Author: Brian J. Noggle

As I read the first in this series, Star Rebel, earlier this month, of course I picked it up right away. I figure if I did not, I might not pick it up and “complete” the series for a couple of years–witness how long it’s been since I picked up Iroshi by Cary Osborn–five years–without picking the second book in the trilogy there because I was unimpressed with the first book in it.

Joe at Glorious Trash has completed Busby’s The Demu Trilogy, and he was unimpressed. But I think this book was okay–as I’ve mentioned, it’s been a few years since I read The Demu Trilogy, but I think I am coming to understand F.M. Busby’s writing: He’s more of a short story writer stringing together incidents and episodes, perhaps with some idea where they’re going but perhaps not.

This book picks up where the last left off. Bran Tregare, a member, but of an outcast branch, of a wealthy Earthborn concern has survived the UET military academy, survived serving his first tour aboard a ship with The Butcher, a captain known for throwing cadets out of the airlock for minor infractions, and he has participated in a mutiny that liberates an armed UET ship for him to command. His situational brutality, however, has caused his lover to have second thoughts about him, so she has left him. And we start this book….

Well, the book is basically a series of episodes where Tregare and his crew travel to different planets and meet different people. He buys a load of slave women from a captain who was treating them humanely; he picks up a new second, a black woman who was captured from a Earthen gang; and so on. They’re episodic in the way that, say, Star Trek was: The ship goes somewhere, something happens/they do something, and they move on in the next chapter. Some characters are introduced, some leave the main story line, and then we get to an end where Tregare marries an agent of his family’s organization, a woman from another of Busby’s series and they deal with a family of assassins on the Hulzein outcasts’ new world. But the book leaves off with him preparing to assemble his fleet of ships to take first Stronghold and then, presumably, Earth–or maybe the other way around.

The back of the book says:

REBEL’S QUEST is the final chapter in the Hulzein Chronicles, bringing this monumental saga to a resounding conclusion.

Uh, this is the second book of what looks to be (now that I looked it up) a four-book series. So I guess it makes sense that it ends with threads unresolved.

I don’t know if Busby was padding this out to be a four-book deal, or a trilogy, but this book does not advance the main story arc a whole lot. Instead of padding, though, I think Busby probably just liked the character and wanted to throw him into some adventures.

But my previous sentiment continues to hold true: Pretty lightweight rocket jockey stuff with a lot of sex thrown in. Not graphic sex, but Tregare gets his share, from the black warrior woman to the wild child of a backslid culture whose colony returned to wild when the last ship to visit could not lift again and other encounters that are described as occuring, but not too graphic.

So if I fall over other books in the series for fifty cents each, I’ll pick them up. I don’t know that I will look for them in used book stores, but now that I said I won’t, I probably will.

Gentle reader, you might know I am a sucker for children’s books on celebrities or sports figures. For example:

• TV Superstars ’81
• TV Superstars ’83
• TV Superstars ’83
• TV Now: Stars and Shows
• Deion Sanders * Brett Favre

So you might have expected that I would have picked this book right up right after I bought it. Well, gentle reader, two things impacted that.

First, I must have bought the book in the St. Louis area before I really enumerated the books I bought each week in Good Book Hunting posts (which go back not quite two decades).

Second:

Well, it was not quite forty years. The memory came up on the Recycler Tour just a day or so before we had to move all of those bookshelves for some work to be done on our lower level, and I grabbed the book. And, of course, I had to read it to prove the prophet, in this case me twelve years ago, mistaken.

At any rate, what of the book?

Well, it’s an interesting artifact. Number 15 in the NFL Punt, Pass, and Kick Library. A hardback with a binding suitable for libraries, it has a cover sticker which prices it at $2.50 in 1971, so it might have been priced for the tax write-off when donating to libraries in that era. $2.50 is pricey for a kid’s book then, and this did not come out of a school book order, brah.

The book basically covers a number of running backs from the NFL and the AFL with small bios of several (Floyd Little, Leroy Kelly, Dick Bass, O.J. Simpson, Alvin Haymond, Ron Johnson) in individual chapters and then groups a couple sets of other running backs (Gale Sayers, Mel Farr, Dick Post, Mike Garrett, Donny Anderson, and MacArthur Lane are “The Breakaway Artists”; Jim Nance, Larry Csonka, Jim Kiick, Hewritt Dixon, Ken Willard, and Mat Snell are “The Workhorses”, and Calvin Hill and Duane Thomas played on the same team).

