Category: Book Report

Not long after I read The Barrabas Fire, I picked this up, the last volume in the series. I mean, I have only read a handful of them and have not seen them in the wild recently–not that I’ve been looking–so it’s not as satisfying as reading the last of The Executioner novels on my shelves. But it’s a little sad to reach the end, although I have plenty of books in the gaps in my collection if I am so inclined.

At any rate, I had thought that the book would not wrap things up or address the ending of the series as I expected that the books/stories would have been farmed out in such a fashion that the writer would not know this was the end, but I might have been mistaken. In this book, Barrabas wonders whether he’s getting to old or if he’s lost his focus, and he considers retirement. But first, one last job: to reclaim a Soviet scientist who defected but was snatched from a safe house in the Ozarks and whisked away to Scotland by a tech millionaire with communist sympathies who wants to return him to continue work on Icefort, a Soviet space weapon.

Barrabas assembles the remaining elements of his team, and, well, does that thing they do. Set pieces, assaults on heavily defended positions, and finis. In this case, finis finis.

The book was dated whilst it was still on the book stands. It mentions going back and forth across the Berlin Wall, and the Berlin Wall fell in 1989. The collapse of the Soviet bloc must have had a crazy impact on these monthly subscription thrillers with that international flavor. The ones in the actual printing pipeline–what would you do with them? The ones already on spec–do you have them re-written, or do you just pump them out there and hope for the best? Perhaps it explains why non-international thriller series like The Executioner and The Deadlands would continue on for another decade or two.

But this one does feel a bit like the end of an era, which is probably just me retconning my own midlife crisis onto it.

Oh, gentle reader. I confused this author with V.J. Schultz, whose book Truth or Dare and Other Tales I read in August. I thought it might be another book by the same author, but it is not. One could perhaps easily make the mistake as both write short stories with a little paranormal twist to them set in southwest Missouri, and the authors undoubtedly know each other as members of the same writing groups in Joplin and attendees of the same book signings (as they were in in July when I bought both books). They’re similar in those regards.

This book collects fifteen stories:

• “Clean Heist” wherein a woman discovers her boyfriend has stolen several cases of sanitizer for COVID-era profiteering. Quite a product of its time, and easily the most dated story in the bunch. COVID-era concerns dated very quickly, did they not?
• “Aunt Rose’s Cabin” in which a woman inherits her aunt’s cabin, hidden armory, and a secret that can put several government bad actors away–if she can survive their onslaught.
• “Gold Grand Prix” wherein a woman walking home after a bad date is picked up by a strangely familiar man in a Grand Prix.
• “A Bigfoot’s Dreams” wherein a freespirited female Bigfoot rankles against her traditional male counterparts.
• “Silver’s Curse” wherein a woman is saved from her abusive ex by the werewolf of her dreams.
• “Aunt Ida” wherein a woman inherits her aunt’s cabin, hidden armory, house and a secret that can put several government bad actors away is keeping Aunt Ida’s ghost from moving on.
• “Devil Rooster” about a family with a rooster that attacks them until they eat it. To be honest, it started like it might be a more horror story like Cujo or something, but instead it’s a slice of chicken life vignette.
• “One Foggy Night” wherein a woman has a car accident and is rescued by someone who looks vaguely familiar.
• “Grandma Dottie’s Secret Recipes” wherein a woman receives a collection of recipes from her disinterested cousin and wins a cooking contest/publishes a cookbook based on the overlooked recipes.
• “A Terrible Neighbor” wherein a woman detective looking for a missing person visits her neighbor and hears that the missing woman is a terrible neighbor with men coming in and out of her house in what was a respectable neighborhood. But DUN DUN DUH! The respectable neighbor being interviewed is the real terrible neighbor.
• “Gwen’s Used Books” where a used bookstore owner, upon receiving books from an estate, opens an old book and releases a ghost. Or is it a demon?
• “Yellow Bicycle” wherein a woman receives a gift of a yellow bicycle from an older neighbor whose son is moving her into assisted living, and the bike comes with a ghost.
• “Lost Sheep” wherein Little Bo Peep goes looking for her sheep. A modern mash-up of nursery rhymes.
• “Ashes in the Evening” wherein a woman becomes the victim and protector of a child-sized vampire until she is rescued by the werewolf of her dreams.
• Runaway Asses” wherein a woman calls the police because of some donkeys in her yard and earns the handsome responding officer’s respect when she steps between them and her little dog.

A little better written than the Schultz stories and a little less formulaically DUN DUN DUN! than Caroline Giammanco’s Into the Night. At 148 pages, definitely a quick read. I am pretty sure this author and Schultz are in some of the same writing groups, so it’s not surprising to see some cross-pollination. Perhaps even with Giammanco.

A pleasant read, not unlike the stuff the other members of Marquette Writers Ink and I would bang out in college. Well, more like I would as topically the other writers in the group were more less interested in genre writing.

I got this book at ABC Books in June 2021 when it must have been fresh off of the presses. Heaven knows that it had numerous typos in it, but that did not really impair my enjoyment of it. This series–I’ve already read Terror Near Town and Tough Times in Grubville–has rather grown on me.

This book takes place right after the events of Tough Times in Grubville. Chet Harbison has taken the deputy sheriff’s position in Jefferson County, but he gets a field promotion when the current sheriff has a heart attack and can no longer run the department. He stands for election and narrowly defeats a DeSoto barber / county commissioner, but as he learns, politics ain’t beanbag. He has to deal with a near-lynching of a pedophile held in his jail along with attempts to paint him as corrupt.

The book, like the others, is more of a Western in the Louis L’Amour tradition than a mystery, although the cover says they’re “A Harbison Mystery”. You get a fair amount of detail in raising cattle and farming during the Great Depression than a whodunit, but that suits me fine.

As I mentioned, the book has some typos in it, which lead to some false positive ackshuallys on my part. It mentions the St. Louis Post-Dispatch, and I verified that the Post-Dispatch papers were combined before the 1930s. It mentions Eagan’s Rats, and I thought, aha! I’ve got you now because I know the St. Louis gang was Egan’s Rats, but apparently the first mention was a typo as the secon mention spells it correctly. There’s a spot where he mentions a quarter mile hike into the woods that might be taxing to an old doctor, and I was going to call that out, but then I recalled when my elderly friend “Roberta” came to Nogglestead, and we went to the Battlefield Park for its Independence Day festival, she had trouble with far less level ground. I am a little less forgiving in him saying that someone is going fishing for perch. Perch, as native Wisconsinites know them, are not found in Missouri. Not walleye, not yellow perch. They have a couple species down here classified as perch, but they’re not really the eating fish we know up north.

Still, I liked the book, the pacing, the style of writing which is more Hemingway than Faulkner (or L’Amour) suit me well. I bought the fourth book in the series last August, and I will probably pick it up before long. And probably before I have to go to ABC Books to buy newer entries in the series.

I’ve also decided to pick up one or more of these books for my brother for Christmas. So don’t tell him if you see him.

Sweet Christmas, gentle reader, but sometimes these book reports, or at least the “research” in them, makes me feel old. In this case, I have discovered that the last time that I read a book in this series was in 2014 (The Barrabas Hit, #29 in the series). And, in my research (which means my trip to Fantastic Fiction), this entry, the 32nd in the series, is the penultimate one–the other that I have on my shelf, #33, is the last. Which kind of fits my general fin-de-siècle mood. Everything is coming to an end.

But enough about me: Let me briefly talk about me reading this book. Barrabas and his team (the same one from The Barrabas Hit) are hired to help a deposed president/king of a tourist-attraction archipelago in the Indian Ocean recover his throne. They face off against the new leader and his army of mostly untrained African mercenaries and a big boss French mercenary. So they come ashore, set up some guerrila ops, and then have the big battle with the tower defense of a particularly nice resort.

So a set of, well, set pieces and finis. Not a whole lot of threat, really, to the main characters, not a lot of character development, but it is a men’s adventure paperback. The literary equivalent of the 80s action film. If you’re into that sort of thing–as I am–you’ll enjoy this book and its type for a quick read amidst heavier books (well, not that Wizard or Wizard were particularly weighty, but…)

I will probably pick up the last of the series before long. But do not worry: I have plenty of other Gold Eagle paperbacks mostly from Executioner spin-off titles which I have not really gotten into since I finished the last of my Executioner paperbacks last June.

Well, after reading Wizard by Ozzie Smith, of course I immediately picked up Wizard by John Varley. As it happened, they were close together, relatively, on the to-read shelves in the hallway which we just turned over as we painted the hall.

It turns out that this book is the middle book in a trilogy–I did not know that when I started it, as it does not seem to pick up en media res but instead introduces us to a couple of characters who will factor into the story and establish some world building. It starts with Chris, a schizophrenic in California who goes into the embassy of Gaea and meets some Gaeans–well, Titanides, who are centaur-like except that they have both sets of genitalia on the horse-part at the back but a single set of human genitalia on the front–heaven help us, this will be explored later. Chris seeks to visit Gaea, the god-like computer running a small Ringworld-lite space station in the outer part of the solar system as Gaea can cure his condition. Meanwhile, a woman raised in a woman-only society on a space station at a LaGrange point seeks a similar audience with the computer to heal her epilepsy.

They both make their way to Titan, the space station, and climb the kilometers-long cable to the hub where Gaea, represented by an old woman avatar, resides. She’s grown bored, having created and destroyed civilizations and races on her habitat over the millions of years, and she in recent millenia has started to have to deal with insubordinate local computer systems which run different regions of the planets. So Gaea encourages “pilgrims” to come try to visit her, and they can choose to live in her hub without their diseases or they can go out and do something “heroic” to earn a permanent cure. Both pilgrims decide to try something heroic, and they link up with Rocky, the titular Wizard, and her associate Gaby who is an engineer doing contract work for Gaea.

Turns out that Rocky and Gaby were the stars of Titan, the first book in the series, but they’re kind of introduced as individual characters, so early on it does not require a lot of knowledge of that book to get into this book.

So the party sets off, nominally to do something heroic, but easy heroic quests have already been done. Few dragons remain; the idols have lost their jeweled eyes; and so on. But Gaby and Rocky use the journey, nominally a survey of the regions and interviews with the sometimes rebelious, sometimes obsequious, regional computers, to determine what allies they might have in an attempt to overthrow Gaea.

So it’s kind of like Ringworld with some fantasy elements to it. In addition to the centaur-like creatures, the book features “angels” who have wings and a variety of other beasts, all created by Gaea for amusement or to set the stage for later heroics. As the party goes along and encounters difficulties, members die, so one does not know who might make it through the journey–and the actual point of the journey, from Gaby and Rocky’s intent, only becomes clear later as one lies dying and explains why the odds were so stacked against them.

And although the book starts off as though it were not part of a trilogy–with a good intro to the world (well, space station) and characters new and old, the ending makes clear that the story is To Be Continued. Although some survive and find resolution (abruptly), it ends with a vow of vengeance.

So it was an okay read; a bit disappointing in that it leads into the next book, Demon (and when I checked out the science fiction shelves at ABC Books last weekend, they only had a copy of Wizard–no first or third book available).

I did mention that the Titanides have both male and female horse genitalia in the rear and one set of human genitalia up front. The book goes into detail about how Titanides procreate, and it’s complicated, starting with the fact that the Wizard has to put the unfertilized egg in her mouth to activate it, and then it has to be fertilized both in the back and in the front and…. Well, okay, it’s weird. But a helpful appendix shows you the many ways it can occur between female and male Titanides. Also, Titanides and humans, as it turns out.

Also, I flagged a couple things in this book on a common theme. When we did our recent trivia night, one of the categories was words without the vowels. One of the questions was MSM, and my beautiful wife and I had the same answer: miasma. Cooler heads amongst our team realized that this word was more likely museum. But right after that, I found the word miasma in the book. Then, one night at dinner, I asked my boys if they knew what portage meant. They did not, so I explained it. And then I found the word in the book. On a later evening, my wife said the word offal, which would fit right into the book and…. Well, that word was not in it. But talking about two words that showed up in this book shortly thereafter probably speaks to the belief that the AI and algorithms are listening to us because we spot patterns about what we talk about and what ads we see on the Internet. And that lesson is: The AI in this forty-year-old Book Club Edition is smart enough to not also display offal to establish the pattern and make me suspicious. Truly, truly, I say to you, the world is magic and duplicitous. Which might also be the lesson of this trilogy.

