Since school starts in a week, the school has sent its non-normalized list of equipment the urchins will need for school. One child’s list is very specialized in certain areas, the other’s is specialized and recommends specific brand names and sizes. So your shopping list has to be a half again as long as it should be.
Then I remembered something I’d read recently about Van Halen and brown M&Ms:
In case you weren’t around during the 80s, the rock supergroup Van Halen had a clause in their concert contracts that stipulated that the band would “be provided with one large bowl of M&M candies, with all brown candies removed”. Once the “M&Ms” story leaked to the press, social commentators jumped all over it as an egregious example of the pampered and spoiled behavior that rock artists demanded.
…
Van Halen was one of the first rock bands to bring truly massive concerts to mid-size cities like Macon, Georgia. The staff that worked at concert arenas in these smallish cities were used to bands coming to town with, at most, three tractor-trailers full of equipment. Van Halen’s equipment took up 9 tractor-trailers. It was a lot of stuff, and the staff at these venues were frequently overwhelmed. And when people are overwhelmed, they make mistakes. At a rock concert, “making a mistake” during setup has a large number of possible outcomes. Some mistakes don’t have any effect at all. Other mistakes can make the band sound awful, which hurts nothing but the band’s image. Other mistakes can cause stage lights to fall from the ceiling and kill people… which is exactly what the band was afraid of.
At the heart of any major concert is the contract. Much of the text of these contracts is standard legal boilerplate, but each band may attach specific demands via something called a “rider”. Most of the contracts involving concerts at large venues are jam-packed with riders, most of which involve technical details specific to the band’s stage design. For instance, a rider might say “Article 148: There will be fifteen amperage voltage sockets at twenty-foot spaces, spaced evenly, providing nineteen amperes total, on beams suspended from the ceiling of the venue, which shall be able to support a total gross weight of 5,600 pounds each, and be suspended no less than 30 feet, but no more than 37.5 feet, above the stage surface”. Van Halen’s concert contracts would have several hundred such demands, and their contracts ended up (in lead singer David Lee Roth’s words) looking “like a Chinese Yellow Pages”.
The staff at venues in large cities were used to technically-complex shows like Van Halen’s. The band played in venues like New York’s Madison Square Garden or Atlanta’s The Omni without incident. But the band kept noticing errors (sometimes significant errors) in the stage setup in smaller cities. The band needed a way to know that their contract had been read fully. And this is where the “no brown M&Ms” came in. The band put a clause smack dab in the middle of the technical jargon of other riders: “Article 126: There will be no brown M&M’s in the backstage area, upon pain of forfeiture of the show, with full compensation”. That way, the band could simply enter the arena and look for a bowl of M&Ms in the backstage area. No brown M&Ms? Someone read the contract fully, so there were probably no major mistakes with the equipment. A bowl of M&Ms with the brown candies? No bowl of M&Ms at all? Stop everyone and check every single thing, because someone didn’t bother to read the contract.
And I thought, Holy cannoli! The teachers are testing me!
If the urchin’s backpack contains a 6oz bottle of Elmer’s Glue, a gel gluestick, or a 48-pack of crayons, this failure will automatically indicate to the teacher that I am that kind of parent. The kind who lets the child select camo-and-stripes ensembles with the trousers on backwards and two different shoes on the wrong feet.
So I was particularly meticulous in this annual scavenger hunt, finding the right size of disposable cups that are only sold in a dusty Halltown shop with a single shelf slot and two boxes stocked every two weeks.
Because I am that kind of parent, but I am considerate enough to not want to spoil the remainder of the teacher’s summer.
UPDATE: Thanks for the link, Mr. Sensing.
This book is a short collection of tales from Ozarks lore, broken into categories such as “Tales of the Supernatural”, “Indian Tales”, “Treasure Tales”, “Outlaw Stories”, and so on. None of them are well-researched or well-documented, but they do give one interesting stories to tell the children and ideas for little essays and historical bits if one wants to put in the time to conduct real research.
This is the next book after 
This is not the first Foxworthy book I’ve read; I read 
I inherited this book from my wife’s uncle, who was something of an expert on period firearms. This book collects images of the