Hey, it’s opening weekend for Harsh Times, a movie about a violent ex-Army Ranger shooting the hell out of Los Angeles because he likes killing.
Thank you for your disservice, Hollywood.
To be able to say "Noggle," you first must be able to say "Nah."
Hey, it’s opening weekend for Harsh Times, a movie about a violent ex-Army Ranger shooting the hell out of Los Angeles because he likes killing.
Thank you for your disservice, Hollywood.
The Online Film Critics Society releases its list of the Top Overlooked Films of the 1990s. I guess I scored highly on this test, since I overlooked 97 of the 100. Here they are, with the ones I’ve seen in bold:
I expect anyone reading this blog to have scored lower.
So I don’t have to: This Just In: Richard Roeper Is A Blantatly Dishonest Leftist Apologist
Frankly, I read this Roeper Chicago Sun-Times column defending V for Vendetta and didn’t think it was much of a threat to our way of life and that it was a fair argument a movie. A movie I didn’t want to see because of its subject matter. The column didn’t change my mind in any fashion, but I didn’t care to comment on it.
Ace does, though, and he delivers a savaging that sways my opinion against Roeper plenty good.
(By the way, congratulations to Richard Roeper for getting the negative blogosphere attention he’s probably craved for some time now. Unfortunately, the big dogs of the blogosphere don’t normally find source material in the Milwaukee, Chicago, or St. Louis papers. Way to go, Richard!)
Gregory Peck is the 1950s Orlando Bloom. Gary Cooper could have beaten him half to death with his left hand, and Cary Grant could have given him a wedgie of a quip that would have sent him back home to momma and his sisters.
UPDATE 00:11:07 If he doesn’t manage that shrew of a wife of his, I’m going to invent a time machine that travels into fictional time, set it back to 1956 Connecticut, and I’m going to introduce Gregory Peck to a little thing called “Taser.” For the simple thrill of it.
UPDATE 00:12:10 Never mind, send back the divorce lawyers instead.
UPDATE 00:17:06 Funny how off-handedly Hollywood whacked America’s enemies (or recent enemies) in the 1950s. Now, of course, heroes cannot even look askew at potential enemies of the Republic.
The Day After Tomorrow for Kids.
Inigo Montoya? No. Steve Guttenberg.
(Link courtesy, or direct all blame to, Exultate Justi.)
Because The Girl, The Gold Watch, and Everything had seventies hair.
The Sentinel: Okay, Kiefer Sutherland as a shouting government agent, we can accept, but President Sledge Hammer!? Not so much.
The split second shot (no pun intended) of David Rasche along with the words “the President” were enough to pitch my wife and I into gales of laughter during the preview.
James Frey, author of the fictional A Million Little Pieces, says:
“I think writing a book about this experience would be trying to capitalize on it in some way and that’s not something I want to do at all.”
This does not, however, rule out a movie a la Shattered Glass.
16 Blocks: Because The Gauntlet would have been much better without Sondra Locke.
A sequel without a subtitle is just no good. Ergo, Mrs. Doubtfire 2 needs our help.
My suggestions:
(Link seen on Ravenwood’s Universe, curse him.)
So when I was watching my traditional Christmas movies last week (Die Hard and Lethal Weapon), I noticed that both movies starred two different actors (or an actor and an actress) in small roles:
| Actor | Lethal Weapon | Die Hard |
|---|---|---|
| Mary Ellen Trainor | Dr. Stephanie Woods | Gail Wallens |
| Al Leong | Endo | Uli |
Tonight, we watched Coming to America, and we got a similar effect, and oddly enough it was Die Hard II:
| Actor | Coming to America | Die Hard 2 | Die Hard with a Vengeance |
|---|---|---|---|
| John Amos | Cleo McDowell | Major Grant | |
| Vondie Curtis-Hall | Basketball Game Vendor | Miller | |
| Samuel L. Jackson | Hold-Up Man | Zeus Carver |
Okay, Samuel L. Jackson is bonus credit, but isn’t it weird how the Die Hard series is the touchstone in this? Six degrees of Kevin Bacon? Insert Die Hard, and you immediately knock off two degrees.