So in looking back at the two other books of Varley’s that I’ve read–Millennium and The Ophiuchi Hotline, I’ve found them kind of meh, but I remember them fondly. If I had found one or the other of the books in this series this weekend, I would have bought it. And I have one or more books by John Varley on my bookshelves, and I’m not likely to recoil from them when I come across them in the future. Perhaps the next time I paint. In 2035 or so.

I read Bob Gibson’s From Ghetto To Glory earlier this year, so it seemed a prime time to pick up this book as I came across it in a partial book turning this autumn.

Ozzie Smith played a generation after Gibson, starting his career in the late 1970s in San Diego before being traded to the St. Louis Cardinals. I knew him twice: Once as an enemy as a member of the team that eventually beat the Milwaukee Brewers in the 1982 World Series, and a couple of years later as a favorite on the team that then lost the World Series to the Royals and then to the Twins. He didn’t get traded; I moved from Milwaukee to St. Louis, and the St. Louis Post-Dispatch kept me awash in free Cardinals tickets for good grades. Between my brother and I, we got to see six to eight games a year gratis, so we became fans of the hometown team. So I’ve seen Ozzie Smith in person, and I’ve seen him do a back flip as he took the field, and I booed Royce Clayton when he appeared in the Dennis Quaid movie The Rookie (Tony LaRussa replaced Smith when Clayton in the 1990s, which caused a rift between the Cardinals and Smith that took years or decades to heal).

At any rate, this book does talk about Ozzie Smith’s race (he’s black), and it mentions he lived in the ghetto (Watts, during the riots in the 1960s, when Smith was very young). But the book focuses mostly on the business side of baseball–Smith’s dealings with the Padres, a penny-pinching team in that era who didn’t want to spend money on retaining players and vilified players who went elsewhere for more money, often beginning in their contract years if the players did not sign right away–to the difficulties and pressures of being a highly paid defensive player. The book also focuses on how Smith approaches self-improvement, including trying to become a better hitter even after he received a big contract.

So the book is more inspirational throughout than the Gibson book. I wonder how more modern sports bios written later than 35 years ago and with different generations scan. Probably not as hopeful as this one.

Not many books have sentences where I know exactly where I was when they happened. This one does.

Some of the fans may have had a little doubt in their hearts about then, but we didn’t. If anything, the Brewers’ rally picked us up as we came up to bat in the bottom of the sixth. We loaded the bases, and that brought up Keith Hernandez to bat against Bob McClure, who had been Keith’s teammate in Little League in California. Keith must have had the book on him, because he came through with a single to score me and Lonnie and tie the game.

Gentle reader, my brother and I left Boogie’s apartment, where his mother had been watching us while my mother had gone out, when the score was 3-1, and when we got to our apartment in the next building over, the score was tied. And we know how the game turned out–if not, you can read this book to find out–and I cried myself to sleep. For a long time, I called Bob McClure “Chicken” McClure, and that probably wasn’t fair. But I was ten, understand.

I also flagged a bit in the book where Ozzie Smith said about a trip to San Francisco for the All Star game where he was going to start the game for the second time, but he was more excited to meet Huey Lewis. C’mon, man, did Ozzie Smith say that, or did Rob Rains through that in because Huey Lewis was one of the biggest musicians of the 1980s? I guess we’ll only know when there’s an estate sale at Smith’s house–if we see a bunch Sports and Picture This on cassette, we will know he really was that excited.

Given that he retired a couple of decades ago, he’s still a beloved figure in Cardinals nation. We used to eat at Ozzie’s when we lived in Casinoport, and a relatively new medical center called Ozzie Smith IMAC Regeneration Center opened in Springfield a couple years ago.

Maybe someday I’ll come across a copy of Ozzie Smith–The Road to Cooperstown by Smith and Rains, written 14 years after this book. I’d like to think it has a similar tone, but one never knows when it comes to athletes who have retired and are not in the middle of their careers.

I picked this book up off of the free book cart at church. Although I check the cart every week, or at least when my beautiful wife needs to be at church early because she’s singing, playing trumpet, or ringing bells (which might only be five out of every six weeks), I do generally wait a week or two before grabbing a free book because I do have other things to read here.

This is a coffee table book that covers seven days in the beginning of April and documents various activities going on throughout the world at churches of the LCMS, its schools, and its missions. The church, from its then-new headquarters in the St. Louis area (I drove by it many times back in the day, which is right after it opened, although I, a new driver exploring the St. Louis area for the first time, did not know that), the church called (well, not called called) for members of various congregations to take photos and submit them, and then the editors up at Concordia Publishing (in the same then-new building) selected photos from every day of the week.

So, that’s it, basically. You get churches and services on Sunday, school kids, missionaries doing their things, the little old ladies of the church doing their crafts and outreach, and the people at LCMS HQ hard at work. You’ve got some photos of church members in their professional lives, and you’ve got what seems to be an overrepresentation of church members working to get the services on the radio or to record the services on video, but I guess those distribution channels would have been pretty novel in 1996. Well, except radio–church services on the radio and television predate this book, but maybe this offered a behind the scenes look? Or maybe it was new to Lutherans then.

I admit that, with some photography books, I only glance at the photos and spend most of my time reading the captions. Such with this book: the photos themselves were fairly pedestrian, although I could not help notice that most of the fashions would have as easily been at home in 1983 as 1996. Nary a bit of flannel here. But, for the most part, the engines of any church are people in their thirties, but more likely their forties and beyond. And these people would have fixed their fashion and how they thought they should look in the 1980s. The young people tend to be in their best or, even in casual clothes, in rather timeless casual wear. The people who would chase fashion would be in their late teens and twenties, the ones looking to define themselves in how they look, and they’re pretty thin in churches now as perhaps then. Not that we’ve had a “look” aside from maybe haircuts and makeup trends this century. Or maybe I am too old to know the subtle differences that youth see.

Given that this picture book showed up on our church’s rack, of course I looked for members or names from the church that I recognized, but I did not find any I knew. I also looked for churches that I have visited, which is not a large number, but we do tend to go to a local LCMS church when possible when we’re vacationing, so I’ve been to LCMS churches in Michigan, Wisconsin, and Arkansas. I only have sort of visited one of the churches down the road from here a ways–my sons played basketball at its school, but I’ve not attended service there. One of its youth in 1996 has the same last name as the current principal of the school, to whom we have sent some money from time to time when possible.

