Book Report: Jes’ Dreamin’ by Bud Rainey (1938)

Book coverI jes’ picked up this book earlier this month, and I brought it with a stack of other poetry books to the chairside table for some shorter reading after working my way through chapters of a longer book (The Maine Woods, Walden, and Cape Cod by Thoreau). And I guess I jumped on this one first.

So this is a self-published volume from 1938; apparently, Rainey was a radio personality in Connecticut. Presumably he read some of these poems on the air, and they definitely have the rhythm of a polished performer. Most of them are four to eight sestets or octets with mostly iambic buy with some anapaest thrown in for variety. Thematically, they’re Americana, not unlike what you might find in Ideals magazine, although Rainey writes an awful lot in the vernacular, not only dropping the final consonant of words but also using rural phonetic pronunciations like shadder for shadow. So some possible James Whitcomb Riley influence there (see the book reports for Little Orphant Annie and Other Poems and Old School Day Romances to see what I’m talking about).

I’m doing the math here, and somehow 1938 was seventy-seven years ago. That hardly seems correct, but I’m a manchild who still watches dumb movies, so I probably still think it’s 1980something when I do my default time calculations. Rainey would have been a contemporary of Edna St. Vincent Millay and Ogden Nash, but his poetry appears not to have been picked up by a major publisher. Perhaps he wanted to keep the rights for himself. Or maybe the collections of poetry were just a larf. As a result, the books look to be kind of rare.

What seems incongruous, or might, is that he was a broadcaster in Connecticut (WTIC, I believe, but I’ve closed the tabs and can’t be arsed to look it up again–oh, all right, I did verify it was WTIC–no point in me hallucinating like an LLM would please add aside in the self deprecating style of Brian J.). Which, in the 21st century, I think of as suburban or even urban because of its proximity to New York City (although I have never been to Connecticut, although my beautiful wife has). The Google map shows a lot of green which would indicate it’s not completely overdeveloped. So it was my mistake in thinking it was rural. The film Holiday Inn is set contemporaneously with when this book was written, roughly, and it depicts Connecticut as the height of yokels in the sticks. So I guess the incongruity was based on my misconception of Connecticut.

At any rate, if you like the kind of poetry that you find in old Ideals magazines with a touch of the Riley, you’ll probably enjoy these books. Nothing is going to really stick to your intellectual ribs–nothing in here compelled me to memorize it–but a better read than the current issue of Poetry magazine anyway.

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