Book Report: The Saint Meets His Match by Leslie Charteris (1931, 1944)

Book coverThis might have been only the second Saint book (or is it The Saint book?) that I’ve ever read. The first would have been a modern paperback (well, then modern) that I read in high school or thereabouts. It was one passed onto us by my Aunt Dee right about the time we moved into the house down the gravel road. We got a small stack of books from her–less than I would buy if I went hog wild at a church or friends of the library book sale–but my aunt introduced me to Ed McBain, Anne Rice (Interview with the Vampire, which is the only Anne Rice I’ve actually read), and, perhaps The Saint. So it’s been a while.

In this book, which was apparently published originally as She Was a Lady and then as Angels of Doom before appearing with this title, The Saint pursues a woman who runs a gang who help criminals, but the woman is actually the daughter of a disgraced and deceased policeman wrongfully accused of corruption. She’s using her life of crime to go after those who set her father up, and Simon Templar, the Saint (or is it The Saint?) joins her in her quest. The Saint himself is a roguish, doing good but outside the law, figure himself, but he briefly joins the police force to get some information he needs. And they fall in love, of course.

It’s an interesting bit. It’s from the Depression era, but it’s set in England, and urban England at that, so it feels more hardboiled than an Agatha Christie book, with fights and a little gunplay here and there. The pacing, though, is more British than pulp, and it took me a longer time to read it than it would have a comparable hard boiled pulp. Although the density of the language probably mirrors Chandler more than Hammett, the argot is just foreign enough. So I won’t go out of my way to grab other books of the sort.

This edition is a late World War II hardback (I think). It is in an inexpensive binding similar to a Walter J. Black or other book club edition–and it’s possible that The Saint even that early had a Saint-of-the-month club (Remember, gentle reader, Doc Savage had a monthly “magazine” with a short novel every month). But this was an inexpensive edition even then–the title on the cover and on the title page are The Saint Meets His Match, but the tops of the pages say Angels of Doom. It’s a Triangle Books edition from the U.S., and the edges of the pages flaked off as I read it–I’ve never seen a book do that, and the pages are very dark. Probably inexpensive paper, anmd perhaps the book got wet at some point.

Still, better than a Jack Reacher novel.

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Ask Why Brian Is Leary of AirBNB

Tyson Foods CFO John Tyson arrested for entering stranger’s house, passing out in her bed

You know, one of the places we stayed was a garage behind a house, and the entrance and “address” of the apartment was on a narrow alleyway. Other places have been in condominium buildings or developments where things look the same. So I can too easily imagine myself prowling around someone’s house in error after dark. So I avoid AirBNBs and use hotels instead when I’ll arrive after dark, drunk or not.

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On Blankman (1994)

Book coverI am pretty sure I picked up this film when I bought Friday, but I will be darned if I remember where I picked them up. At the antique mall? I have a couple of new movies atop my to-watch cabinets that are mixing with the “new” movies I bought last year and left up there. Face it: My to-watch movies are in worse shape than my to-read shelves, because even though I’m not reading as many books this year in years past, I’m certainly not watching any more movies. Maybe three in October, which is trending up. Some cinephile I am.

So, about this flick: It came out in 1994, which is last century, before America healed its racial divide by continuing to listen to racebaiters and electing one president (before sitting down to write this, I was presented with a Facebook adversomething with Dusty Baker lamenting that the World Series teams did not have an American-born black player, so look how far we’ve come, baby). In 1994, I would have thought that the characters were like me and my brother, but now in the 21st century, I think first that these guys are black, and maybe I am guilty of something for liking the film and wishing we could go back to the bad old days of the 1980s on racial relations.

Ah, but I cannot, but I defy them and liked the movie anyway.

In it, two brothers played by David Alan Grier and Daymon Wayans grow up with their grandmother. Grier becomes well-adjusted, grows to be a cameraman for a tabloid program, and Daymon Wayans becomes an inventor and tinkerer whose machines made from common devices are more humorous than groundbreaking. Their grandmother volunteers for a candidate for mayor running on an anti-corruption ticket, and when the candidate refuses to get in bed with a mobster, the mobster’s goons kill a bunch of volunteers, including the grandmother. Which leads the tinkerer, influenced by the Batman! television show of the 1960s, to become a crime fighter. Which draws the attention and admiration of a news anchor played by Robin Givens, whom the cool brother flirted with briefly.

So a bit of a love triangle ensues, and they go after the bad guys, and some set pieces, and resolution, and….

All right, it’s not Oscar material, but it’s akin to the stuff we gorged on in the 1980s, whether it was direct-to-video or direct-to-cable or disappointing box office (full disclosure: I saw Wild Thing on Showtime many, many times, and I enjoyed it).

And, I mean, even, uh, a couple years from its original release date, I still relate to the awkward nerd character who gets the girl. Before this film came out, I wrote a couple chapters on a teen who has gadgets and becomes a super hero (White Knight, not likely to be released in my every-couple-of-years self-publishing attempt at relevance). So it harmonically resonates with me, and even if “Rotten Tomatoes” hates it, I do not.

Also, the film had Robin Givens, whom I remembered from the nerd-friendly Head of the Class.
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Brian J. Lives Out The Robert Frost Poem

Namely, “Two Tramps in Mud Time“:

Out of the mud two strangers came
And caught me splitting wood in the yard,
And one of them put me off my aim
By hailing cheerily “Hit them hard!”
I knew pretty well why he had dropped behind
And let the other go on a way.
I knew pretty well what he had in mind:
He wanted to take my job for pay.

Good blocks of oak it was I split,
As large around as the chopping block;
And every piece I squarely hit
Fell splinterless as a cloven rock.
The blows that a life of self-control
Spares to strike for the common good,
That day, giving a loose my soul,
I spent on the unimportant wood.

Not the complete poem; That’s the first two stanzas. Gentle reader, you would most likely know it from its closing lines:

Only where love and need are one,
And the work is play for mortal stakes,
Is the deed ever really done
For Heaven and the future’s sakes.

As you know, gentle reader, that is the source of the title of Robert B. Parker’s Mortal Stakes, back in the old days when his writing was deep and rich. Or, if not deep and rich, before he went Hollywood and his prose got thin.

So how, exactly, am I living it?
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