I did, however, spot a confirmand named Kaepernick from Turlock, California, and I looked it up: It is, in fact, the former football player’s older sister from his adopted family. I also learned that not only was that former football player likely raised in the LCMS, but that he was born in Milwaukee, Wisconsin. Geez.

At any rate, an interesting artifact, probably more interesting if you attend an LCMS church. Especially if you did so in 1996.

Now this book will not go on my read shelves immediately. It has been routed to my beautiful wife for her review, and from thence it shall likely go to my mother-in-law for review. And heaven knows if or when I will see it again.

As I read the first in this series, Star Rebel, earlier this month, of course I picked it up right away. I figure if I did not, I might not pick it up and “complete” the series for a couple of years–witness how long it’s been since I picked up Iroshi by Cary Osborn–five years–without picking the second book in the trilogy there because I was unimpressed with the first book in it.

Joe at Glorious Trash has completed Busby’s The Demu Trilogy, and he was unimpressed. But I think this book was okay–as I’ve mentioned, it’s been a few years since I read The Demu Trilogy, but I think I am coming to understand F.M. Busby’s writing: He’s more of a short story writer stringing together incidents and episodes, perhaps with some idea where they’re going but perhaps not.

This book picks up where the last left off. Bran Tregare, a member, but of an outcast branch, of a wealthy Earthborn concern has survived the UET military academy, survived serving his first tour aboard a ship with The Butcher, a captain known for throwing cadets out of the airlock for minor infractions, and he has participated in a mutiny that liberates an armed UET ship for him to command. His situational brutality, however, has caused his lover to have second thoughts about him, so she has left him. And we start this book….

Well, the book is basically a series of episodes where Tregare and his crew travel to different planets and meet different people. He buys a load of slave women from a captain who was treating them humanely; he picks up a new second, a black woman who was captured from a Earthen gang; and so on. They’re episodic in the way that, say, Star Trek was: The ship goes somewhere, something happens/they do something, and they move on in the next chapter. Some characters are introduced, some leave the main story line, and then we get to an end where Tregare marries an agent of his family’s organization, a woman from another of Busby’s series and they deal with a family of assassins on the Hulzein outcasts’ new world. But the book leaves off with him preparing to assemble his fleet of ships to take first Stronghold and then, presumably, Earth–or maybe the other way around.

The back of the book says:

REBEL’S QUEST is the final chapter in the Hulzein Chronicles, bringing this monumental saga to a resounding conclusion.

Uh, this is the second book of what looks to be (now that I looked it up) a four-book series. So I guess it makes sense that it ends with threads unresolved.

I don’t know if Busby was padding this out to be a four-book deal, or a trilogy, but this book does not advance the main story arc a whole lot. Instead of padding, though, I think Busby probably just liked the character and wanted to throw him into some adventures.

But my previous sentiment continues to hold true: Pretty lightweight rocket jockey stuff with a lot of sex thrown in. Not graphic sex, but Tregare gets his share, from the black warrior woman to the wild child of a backslid culture whose colony returned to wild when the last ship to visit could not lift again and other encounters that are described as occuring, but not too graphic.

So if I fall over other books in the series for fifty cents each, I’ll pick them up. I don’t know that I will look for them in used book stores, but now that I said I won’t, I probably will.

Gentle reader, you might know I am a sucker for children’s books on celebrities or sports figures. For example:

• TV Superstars ’81
• TV Superstars ’83
• TV Superstars ’83
• TV Now: Stars and Shows
• Deion Sanders * Brett Favre

So you might have expected that I would have picked this book right up right after I bought it. Well, gentle reader, two things impacted that.

First, I must have bought the book in the St. Louis area before I really enumerated the books I bought each week in Good Book Hunting posts (which go back not quite two decades).

Second:

Well, it was not quite forty years. The memory came up on the Recycler Tour just a day or so before we had to move all of those bookshelves for some work to be done on our lower level, and I grabbed the book. And, of course, I had to read it to prove the prophet, in this case me twelve years ago, mistaken.

At any rate, what of the book?

Well, it’s an interesting artifact. Number 15 in the NFL Punt, Pass, and Kick Library. A hardback with a binding suitable for libraries, it has a cover sticker which prices it at $2.50 in 1971, so it might have been priced for the tax write-off when donating to libraries in that era. $2.50 is pricey for a kid’s book then, and this did not come out of a school book order, brah.

The book basically covers a number of running backs from the NFL and the AFL with small bios of several (Floyd Little, Leroy Kelly, Dick Bass, O.J. Simpson, Alvin Haymond, Ron Johnson) in individual chapters and then groups a couple sets of other running backs (Gale Sayers, Mel Farr, Dick Post, Mike Garrett, Donny Anderson, and MacArthur Lane are “The Breakaway Artists”; Jim Nance, Larry Csonka, Jim Kiick, Hewritt Dixon, Ken Willard, and Mat Snell are “The Workhorses”, and Calvin Hill and Duane Thomas played on the same team).

Given how few of the names resonate now, fifty-some years later (Gale Sayers, Larry Csonka, and O.J. Simpson for non-football reasons from thirty years ago), the book really highlights how ephemeral the position really is. A number of these guys are very young, and they’ve already been injured a number of times. Running backs tend to have a couple of really good years, and then they fade except for rare exceptions (and only a couple of the guys in this book are exceptions). I mean, if you look back at the Green Bay Packers running backs of recent note (and of course you do because you’re a Green Bay Packers fan, aren’t you?), you see Ahman Green, who I nicknamed “The Bowler” because he fumbled a bunch, sometimes forward for extra yards. Ahman Green is the Packers’ leading rusher of all time. You see Samkon Gado, who spelled Green when he was hurt, had a couple of good games and maybe a season, but who is most notable for finishing his studies to become an ENT (Ears, Nose, and Throat) doctor–that’s his current career. You might think of Eddie Lacy, who was good for a couple of years until injuries caught up with him. You might think of Aaron Jones, who had a couple of really good seasons but is getting slowed by injuries…. So, yeah, these guys will also be forgotten in fifty years along with so many of us.

This book is also a product of its time in that many of the subjects are black, and they come from poor neighborhoods. Back in my day, we called it the ghetto (as did Bob Gibson, as did the other neighbors of the projects where I lived, as did Robert B. Parker in a number of his books). But that term has fallen out of fashion in a way that barrio has not. Or has it? I dunno. But, still. Notable.

So an interesting read even though it’s a kids book because of the historical information and perspective it provides.

Now, I would say that I’m going to look for the other titles in the series, but I rarely get to the kids’ section in the library book sales I go to, and the titles are too old for the garage sales, even the church garage sales, that I go to. Maybe I’ll stumble on one at one of my rare trips to estate sales these days, but probably not. These books and those like them have already probably passed through the cat litter factory.

I just picked this chapbook up in April, so reading it in October represents reading it right away at Nogglestead. As you know, gentle reader, over the years, my autumn reading has drifted toward poetry chapbooks and art monographs that I can browse during football games. However, this year, we have opted out of the NFL Sunday Ticket package because it’s on YouTube TV. Instead, I have gotten the NFL+ package, but due to the scraps of streaming rights that the NFL swept up after making big deals elsewhere, I can only get games that appear in the local market and only on hand-held devices. So it’s hard to hold a book while one holds an iPad and struggles with the deficiencies of the NFL app (stopping it, restarting it every couple of minutes when it bogs down). Which is just as well as I have not collected a bunch of monographs recently. So I have been reading chapbooks recently by themselves.

Now, this book must come with an interesting story. It is a chapbook copyright 2013, but the copyright page indicates that some of the poems within it were published in the mid 1990s. Which would seem to indicate that the poet took almost thirty years to come up with a chapbook’s worth of material. Gentle reader, my first chapbooks appeared in 1994 and 1995. It did take me almost thirty years to work up a full length collection, though. Well, not exactly–most of the material in Coffee House Memories comes from the middle 1990s. It just took me thirty years to get up the desire to enbooklenate the poems. And it might be another decade at my current pace to cough up enough for another chapbook. I have to wonder if the poet here experienced something similar. Or maybe it took thirty years to save enough money or for the cost in rights for a Peter Sellers movie still on the cover.

And the poetry? Overall, pretty good. A couple of them are meta poems about poets writing poetry, a couple of reflections on other works (including a Peter Sellers movie moment), but the lines are long enough to convey meaning, and the poems rely on images although sometimes a bit obscure. Still, leaps and bounds above most of the things I read.

This is her first chapbook, but Finishing Line Press has a number of later ones listed. I will keep an eye out for them.

A book review of F.M. Busby’s Cage A Man, the first part of the Demu Trilogy, prompted me to pick up this book (as I prophesied a couple weeks ago). It’s the first half of a two-book set which I purchased in 2011. So it’s been, um, a couple of years since I read the Demu Trilogy in my early adulthood.

This book takes place in a far future world where near faster-than-light travel exists, possibly stolen from an alien race. A corporation has taken control of the Earth and its outworld colonies and looks to eliminate its rival corporations and foundations on Earth. Members of one such rival foundation get their young son into a military service academy under faked papers to keep him safe, but he endures hardships in the brutal training academy. He shows aptitude in ship piloting and fighting, though, so he graduates despite two stints in the special torture cell used as punishment. He gets posted as a cadet to a ship whose captain notoriously “spaces” cadets, throwing them out of the airlock for small offenses. Bran survives and thrives in his next posting.

He learns that mutiny is not uncommon, and that after mutiny, the mutineers rename their ships and head for Hidden worlds–worlds that the corporation does not know about but whose locations are shared by the Escaped captains. When the captain decides to punish Tregare’s friend and lover for an infraction, he triggers a mutiny that liberates a ship. A counter-mutiny by captured corporation loyalists elevates Tregare from third in command to captain of his own ship, and he vows revenge upon the corporation and hopes to build a wider rebellion.

Part of the world-building going on is that the spacers, who travel at near light speeds, take the Long View because their calendar time differs from the experience of time for residents on planets they visit. We don’t see much of this in the books as most of the books and characters are on the same ship, but although it tries to handle this, it’s a little wonky. The personal calendars of individuals are going to differ based on how long they travel at near-light speeds and how long they spend on planets. Forget the people on the planets, who are going to age decades for every couple of months that the spacefarers travel–the other space farers are going to age at different rates as well, but this book kind of overlooks that. And the trade–basically, the ship is going to load up 40 or 50 years before it will reach its destination in real time. What goods and services will those planets need in a hundred of their years? The book is vague on the trade goods, but one wonders how that would work. It’s a shame to introduce the Long View when it’s not all worked out, but I guess it added a touch of novelty and verite to the book in 1984.

It’s not bad for rocket jockey kinds of science fiction. However, unlike some of the juvie stuff, the books contain sex–not especially graphic, but it’s there, so if you’re put off by that, the book might put you off. But not bad for its time.

I must confess to you, gentle reader, that it took me three tries to make it through this book. The first, no doubt, was during or not long after our vacation to Florida which included a stop on Sanibel Island in 2016. I am not sure why I powered through this time. Perhaps because access to my library was limited for a bit. Perhaps my new reading habits allowed for it–although I did not take this upstairs to read whilst stretched out on the sofa. Perhaps my present “reading habits” also includes dodging my dilligence in reading a little bit of the Story of Civilization every night. But I made it past page 50 (of 232).

Okay, so, the plot: A Russian arms dealer blackmails an attorney into helping him take over land left by a Sanibel-island resident to create a nature conservatory (along with others in various places) so that he can store biological and chemical weapons that he’s selling. Local and part-time Sanibel residents including a couple of government and quasi-government officials, a potter, the former judge handling the estate, and the main character, a marketing guy who has just written a book and was instrumental in the incident of the Sanibel Arcanum (a previous book) work to thwart the Russian. I mean, the plot has some interesting twists to it–the blackmailed attorney plans to double-cross the Russian. Okay, that’s the twist.

Unfortunately, the execution poorly serves the plot.

Most of the narrative structure is very short peeks into various characters. By “short peeks,” I mean sometimes we get two or three paragraphs before jump cutting to the next group. This makes it difficult to really tell the characters apart. And even the longer pieces are the groups getting together to talk about what’s happening instead of actual action. The characters come together and have dinner; they talk about biochemical weapons, which is the subject of the report that the quasi-government characters are working on and, coincidentally, what the Russian hopes to store and/or traffic from Sanibel Island.

