Musings from Brian J. Noggle

This book is one of the last in a series by Elizabeth Daly, whom Wikipedia claims Agatha Christie called her favorite American author or something. Like Dark Bahama, this book appears in a Detective Book Club edition I purchased when I bought a couple dozen of the Walter J. Black hardbacks at some book sale’s box day.

Also like Dark Bahama, this book is a little hard for my modern reader sensibilities to get into. Although this book is set in Manhattan in the 1950s (or just post World War II), it shares more sensibilities with English cottage kinds of mysteries. Ms. Daly was in her late 60s when she wrote this, so she’s more of Clarence Day’s Manhattan than Mickey Spillaine’s New York.

The story focuses on a young wife who escapes from the creepy, closed-in life she gets when she marries a wounded war hero who inherited an income and a townhome from an uncle. She ends up with Gamadge, who is a series character that detects based on knowledge of antiquarian books. Apparently, the woman’s husband found her holding two thin books and locked her in a room, compelling her to flee without even her gloves (yeah, it’s that kind of mystery). Gamadge noses around and discovers a murder and a cover-up, all hinging on the fact that the wife saw (but did not read) a book on the Tichborne case. Uh, spoiler alert.

I’d kinda figured that was where it was going, and I strangely enough knew already about the Tichborne case; I even have it up on my white board as something I should write about. Maybe this book report will be enough to get it erased.

So the first 40 pages were hard to get into, but once it got past that and you figured out who the characters were to care about, it got better. At 104 pages, it’s a fat novella more than a book. But it’s sold more copies than I have, so who am I to criticize?

Books mentioned in this review:

I don’t mean to make you feel old, but Seinfeld has been off the air for 13 years now. I didn’t watch a lot of television in the 1990s, so I missed a lot of the viewing events of my generation, such as E.R. and Seinfeld. Given that it was a thirty minute sitcom, I must have seen a full episode of it sometime, although I cannot remember when or what it would have been. I don’t think I saw a complete episode of E.R., either.

This book, written by a fan newsletter (back in the day when newsletters were mostly mailed) editor, discusses the development of the sitcom, the post Larry David years, the cast, the memorable locations, and so on. It heaps approval on the show, of course, and made me interested in maybe seeing some of the show.

The cast biographies talk about how the individuals playing the roles, scrappy good-hearted souls all of them, are dealing with their success and being on top of the world. Strangely, from here in the future, we can see that after the show ends, Jason Alexander voices a cartoon, Julie Louis-Dreyfus cannot carry a realtime sitcom, Michael Richards gets Corrected for a response to hecklers, and Jerry Seinfeld marries that little girl. The wheel of fortune, she turns in a decade and change.

If nothing else, the book would be an interesting time capsule into the 1990s, although the program did begin in 1989, so it ran contemporaneously with my youthful golden age between high school, college, and almost up to my engagement.

Ah, the 1990s. It seems like American history follows a certain cyclical pattern, doesn’t it? An epic struggle followed by a party. The 1920s followed the War to End All Wars, the 1950s and early 1960s followed the Depression and World War II, the 1990s followed the Cold War…. It’s a facile generalization, sure, but what do you expect in a derivative book report based on a television program about nothing? Regardless, I suppose I should be optimistic about the future after we get through the current troubles, but I know past performance is not indicative of future performance. Nothin’ but the David in me.

Books mentioned in this review:

I’m breaking with tradition here a little bit: although I read this book as part of a Detective Book Club volume, I’m breaking it out to review individually (but I don’t count it as a book I’ve read this year until I finish the volume, of course–my accounting rules are as esoteric as GAAP).

This book is part of a series, the “Johnny Vallon” series–although that’s rather strange, as “Johnny Vallon” only makes an appearance at the very beginning as he meets a couple of the characters that do most of the sleuthing and sets them into motion. Maybe he’s like Charlie in Charlie’s Angels throughout the series.

At any rate, the alternate title is I’ll Bring Her Back, and it centers on an old flame of Johnny Vallon who asks for help. She’s promised to retrieve from Dark Bahama the ne’er-do-well daughter of a widow. Vallon can’t go himself, so he sends a man named Isles, kind of a ne’er-do-well gumshoe sort. When Isles gets to the island, he finds a dead body and is suspected in the murder, and as he works to clear himself, he finds that the job entails more than he bargained for. Enter Guelvada, a Belgian/English espionage type who takes over the book and gets some papers from under the nose of the other side.

Well. I mean, it starts out a crime/hard-boiled detective thing and then it turns into an espionage thing, and the main character isn’t the main character halfway through the book. Instead, the guy we’d rooted for falls into a sort of gofer role to the hardened espionage agent. Well.

The style, strangely, is English pulp. I can see where it’s trying to have the paperback sensitivities of American fiction, but the style is very poor for it. I figured it out later: it’s the prepositional phrases that blunt the punch.

For example:

Once again, he had a vague sense of annoyance at the sight of the overturned chair.

and:

In twenty minutes he arrived at the apex of the two roads. Immediately in front of him was the broad State highway. Twenty yards to his right, parked in the middle of the side road, was a State Trooper’s car. By the light of the dashboard Guelvada could see two men seated in the car…nearest to him the driver and on the right in the passenger seat a State Trooper with a submachine-gun on his knees.

Zzzzzzz….. Huh? What? Wrap it up?

It is an interesting artifact if nothing else, but I don’t think I’ll hunt down the rest of the series or the related Quayle series.

Books mentioned in this review: