life a little bit.

So, like many films in the Sandlerverse, I’ll probably watch this one again at some point, and I’ll keep my eye out for a cheap copy of the sequel. Unfortunately, though, I might not ever see a new Sandler movie since they’re all streaming only these days. I have to wonder if 2020 kind of marks the start of what might be a dark age–I mean, if someone looks back from somewhere down the timeline, all cultural artifacts from about now are going to be gone because they were only on computers, and nobody even has a freaking floppy drive or CD ROM any more except me.

Although I had seen snippets of this film on television a couple of times, I had not seen the film all the way through until I recently watched it with my boys. I picked it up on Saturday at the St. Elizabeth Ann Seton church sale along with 18 other DVDs for a dollar each, and I watched it the same night with my boys. I preface all of these comedies by saying, “This is a documentary” or “This is based on a true story,” but they are coming to view that pronouncement with suspicion.

Joe Dirt (David Spade) tells his story, partially in flashback, as he is interviewed on a radio program where the talker (Dennis Miller) belittles him. His family abandoned him at the Grand Canyon when he was eight, and Joe roamed until he found, what, a foster home? in Silvertown in the Pacific Northwest–where he befriended an attactive girl, Brandy. But Joe decided he had to go find his family, so he starts a search that takes him to the Grand Canyon, to New Orleans, to Baton Rouge, where he meets and exposes a mob boss in the witness protection program and gets kidnapped by Buffalo Bill (of The Silence of the Lambs). He eventually becomes a sensation due to his story on the air, and that helps him find his real parents, and they’re not what he hoped.

The boys enjoyed it, and I didn’t think it was a waste of time. I’m not generally a fan of David Spade. But this is not part of the Spadeverse–this is the Sandlerverse. It’s a Happy Gilmore production and has Kevin Nealon and Blake Clark playing essentially the same thing as he did in The Waterboy (a Cajun people have trouble understanding), so definitely Sandlerverse. The older boy recognized Joe Don Baker and asked what he else he was in; the boy might have recognized him from one of Timothy Dalton’s James Bond movies or two of Pierce Brosnan’s James Bond films. Or he might have been thinking of the chief in Fletch which we watched this spring. He also had a small part in Reality Bites.

So not a complete waste of ninety minutes, and something that speaks to teenaged boys more than their agèd fàthers.

We watched Val Kilmer in two movies over spring break (Real Genius and Top Gun). I read something about his new documentary at that time. I have since watched Tombstone, and when I read another New York Post article on the documentary, I decided to watch this movie with the boys. After all, it was on Showtime when I was in the trailer park, so I watched it over and over again while I was about their age.

Val Kilmer plays Nick Rivers, a surf rock (known for his hit “Skeet Surfin'”) who gets invited to a cultural festival behind the Iron Curtain and gets involved with the resistance who wants to smuggle a scientist out of the country before he can be forced to help the communists attack the NATO submarine fleet.

The film had more sexual content than others I’ve watched with the boys–some of it went over their heads, although I would have gotten it at that time, but I was a product of public schools for all of my education and I had a copy of the American Heritage Dictionary to look up all the things the other public school kids called me. But the film was also more accessible to them than, say, Airplane! or Hot Shots!. I dunno, maybe it’s because they saw Von Ryan’s Express last year, so they get the behind totalitarian lines thing.

At any rate, I watched this film a year or so back when I got it, so it’s definitely in the class of films I’ll watch over and over again. Just not as often as when I was stuck in a 12′ by 60′ trailer in Murphy, Missouri, with nothing but Showtime to pass the time.

In speaking of the Sandlerverse, the Stillerverse, and now the Ferrellverse, is there such a thing as a Carreyverse? I don’t think so. He played with a lot of A-listers. Also, Tone-Loc. But not the same rotating actors in different movies.

At any rate, in this film, Carrey is a recently divorced man who has withdrawn from his friendships. However, a friend takes him to an empowerment seminar, and the guru tells Carrey that he’s got to say “Yes” whenever he’s asked a question. He does not and has some bad luck, and then starts saying yes, starting by allowing a homeless man to use his phone and to give the homeless man a ride to a remote park, where Carrey runs out of gas and cell phone charge. He’s rescued by a manic pixie girlfriend to be played by Zoey Deschanel, and she likes how spontaneous he seems–they take a weekend getaway to Lincoln, Nebraska, because it’s the first flight out. And his yessing leads to the TSA suspecting he’s a terrorist.

It’s not as crass as a Ferrell film; Carrey’s not at the over-the-top energy of his younger years (what, twenty years from this movie’s release and a full thirty years ago now, old man). His character changes and learns something at the end, something that you don’t always get with a Sandlerverse or Stillerverse picture (and hardly ever with the Ferrellverse).

Too often in my life I’ve said no when asked to do something, go out, or try something new. I have gotten better about it these days, although the things I’m asked to do have diminished somewhat. I’ve tried to instill that wisdom into my children, to take the opportunities to do things when they can instead of staying home and playing video games and reading books as those pastimes can wait. I didn’t watch this movie with them, but the oldest has spotted it and has expressed interest in it, so I might watch it in the coming weeks again. Which is about as good of an endorsement that you get on this blog.

Like Sandler, Carrey has taken some dramatic roles in his time–I saw The Truman Show two or three times in the theater and have seen The Cable Guy. So he brings some depth and intelligence and, well, growing up to his roles or playing grown ups who grow, too. So perhaps I should look more into his later films and get caught up.

Oh, and did someone say “Zooey Deschanel”? Continue reading “Movie Report: Yes Man (2008)” →