At about page 70, the marketing guy/novelist goes to the Grand Cayman where the Russian has another home. The books focuses on this single character, who happens to be on Grand Cayman because he has a freelance assignment to write about the island. Not because he’s investigating the Russian, although he does while he’s there.

Even when focusing on the single character, the tone of the book shifts to a bit of travel writing with exquisite descriptions of the island and the food the character eats. A little action happens, and then the reader thinks, “Ah, a story!” But then after a bit of action, the character returns to his main home in Indianapolis, several months elapse, and then his family returns to Sanibel Island and we get dinner parties again. Oh, wait, no, the potter goes on a mission trip to Russia to a Siberian town where the Russian’s father coincidentally lives, and he gets info that will ultimately become important.

We get another burst of action/action in the book’s climax, but a lot of the book hinges on coincidences and improbable-to-poor decision making. It repeats some of its descriptions early and refers to the previous book far too often.

I did flag a couple of things in the book:

• The book mentions several times the bin Laden organization as a possible buyer for biological and chemical weapons; this book was published years before 2001.
• “We have established a strong environmental stewardship here. Thanks to the wonderful efforts of Ding Darling when he worked for the federal government.” To be honest, I was a little afraid to search the Internet for that name, but I guess you probably already know he was an early 20th century cartoonist who founded the National Wildlife Federation. The book is all-in on trusting the government and believing it’s a force for good–and perhaps that simply raising awareness of the dangers of biological and chemical weapons will change the world.
• “Hey, Dad, you’re on Amazon.com!” one of the children says. True fact, children: We did call it Amazon.com once upon a time.

The book is also very dated for its relatively young age. It goes into too much detail about computer use and the Internet–people sure are printing out a lot of Web sites–and it is before the Department of Homeland Security and the whole two-by-two/hands-of-blue/pats-for-you regime. So the bad guys wheel an incapacitated character onto a plane in a wheelchair and just walk through security like that in a fashion we cannot fathom now, where we still have to take off our shoes after that one thing twenty years ago.

One biography of this still-living author says he has a third book in the works, but I have not seen evidence of it online. He does have a blog which he looks to update monthly or a little more frequently with photos and musings from his life in California (not Sanibel Island). I’d link to it, but although he says the media is broken, he also says that those who creatively indict the former president are patriots who are sucking the poison out of our country. So, nah.

I thought I might have just picked this up at the Friends of the Springfield-Greene County Library Book Sale in September, but apparently it was part of my haul in April.

I guess that makes sense, as I picked up a number of chapbooks to plant on my chairside book accumulation point when the football season started so I could browse them whilst holding an iPad to watch football games on those rare occasions where my NFL+ subscription would yield a football game I wanted to watch but could only do so on the iPad due to NFL+’s limited streaming rights. That was a week before the book sale this autumn. I discovered one cannot really browse a book whilst holding an iPad, so I have not been able to browse the chapbooks during the couple of football games that I have caught on a mobile device. I still have them on the table, though, as I have invented a new reading habit this summer which finds me reading on the sofa upstairs to finish the evening. I have some First Things and New Oxford Review magazines that I’ve read up there–mostly reading The Story of Civilization in the chair downstairs–but I’ve also read some of other books such as Samurai Cat Goes to the Movies and Vengeance Is Mine! up there. So I brought this book up to read there. You know, I might have written a navel-gazing post on my new book reading habits (mostly, I finish the evening stretched out on the couch upstairs reading a book or magazine because that tracks with how I spend evenings on vacations), but, c’mon, man–you’re not here for my navel-gazing. You’re here for pictures of movie starlets in films I watch. Odds are you’re not even reading this, and Jeremy Daryl is going to wonder what the hell I’m talking about in this book report. If he can even find it when searching the Internet on “Jeremy Daryl”.

So that’s a lot of verbiage in a book report that’s not about the book, but I suppose that’s okay since I really don’t have a lot to say about the book. To be honest, it looks like it might have been the results of a high school or college introduction to poetry class that the fellow decided to dump onto print-on-demand. The layout is rudimentary–a series of poems with titles and lines in double-spacing with no breaks at the pages, no headers or footers, and no pagination. As you might recall, gentle reader, I have been lauded, well, noted for my bok design ability more than my actual poetry.

The poems themselves are, well, rudimentary. You don’t get the whole mélange of different types of poems–an acrostic, a limerick, a haiku, a tanka, a sonnet, and a free verse–all the poems look to be free verse with little to no rhyming on a variety of topics. A couple nice moments amongst the pieces

However, if the fellow chooses to continue writing poetry and reads a bit more of the stuff, I’m a little more optimistic for his development than your average Instagram poet because the poems are longer and have a little more room for thematic expansion and explanation than brain droppings not done by George Carlin. So maybe there’s hope, but probably the publication of this book was more of a lark than a serious endeavor.

I bought this book in 2017 (at the same garage sale where I got Catnapped! which I also read this year) for just the moment where I was in the mood for it, and apparently this was it. I mean, I had passed over it a couple of times, but this time was the right time, apparently.

So: This book is the fifth in a series (!) about bipedal cats who are samurai and who are on a mission to avenge the uncle’s master’s slaying. Well, that’s the premise of the series, anyway. In this book, they are on the run from a cold assassin robot from the future (or another timeline) sent to kill one of them. Which leads them to Oz (Australia, you see) to see the wizard (which allows them to blend parody/satire of The Wizard of Oz with Mad Max), a flashback story patterned on The Seven Samurai/The Magnificent Seven, and then onto a Predator/Star Trek mashup, and, well….

I am pretty sure I would have found this more funny in 1994. When in high school, I penned a number of satirical stories of this nature. It started when my creative writing group broke into groups, and each group added a bit to a story started by another group, and the assignment continued until each group had contributed to each story. We came up with an obnoxious character named Tyrone Jackson who was a rabbi from Thailand and inserted that character into each story. Once we were done with it, I wrote out, by hand on loose leaf paper The Further Adventures of Tyrone Jackson where I did the same sort of thing in this book, and Jackson “borrows” Doctor Who’s TARDIS and goes through space and time and dimensions, picking up a companion from a world of superheroes and confronting his multi-dimensional enemy Lyndon LaRouche. So, you see, I was primed for this kind of humor in my youth.

But now that I am, ahem, slightly older? I found some of it amusing, but it really ain’t my bag any more, baby.

