Month: April 2020

This is a condensed, pamphlet-sized version of a longer book (which is $300 on Amazon if you search via Bing but $8 if you search on Amazon?) about Marguerite Higgins’s experience in the Soviet Union. It clocks in at 16 pages, and I probably got it in a bundle of chapbooks/pamphlets for a buck at a Friends of the Springfield-Greene County Library Book Sale some time ago. But I’m counting as a book I read regardless of the length.

At any rate, you don’t have to be a Russiaphile to know what she finds: Brutal architecture, primitive living, but a resilient and resigned people.

But enough about this little publication of the Good Reading Rack Service. It leads to a little wondering about the Good Reading Rack Service itself. The book has no price markings; what was the Good Reading Rack Service? Internet searches yield no history of the company but a boatload of entries from their series. Was it teaser giveaways for bookstores trying to sell the books themselves?

Also, how about Marguerite Higgins herself? A woman war correspondent who covered World War II, the Korean War, and Vietnam along with being the bureau head in Moscow when she wrote Red Plush and Black Beard. Wow, that’s more interesting than what she had to say about Moscow in the middle 1950s.

Well, I got this book from ABC Books this week, and I was so achy for sports that I jumped right into it.

It’s a photograph-laden book with 50 different streaks and records that the author thinks are important across sports, including Joe DiMaggio’s hitting streak, Ty Cobb’s batting average, Johnny Unitas’s touchdown pass streak, Rickey Henderson’s stolen base and runs scored records, as well as tennis, golf, and Olympic records.

I remember most the baseball and football ones from real life even though I might not have lived in their times just because they’re the legends of the game even though they weren’t Brewers, Cardinals, or Packers.

Some of the records have been broken since the book was published (Mark Spitz’s gold medals in an Olympics, Dan Marino’s career passing yardage–twice) and one has been stripped (Lance Armstrong’s Tour de France wins). So not all of them will last the ages.

An interesting and quick browse between heavier works, and a pleasant interlude.

After watching Hercules Unchained, I decided to go right to the source material. Well, Hercules Unchained is based Sophocles and Aeschylus’ works, not Euripides. Which becomes clear when one reads the tragedy Heracles that is included.

The book includes:

• The Cyclops, a comedy of sorts of a type called by scholars a satyr-play, so it’s a touch raunchy and one expects the chorus to be a bunch of men in goatskin pants and priapi (I hope I spelled that correctly; you will forgive me that I did not conduct an Internet search to make sure.) (I am just kidding; I do have a dictionary, so it is spelled correctly). It recounts Odysseus’ trip to the island of Polyphemus and the escape.
• Heracles, a tragedy that recounts Heracles’ return to Thebes, his madness, and its consequences.
• Iphegenia in Tauris, wherein Orestes goes to Tauris to steal back the idol of Artemis to calm the Furies chasing him, where Iphegenia is the high priestess after Artemis whisked her away from Agammemnon’s sacrifice.
• Helen, wherein Menelaus is shipwrecked in Egypt, where he finds the real Helen, not the fake Helen who was carried away by Paris, triggering the Trojan War.

You know, the contemporary wailing about Hollywood relying heavily on known intellectual properties for entertainment, but it has nothing on the ancient Greeks.

Euripedes put his own spin on the latter two tales, wherein both women were not where common (Homeric) stories had them. Artemis replaces Iphegenia with a hind during the moment of sacrifice, so Iphegenia is still alive after the Illiad. The gods make a double for Helen who is carried to Troy, so the real Helen has remained true to her husband. Given that the book is titled Euripedes II: Four Tragedies, I expected the stage to be littered with corpses at the end of these plays, but I was pleased that they ended a little more happily than that.

Each play has a relatively length bit of criticism/history/relating the stories to other Greek works that I skipped. A lot of times, I’ll come back and read the commentary after I read the source material, but this time I skipped most of it (I read the intro to Helen which is presented after the play and I read a little of the introduction to The Cyclops). I’m more interested in the source materials than the academic scholarship around it anyway.

At any rate, I flagged a couple of things:

• From Heracles, a defense of monotheism:
  

  Ah, all this has no bearing on my grief;
  but I do no believe the gods commit
  adultery, or bind each other in chains.
  I never did believe it; I never shalll
  nor that one true god is tyrant of the rest.
  If god is truly god, he is perfect,
  lacking nothing. These are poets’ wretched lies.

• In Iphegenia in Tauris, Iphegenia tips the forty for her presumed dead brother Orestes:
  

  Give me the urn o gold which heavy holds
  My tribute to the God of Death.
  Orestes, son of Agammemnon, who
  Who are lying under the dark earth, I lift
  And pour–for you.

• Also in Iphegenia in Tauris, Artemis herself lays down the baseball rule that the tie goes to the runner:
  

  Orestes, once I saved you
  When I was arbiter on Ares’ hill
  And broke the tie by voting in your favor.
  Now let it be the law that one who earns
  An evenly divided verdict wins
  His case.

  Note that in modern American civics, though, an evenly divided jury is hung, and in the Senate, the vice-president gets to vote to break the tie.

• From Helen, a brief aphorism that comes at the end of a speech that, erm, prophecies Luther’s arguments against some practices of the medieval church:
  

  The best prophet is common sense, our native wit.

  Oh, right, I cannot make that assertion about Luther and not give the wider context:

  It shall be done, my lord.
  Only, now I am sure
  how rotten this business of prophets is, how full of lies,
  There never was any good in burning things on fires
  nor in the voices of fowl. It is sheer idiocy
  even to think that birs do people any good.
  Calchas said nothing about this, he never told
  the army when he saw his friends die for a cloud,
  nor Helenus either, and a city was stormed in vain.
  You might say: “No, for God did not wish it that way.”
  Then why consult the prophets? We should sacrifice
  to the gods, ask them for blessings, and let prophecy go.
  The art was invented as a bait for making money,
  but no man ever got rich on magic without work.
  The best prophet is common sense, our native wit.

  So you can see where I might have thought that: Luther was against some of the money-earning practices of the church, including the saying of masses with no attendees for money to expedite the stay in purgatory for dead relatives. So, basically, the criticism of the church is similar across time and churches.

  Also, it gives a nice aphorism.

If you’re interested, you don’t have to buy the book; you can find all of these plays and more on MIT’s Classic page for Euripedes. You might like that, gentle reader, but as you know, I need a book. This book is part of a series, but I am not going to seek them out. But if I see them at ABC Books or the Friends of the Springfield-Greene County Library, I will be all on them.

Because these pieces of classical literature, in good translations, are very approachable and readable especially if you skip the academic and mostly irrelevant prose bookending them.