Given how few of the names resonate now, fifty-some years later (Gale Sayers, Larry Csonka, and O.J. Simpson for non-football reasons from thirty years ago), the book really highlights how ephemeral the position really is. A number of these guys are very young, and they’ve already been injured a number of times. Running backs tend to have a couple of really good years, and then they fade except for rare exceptions (and only a couple of the guys in this book are exceptions). I mean, if you look back at the Green Bay Packers running backs of recent note (and of course you do because you’re a Green Bay Packers fan, aren’t you?), you see Ahman Green, who I nicknamed “The Bowler” because he fumbled a bunch, sometimes forward for extra yards. Ahman Green is the Packers’ leading rusher of all time. You see Samkon Gado, who spelled Green when he was hurt, had a couple of good games and maybe a season, but who is most notable for finishing his studies to become an ENT (Ears, Nose, and Throat) doctor–that’s his current career. You might think of Eddie Lacy, who was good for a couple of years until injuries caught up with him. You might think of Aaron Jones, who had a couple of really good seasons but is getting slowed by injuries…. So, yeah, these guys will also be forgotten in fifty years along with so many of us.

This book is also a product of its time in that many of the subjects are black, and they come from poor neighborhoods. Back in my day, we called it the ghetto (as did Bob Gibson, as did the other neighbors of the projects where I lived, as did Robert B. Parker in a number of his books). But that term has fallen out of fashion in a way that barrio has not. Or has it? I dunno. But, still. Notable.

So an interesting read even though it’s a kids book because of the historical information and perspective it provides.

Now, I would say that I’m going to look for the other titles in the series, but I rarely get to the kids’ section in the library book sales I go to, and the titles are too old for the garage sales, even the church garage sales, that I go to. Maybe I’ll stumble on one at one of my rare trips to estate sales these days, but probably not. These books and those like them have already probably passed through the cat litter factory.

I just picked this chapbook up in April, so reading it in October represents reading it right away at Nogglestead. As you know, gentle reader, over the years, my autumn reading has drifted toward poetry chapbooks and art monographs that I can browse during football games. However, this year, we have opted out of the NFL Sunday Ticket package because it’s on YouTube TV. Instead, I have gotten the NFL+ package, but due to the scraps of streaming rights that the NFL swept up after making big deals elsewhere, I can only get games that appear in the local market and only on hand-held devices. So it’s hard to hold a book while one holds an iPad and struggles with the deficiencies of the NFL app (stopping it, restarting it every couple of minutes when it bogs down). Which is just as well as I have not collected a bunch of monographs recently. So I have been reading chapbooks recently by themselves.

Now, this book must come with an interesting story. It is a chapbook copyright 2013, but the copyright page indicates that some of the poems within it were published in the mid 1990s. Which would seem to indicate that the poet took almost thirty years to come up with a chapbook’s worth of material. Gentle reader, my first chapbooks appeared in 1994 and 1995. It did take me almost thirty years to work up a full length collection, though. Well, not exactly–most of the material in Coffee House Memories comes from the middle 1990s. It just took me thirty years to get up the desire to enbooklenate the poems. And it might be another decade at my current pace to cough up enough for another chapbook. I have to wonder if the poet here experienced something similar. Or maybe it took thirty years to save enough money or for the cost in rights for a Peter Sellers movie still on the cover.

And the poetry? Overall, pretty good. A couple of them are meta poems about poets writing poetry, a couple of reflections on other works (including a Peter Sellers movie moment), but the lines are long enough to convey meaning, and the poems rely on images although sometimes a bit obscure. Still, leaps and bounds above most of the things I read.

This is her first chapbook, but Finishing Line Press has a number of later ones listed. I will keep an eye out for them.

A book review of F.M. Busby’s Cage A Man, the first part of the Demu Trilogy, prompted me to pick up this book (as I prophesied a couple weeks ago). It’s the first half of a two-book set which I purchased in 2011. So it’s been, um, a couple of years since I read the Demu Trilogy in my early adulthood.

This book takes place in a far future world where near faster-than-light travel exists, possibly stolen from an alien race. A corporation has taken control of the Earth and its outworld colonies and looks to eliminate its rival corporations and foundations on Earth. Members of one such rival foundation get their young son into a military service academy under faked papers to keep him safe, but he endures hardships in the brutal training academy. He shows aptitude in ship piloting and fighting, though, so he graduates despite two stints in the special torture cell used as punishment. He gets posted as a cadet to a ship whose captain notoriously “spaces” cadets, throwing them out of the airlock for small offenses. Bran survives and thrives in his next posting.