I got this book the last time Sleuth Ink came to ABC Books for a signing in July. Wait, maybe it’s not the last time ABC Books had a book signing for the group–maybe it’s just the last time that I went. ABC Books has been racking up the book signings since, and I have been missing a lot of them. I’m also playing the little interior drama will I go to the Friends of the Library Book Sale? It starts today, and I am not sure about going. I am really, really running out of space for books and LPs. And yet the odds that I attend are still fairly high even though I won’t decide to do it until Saturday morning.

At any rate, this book presents itself as a Christian Suspense Novel, but it’s not, really. It’s more of a Christian romance or melodrama. A young man with a family moves to Springfield Lake City from a small town in the region with a promise of a contract by a known developer based on a relatively recently deceased mogul from Springfield. However, this business owner has the reputation for screwing over subcontractors who work for him, driving them into bankruptcy. The young man pretty much bets it all on this one contract and gets put behind the eight ball when a flood wipes away his work and makes it difficult for him to making the spring Lake–no, it’s spring in this case–and missing the deadline would trigger financial penalties.

The pressures of the job lead him to pulling away from his pregnant wife. Then a series of unfortunate events occurs: A car hits their house, the husband is t-boned by a car which puts him in the hospital, the wife has her baby, the husband befriends the homeless near the job site and eats with them at the mission, and the wife get hit over the head when visiting the job site which puts her in the hospital as well. The family pulls apart and comes together, the husband finds the faith that the wife always had, and then an unrelated investigation handles the bad businessman in the last couple of pages.

The writing is not bad, but the plotting is a rather melodramatic. The book is a bit talky–I know, I know, if you’ve read John Donnelly’s Gold, you could say the same about it. But the worst part is some of the detail work which just doesn’t ring true. Now, I’ve not been in a maternity ward in fifteen years, but the description of the events of the wife’s giving birth and that whole thing–she hasn’t seen the baby in a long time? From my recollection, the mother is supposed to suckle the child a whole lot. I’ve been in an ER and in hospitals, and some of those elements don’t ring true. And the owner of a landscaping business who spends months moping around a job site and a husband counting on that one thing for all of his family’s finances…. Well, these things did not feel right.

I always feel bad when I pan the work of local authors who have put in the effort to write and self-publish novels. I mean, it’s been almost 20 years since I finished my magnus opus. Reading these books inspires me, though, to see other people doing it. And I’m hopeful that the authors I review will go on to write more and better in the future, unlike me.

I forgot to include Fraktur in my list of disparate vocabulary words I will soon forget, but fraktur is one of them. Because suddenly I found myself reading this book, which I undoubtedly got in a Friends of the Springfield-Greene County Library Book Sale bundle of chapbooks for $1.

The booklet contains the contents of a talk that the author gave when the Free Library of Pennsylvania got a large collection of fraktur documents. Fraktur refers not only to a font/typeface of German printing but also to the freehand documents produced by German immigrants in Pennsylvania in the late 18th through the late to middle 19th centuries.

Basically, if you wanted to have a birth certificate or a marriage certificate in those days, you’d hire a wandering illustrator to write one up for you are pre-printed forms from the county office were not available. The Pennsylvania “Dutch” (Deutsch) mostly spoke German, so they hired German-speakers to write them up, and the producers also decorated the documents with little illustrations. The Free Library of Pennsylvania in the middle of the last century (hey, old man!) got a private collection (and later another) of these historical documents.

And, you know what? It was an interesting little read.

The talk/booklet gives a bit of history, some description, and a couple of stories. She tells of finding an illustration of a crocodile on one such document and wondering how a German-American circa 1850 knew how to draw a crocodile, so she starts looking at educational spellers, in German, and finds the very illustration the artist reproduced. She also briefly outlines one such itinerant artist who spent years going community to community, sleeping in the rail depots, and earning just a bit writing and illustrating fraktur.

It’s 26 pages, so the length of a long essay or something that the New England slicks produced before they became mere propaganda mills.

And, gentle reader, you might wonder, Does Brian J. have any fraktur? Well, gentle reader, I might, although a photo reproduction. I have in a rolled tube somewhere a large photograph or slick reproduction of my great Aunt Laura’s birth certificate from the late 19th century (I assume), and from what I remember, it is in German, elaborate, and quite likely frakturic. It has been a while since I’ve gone into the archives–about a year and a quarter ago I had to come up with my marriage license, and although I did not find mine (I am married–I remember that pretty clearly even though I might have gotten a little wavery and woozy when she came down the aisle), I found many others in the family–and I would likely have put this document to the side un-unrolled as I knew what it was and I was not interested.

I am interested now. So I got more out of this book, and more interest on things outside this book, than I get from most books I read.

The author has a couple of other books available on Amazon and eBay from the first half of the last century, but this one does not look to be widely available. As it is collectible, perhaps I should put it in a special place on my read shelves. Undoubtedly, wherever I put it, it will be the place where I cannot find it again.

Well, gentle reader, when I reported on The Best of Saki, when I was younger and had probably only read a short-story or two from O. Henry, I confused the two because they were both wry/humorous short story writers who used pseudonyms and were basically contemporaries albeit on different sides of the Atlantic ocean. I also read a book whose author called O. Henry blended with The Twilight Zone, so I thought I would familiarize myself with the O. Henry to see if the comparison was apt. And, well, sometimes.

So the first two stories, “The Gift of the Magi” and “A Retrieved Reformation”, are the ones you see most anthologized in textbooks. In the first, a husband and wife living on a strict budget sell their most precious possessions (hair and a wristwatch) to buy a Christmas present for the other–which augments the precious possession pawned. In the second, a safecracker is in town for a job, but goes straight when he falls in love and opens a shoe store. But when children are accidentally locked into the new bank vault, he uses his old skills to open the vault under the eyes of the lawman who just caught up with him–but who lets the safecracker go (which reminds me a lot of The Outlaw Josey Wales which might have drawn inspiration from the story).

The book has 27 other stories in it, and I’m too lazy to enumerate them all here. They kind of fall into two camps: love affairs that are missed or are matched and stories about men and/or criminals who don’t get what they’re looking for. Maybe I should break it into three silos, with men getting or not getting what they want and criminals somehow getting a comeuppance, caught, or turning over another leaf.