I reckon it’s because producers and directors prefer to work with known quantities for their projects (Joel Silver, for example, was behind Lethal Weapon and Die Hard), but it’s still amusing and impressive to identify groups of actors who appear in several movies that are not sequels of each other.
Gentle reader, I invite you to do the same. Drop a couple of your own eureka moments in the comments, or post such on your Web site. Or, I guess, you can bother me with the list of the obvious when you see them. I mean, crikey, I know Clint Eastwood used a bunch of cowboy actors from his films in Every Which Way But Loose. Show some originality!
Originally posted Christmas Eve 2003:
Curse the literary in the world who beat me to calling the new Heath Ledger and Jake G. movie Beast With Two Backs Mountain.
James Bond writer ‘reinvents’ spy:
James Bond is to be given a new image as a younger character with no gadgets, a writer on the next film has told trade paper the Hollywood Reporter.
Paul Haggis, who is working on the script for Casino Royale, said: “It’s going to be good.
“We’re trying to reinvent Bond. He’s 28 – no Q, no gadgets.”
Just like the time they made the movie James Bond into a modern 80s man. Or so I’ve heard; I’ve never actually seen a Dalton James Bond movie, but it took a return to the old form and to Pierce Brosnan to keep the franchise going for another decade or so.
This writer and the studios are willing to sacrifice the traditional Bond fan for a young, edgy audience that might not be there anyway. Like other entertainment businesses, such as sports teams, who might underestimate the traditional appeal of a franchise and the effects of altering/moving it.
‘Transporter’ carries holiday weekend.
Did you know that the Transporter drives an Audi? I do, and I’ve never seen either movie; I did, however, see the trailer for Transporter 2 and noted that the Audi logo on the grill of the car was visible no fewer than 9 times in the two minute trailer.
Court reinstates Terminator lawsuit:
An appeals court has ruled that an Australian couple can sue director James Cameron over an effect used in the film “Terminator 2: Judgment Day.”
Filia and Constantinos Kourtis claim that they came up with the idea for a character that changes shape for a 1987 movie called “The Minotaur.”
Meanwhile, ancient tribes from the British Isles have consulted their lawyers for the Kourtises’ theft of the concept of the changeling, shapeshifting “monsters” who stole children (like the young John Connor–see?!) and ancient Greeks have filed preperatory paperwork on the title, which refers to a monster first slain by Theseus, whose story was told by entertainers in Athens before even James Cameron was born.
Angelina Jolie Grabs Monster-Mom Role, Teams with De Niro:
Finally, an Angelina Jolie movie her kids can watch. Jolie has signed on to star in a big-screen adaptation of the epic English poem “Beowulf” to be directed by Robert Zemeckis (“Forrest Gump”).
The film, like Zemeckis’ previous movie, “The Polar Express,” will use performance-capture technology to transform live acting into computer animation, according to The Hollywood Reporter. The story of the Scandinavian hero of the sixth century who slays a beast will star Ray Winstone (“Sexy Beast”) as Beowulf, who saves the Danes from Grendel the monster, portrayed by the always creepy Crispin Glover (“Willard,” “Charlie’s Angels”).
Jolie, who played Colin Farrell’s youngish mother in “Alexander,” will again portray a maternal character in the film, taking on the role of Grendel’s mom.
Fortunately, with Zemeckis at the head, it’s unlikely that Grendel will be an allegory for the imperialistic American hegemon and Angelina Jolie will channel Cindy Sheehan, but one never can tell with Hollywood….
I’ve made that assertion before, but Junkyard Blog lists some coming attractions. Friends and countrymen, I ask: are you the target audience for these?
I think not.
Perhaps it’s time for an alternate movie industry to emerge in the midwest, built on new video technology, new Internet distribution, and actors who’d work for points and not millions of dollars up front.