He learns that mutiny is not uncommon, and that after mutiny, the mutineers rename their ships and head for Hidden worlds–worlds that the corporation does not know about but whose locations are shared by the Escaped captains. When the captain decides to punish Tregare’s friend and lover for an infraction, he triggers a mutiny that liberates a ship. A counter-mutiny by captured corporation loyalists elevates Tregare from third in command to captain of his own ship, and he vows revenge upon the corporation and hopes to build a wider rebellion.

Part of the world-building going on is that the spacers, who travel at near light speeds, take the Long View because their calendar time differs from the experience of time for residents on planets they visit. We don’t see much of this in the books as most of the books and characters are on the same ship, but although it tries to handle this, it’s a little wonky. The personal calendars of individuals are going to differ based on how long they travel at near-light speeds and how long they spend on planets. Forget the people on the planets, who are going to age decades for every couple of months that the spacefarers travel–the other space farers are going to age at different rates as well, but this book kind of overlooks that. And the trade–basically, the ship is going to load up 40 or 50 years before it will reach its destination in real time. What goods and services will those planets need in a hundred of their years? The book is vague on the trade goods, but one wonders how that would work. It’s a shame to introduce the Long View when it’s not all worked out, but I guess it added a touch of novelty and verite to the book in 1984.

It’s not bad for rocket jockey kinds of science fiction. However, unlike some of the juvie stuff, the books contain sex–not especially graphic, but it’s there, so if you’re put off by that, the book might put you off. But not bad for its time.

I must confess to you, gentle reader, that it took me three tries to make it through this book. The first, no doubt, was during or not long after our vacation to Florida which included a stop on Sanibel Island in 2016. I am not sure why I powered through this time. Perhaps because access to my library was limited for a bit. Perhaps my new reading habits allowed for it–although I did not take this upstairs to read whilst stretched out on the sofa. Perhaps my present “reading habits” also includes dodging my dilligence in reading a little bit of the Story of Civilization every night. But I made it past page 50 (of 232).

Okay, so, the plot: A Russian arms dealer blackmails an attorney into helping him take over land left by a Sanibel-island resident to create a nature conservatory (along with others in various places) so that he can store biological and chemical weapons that he’s selling. Local and part-time Sanibel residents including a couple of government and quasi-government officials, a potter, the former judge handling the estate, and the main character, a marketing guy who has just written a book and was instrumental in the incident of the Sanibel Arcanum (a previous book) work to thwart the Russian. I mean, the plot has some interesting twists to it–the blackmailed attorney plans to double-cross the Russian. Okay, that’s the twist.

Unfortunately, the execution poorly serves the plot.

Most of the narrative structure is very short peeks into various characters. By “short peeks,” I mean sometimes we get two or three paragraphs before jump cutting to the next group. This makes it difficult to really tell the characters apart. And even the longer pieces are the groups getting together to talk about what’s happening instead of actual action. The characters come together and have dinner; they talk about biochemical weapons, which is the subject of the report that the quasi-government characters are working on and, coincidentally, what the Russian hopes to store and/or traffic from Sanibel Island.

At about page 70, the marketing guy/novelist goes to the Grand Cayman where the Russian has another home. The books focuses on this single character, who happens to be on Grand Cayman because he has a freelance assignment to write about the island. Not because he’s investigating the Russian, although he does while he’s there.

Even when focusing on the single character, the tone of the book shifts to a bit of travel writing with exquisite descriptions of the island and the food the character eats. A little action happens, and then the reader thinks, “Ah, a story!” But then after a bit of action, the character returns to his main home in Indianapolis, several months elapse, and then his family returns to Sanibel Island and we get dinner parties again. Oh, wait, no, the potter goes on a mission trip to Russia to a Siberian town where the Russian’s father coincidentally lives, and he gets info that will ultimately become important.

We get another burst of action/action in the book’s climax, but a lot of the book hinges on coincidences and improbable-to-poor decision making. It repeats some of its descriptions early and refers to the previous book far too often.

I did flag a couple of things in the book:

• The book mentions several times the bin Laden organization as a possible buyer for biological and chemical weapons; this book was published years before 2001.
• “We have established a strong environmental stewardship here. Thanks to the wonderful efforts of Ding Darling when he worked for the federal government.” To be honest, I was a little afraid to search the Internet for that name, but I guess you probably already know he was an early 20th century cartoonist who founded the National Wildlife Federation. The book is all-in on trusting the government and believing it’s a force for good–and perhaps that simply raising awareness of the dangers of biological and chemical weapons will change the world.
• “Hey, Dad, you’re on Amazon.com!” one of the children says. True fact, children: We did call it Amazon.com once upon a time.

