Compare and Contrast, St. Louis Post-Dispatch-Style

Why housing choice is important for voucher holders:

Mobility Connection is a program that helps voucher holders move from low-opportunity areas to high-opportunity areas. Tara Kennard, a Mobility Connection Client, and Janie Oliphant, program director at Mobility Connection, talk about why some housing voucher recipients seek greater flexibility in choosing where they live.

Housing people in government-run centers is bad! Letting them choose through vouchers is good!

Editorial: Bad report card for federal school voucher program:

There’s long been a cherished belief among some education reformers that student performance can be lifted by giving private-school tuition vouchers to children stuck in low-performing public schools. That belief took a big hit last month, the latest in a series of big hits.

The U.S. Department of Education’s research division released a report saying that first-year participants in the District of Columbia’s Opportunity Scholarship Program did much worse in math than the kids who were denied a voucher and stayed in public school. Students from kindergarten through fifth grade also fared much worse in reading, and among older students, reading scores were close to those of their public school peers. The findings help debunk the notion that voucher-enabled students in private schools produce better outcomes than those attending public schools.

Educating people in government-run centers is good! Letting them choose through vouchers is bad!

Just kidding about the compare and contrast. Clearly, these are conceptually two different things, not alike at all. At all, you hear me?

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Good Album Hunting, November 30, 2018: “Christmas Shopping” at Relics Antique Mall

On Friday afternoon, I led my reluctant boys out “Christmas shopping” to Relics Antique Mall mostly to get them out of my beautiful wife’s hair as she finished her work day.

Not surprisingly, this led to little actual Christmas shopping and a whole lot of record browsing. Which leads me to my first lamentation: The price of records at the antique mall is going up. Whereas the floor for album prices was a dollar, with a few going for five or eight bucks, now the floor is essentially three dollars with some titles of recognized bands from the 1970s or 1980s (or beyond) going for over ten dollars each. Which is a little rich for my blood. Which means I find it impossible to justify a stack of them such as I can with records that are only a buck.

Now, my second lamentation. The record I did not get? Phoebe Snow:

The first record I saw that I was excited about (the first I picked up was a two dollar Latin compilation album with a saucy woman on the cover). But the Phoebe Snow album…. Well, all right. I said in September that I was going to keep an eye out for this LP, and here it is!

Except: It had no price on it. No price tag that had fallen off that I could find. As it’s an antique mall, the people running the registers have no idea about the pricing set by the individual booth renters. This particular booth sold LPs for between two and ten bucks. I think I would pay ten bucks for the album, but I was not in the mood to take it to the registers and tell them I’d pay it; they’d think I’d taken off the tag which was priced higher yet.

So I set it on top of the record display, hoping that the owner of the booth will see it has no price tag and will price it (at $2, I hope) so I can pick it up in a week. When I will return to see if the album has been priced and I can buy it when I return for more “Christmas shopping.”

But I did console myself with a few other things.

I got:

  • Elvis’ Christmas Album by Elvis Presley. You hear a number of selections from this album on the radio from time to time, but he didn’t make it onto the compilation albums of the era.
  • The Beat of Brazil by Sergio Mendes.
  • Confetti by Sergio Mendes.
  • Homecooking by Sergio Mendes and Brazil ’77.
  • London Underground by Herbie Mann.
  • Voyeur by David Sanborn.
  • Straight to the Heart by David Sanborn. Jeez, button your shirt, brah. I almost needed to buy two albums with saucy women on them to compensate.
  • Too Tough by Angela Bofill.
  • Let Me Be The One by Angela Bofill. Compensation: Complete. Also, I like Angela Bofill, as you probably know if you read these posts all the way through.
  • Shangri-La by Jackie Gleason.
  • Riff Jass by Jackie Gleason.
  • Breakout by Spyro Gyra. I’ll pick them up when I find them now that I’m straight on who Spyro Gyra is and is not.
  • Monument Proudly Presents Boots Randolph with the Knightsbridge Strings & Voices by Boots Randolph, presumably, and the Knightsbridge Strings and Voices.
  • Second Childhood by Phoebe Snow. Her second album, which went Gold (Wikipedia tells me).
  • Latin Escapade by The George Shearing Quintet, the aforementioned Latin compliation platter.

Okay, I’ve said the last was saucy. Here’s what I mean:

I don’t know whether my calling that saucy tracks with your idea of saucy or not, this being the Internet and all, but I do buy an extraordinary number of platters by artists/groups I don’t know/normally buy when they have a fetching lass on the cover. Or a saucy woman. Which must mean that the people who designed the cover art of said things were onto something.

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