If you read a bunch of them in a row, they’re a bit repetitive. I mean, we have two stories in 29 where old friends meet after a time where one is now a cop and the other a lawbreaker and the cop cannot bring himself to bust his friend but sort of does due to the twist. The stories do not all end with DUN DUN DUN! They have a little more denouement for that, mostly. And they don’t end up happily–sometimes Richard Cory goes home and puts a bullet in his head (the twist at the end of two or three–or more–of the stories is suicide). But for the most part, they are amusing, or just (justice–I did not forget a word there).

But I was ready after 29 stories to be done. My mother-in-law apparently has the complete works of O. Henry which she inherited from her father, and I cannot imagine trying to go through a multi-volume set at once. Although reading them one or two a month, maybe, or more if you took all the magazines in 1910, that would have been pleasant.

I guess O. Henry doesn’t get much truck with academia these days, which is too bad. He has a lot of good moments and life lessons. And a lot of vocabulary to teach.

I saw this book mentioned on a blog, and I cannot remember which one. It almost makes me want to create a blog or browser plugin called “Where’d I read that?” which searches the sites on your blog roll and in your browser history to find out where I should attribute credit. Or I could just guess Bayou Renaissance Man, conduct a quick site search over there, and discover yeah, that’s it.

So Bayou Renaissance Man’s preview had the first bit of the book in it, and it looked to maybe be a combination of musing on Emerson’s essay blended with modern prepping tips, and I guess it was that after a fashion. But it read more like a series of blog posts hastily stitched together, and I didn’t get a whole lot out of it. I found it very hard to read, in fact, and then I realized why:

60% or more of the sentences in the book (an estimate, not a count) use the verb is.

Let’s look at the first part of the Bayou Renaissance Man’s excerpt for an example as I am too lazy to type any out on my own:

What is self-reliance?

Ralph Waldo Emerson’s advice in his 1841 essay Self-Reliance still rings true today: “Be yourself; no base imitator of another, but your best self. There is something which you can do better than another.”

For Emerson, self-reliance means thinking independently, trusting your own intuition and refusing to take the well-worn path of conforming to others’ expectations.

This celebration of individualism is the norm today, but it was radical in Emerson’s more traditionalist day. What’s striking about Emerson’s description of self-reliance is its internal quality: it’s about one’s intellectual and emotional self-reliance, not the hands-on skills of producing life’s essentials.

Emerson doesn’t describe self-reliance in terms of taking care of oneself in practical terms, such as being able to build a cabin on Walden Pond and live off foraging and a garden like his friend Thoreau. (The land on Walden Pond was owned by Emerson.)

Emerson did not address practical self-reliance because these skills were commonplace in the largely agrarian, rural 1840s. Even city dwellers mostly made their living from practical skills, and the majority of their food came from nearby farms. (Imported sugar, coffee, tea and spices were luxuries.)

The economy of the 1840s was what we would now call localized: most of the goods and services were locally produced, and households provided many of their own basic needs. Global trade in commodities such as tea and porcelain thrived, but these luxuries made up a small part of the economy (one exception being whale oil used for lighting).

Even in the 1840s, few individuals were as self-sufficient as Thoreau. Households met many of their needs themselves, but they relied on trusted personal networks of makers and suppliers for whatever goods and services they could not provide themselves.

Okay, perhaps it’s not 60% in that excerpt, and maybe it’s not 60% in the whole book, but it is a whole lot, and I certainly noticed it and then got bogged down analyzing the writing more than the content. Of course, if you’ve made it this far, you’re looking at that preceeding sentence and are preparing your tu quoque attack because I used is for 60% of the verbs in that particularly convoluted sentence. But this is a blog post, not a book. Not even a book based on blog posts.

Aside from the issue, the content was a bit repetitive, identifying global macro forces that have led us into a tight spot–the book italicises key concepts like landfill economy–that items are produced to have a short useful life after which the owner will scrap them and buy a new one–and then italicizes and defines them again. Useful tips are repeated in different lists of useful tips. And, yes, I did spell italicize both the American and English way because I’m not sure what that one guy in Seoul who keeps searching for mature pantyhose only to get a book report on The Life Expectancy of Pantyhose and the Poems of Middle Age prefers.

At any rate, a couple of good reminders–grow what grows easily, which is good advice if only I could find what aside from grass grows easily in this rocky clay soil and if I could only find something I can do easily and well that would produce a side income. But overall, a lot like reading a blog on paper–and not even a Substack long-form kind of blog, but rather the quick hits and bulleted lists kind. I had a similar response to The Gorilla Mindset by Mike Cernovich last year. I should probably steer clear of bloggers’ nonfiction in the future unless it’s from someone I already read and it promises more substance or more detail than their existing posts.

I am not sure when I got this book. It has a Redeemed Books sticker on the back that seems to indicate it was added to their inventory in 2010. So somewhere between then and now. It is a collection of poetry written by a retired economist from a consultancy or think tank and it’s illustrated by his brother, a retired artist. The volume I have is numbered 386 of 1500 and is inscribed to Linda. I found myself musing as much on the history of this book and the men who produced it as the actual contents.

The book contains poems that are built using haikus as the syllable counts for each stanza. The number of haikus per poem, that is, the number of stanzas per poem, varies. The book mostly deals with introspection and landscapes and follows the seasons from spring to winter.

So: okay, the author says they’re haikus, and some of them could stand alone as haikus, but most of them cannot, and they’re just syllable counts for lines in English. I think a much more interesting challenge would have been to make haikus that build upon each other to a common theme or poem, but the poet does not indicate this is the case. Although I am pretty sure the result would have been similar: some good haikus that build to a complete poem, but some haikus that clanged on their own and didn’t rise to independence just serving as filler material in longer poems.

At any rate, an interesting read, fairly quick, sometimes enjoyable, but sometimes questionable. I remember one poem talking about a fox eating turkeys, and given the relative size and feistiness of each, I had a hard time believing it to be true. I would need a Dablemont ruling on that.

So if you can find one of the other 1,499 copies available, it might be worth a glance if only to think What if I tried that?

Also, as an aside, something I learned in Our Oriental Heritage: Apparently, the Japanese were so crazy for hokku when they first came out that they had competitions on who could write the best and they bet on it until the Japanese government put it down (Our Oriental Heritage, 881). I am not sure I would have bet on Gustafson unless I knew something about the other guy.