The book is also very dated for its relatively young age. It goes into too much detail about computer use and the Internet–people sure are printing out a lot of Web sites–and it is before the Department of Homeland Security and the whole two-by-two/hands-of-blue/pats-for-you regime. So the bad guys wheel an incapacitated character onto a plane in a wheelchair and just walk through security like that in a fashion we cannot fathom now, where we still have to take off our shoes after that one thing twenty years ago.

One biography of this still-living author says he has a third book in the works, but I have not seen evidence of it online. He does have a blog which he looks to update monthly or a little more frequently with photos and musings from his life in California (not Sanibel Island). I’d link to it, but although he says the media is broken, he also says that those who creatively indict the former president are patriots who are sucking the poison out of our country. So, nah.

I thought I might have just picked this up at the Friends of the Springfield-Greene County Library Book Sale in September, but apparently it was part of my haul in April.

I guess that makes sense, as I picked up a number of chapbooks to plant on my chairside book accumulation point when the football season started so I could browse them whilst holding an iPad to watch football games on those rare occasions where my NFL+ subscription would yield a football game I wanted to watch but could only do so on the iPad due to NFL+’s limited streaming rights. That was a week before the book sale this autumn. I discovered one cannot really browse a book whilst holding an iPad, so I have not been able to browse the chapbooks during the couple of football games that I have caught on a mobile device. I still have them on the table, though, as I have invented a new reading habit this summer which finds me reading on the sofa upstairs to finish the evening. I have some First Things and New Oxford Review magazines that I’ve read up there–mostly reading The Story of Civilization in the chair downstairs–but I’ve also read some of other books such as Samurai Cat Goes to the Movies and Vengeance Is Mine! up there. So I brought this book up to read there. You know, I might have written a navel-gazing post on my new book reading habits (mostly, I finish the evening stretched out on the couch upstairs reading a book or magazine because that tracks with how I spend evenings on vacations), but, c’mon, man–you’re not here for my navel-gazing. You’re here for pictures of movie starlets in films I watch. Odds are you’re not even reading this, and Jeremy Daryl is going to wonder what the hell I’m talking about in this book report. If he can even find it when searching the Internet on “Jeremy Daryl”.

So that’s a lot of verbiage in a book report that’s not about the book, but I suppose that’s okay since I really don’t have a lot to say about the book. To be honest, it looks like it might have been the results of a high school or college introduction to poetry class that the fellow decided to dump onto print-on-demand. The layout is rudimentary–a series of poems with titles and lines in double-spacing with no breaks at the pages, no headers or footers, and no pagination. As you might recall, gentle reader, I have been lauded, well, noted for my bok design ability more than my actual poetry.

The poems themselves are, well, rudimentary. You don’t get the whole mélange of different types of poems–an acrostic, a limerick, a haiku, a tanka, a sonnet, and a free verse–all the poems look to be free verse with little to no rhyming on a variety of topics. A couple nice moments amongst the pieces

However, if the fellow chooses to continue writing poetry and reads a bit more of the stuff, I’m a little more optimistic for his development than your average Instagram poet because the poems are longer and have a little more room for thematic expansion and explanation than brain droppings not done by George Carlin. So maybe there’s hope, but probably the publication of this book was more of a lark than a serious endeavor.

I bought this book in 2017 (at the same garage sale where I got Catnapped! which I also read this year) for just the moment where I was in the mood for it, and apparently this was it. I mean, I had passed over it a couple of times, but this time was the right time, apparently.

So: This book is the fifth in a series (!) about bipedal cats who are samurai and who are on a mission to avenge the uncle’s master’s slaying. Well, that’s the premise of the series, anyway. In this book, they are on the run from a cold assassin robot from the future (or another timeline) sent to kill one of them. Which leads them to Oz (Australia, you see) to see the wizard (which allows them to blend parody/satire of The Wizard of Oz with Mad Max), a flashback story patterned on The Seven Samurai/The Magnificent Seven, and then onto a Predator/Star Trek mashup, and, well….

I am pretty sure I would have found this more funny in 1994. When in high school, I penned a number of satirical stories of this nature. It started when my creative writing group broke into groups, and each group added a bit to a story started by another group, and the assignment continued until each group had contributed to each story. We came up with an obnoxious character named Tyrone Jackson who was a rabbi from Thailand and inserted that character into each story. Once we were done with it, I wrote out, by hand on loose leaf paper The Further Adventures of Tyrone Jackson where I did the same sort of thing in this book, and Jackson “borrows” Doctor Who’s TARDIS and goes through space and time and dimensions, picking up a companion from a world of superheroes and confronting his multi-dimensional enemy Lyndon LaRouche. So, you see, I was primed for this kind of humor in my youth.

But now that I am, ahem, slightly older? I found some of it amusing, but it really ain’t my bag any more, baby.