This book is the fifth, or the third, Rex Stout book I’ve read in the last fifteen or so years. The actual number is up for contention, as I read a three book omnibus edition and reviewed them separately (Too Many Clients, Might As Well Be Dead, and The Final Deduction) in addition to a stand alone book The Father Hunt. So is that two or four books? You decide.
At any rate, like the aforementioned books, this novel falls later in the Nero Wolfe canon. Stout started them in the 1930s and carried them on thirty years, so they might have seemed more antiquidated at the outset, but this book is relatively relevant to a modern reader who lived before computers. Within it, Wolfe and Goodwin are hired by a wealthy heiress who has sent copies of The FBI Nobody Knows to many influential people and who thinks she is now the target of FBI surveillance. She would like the impossible: For Wolfe to get them off her back. She offers an exorbitant sum to do it, so Wolfe accedes. As Goodwin and Wolfe try to get a handle on the problem, they find a murder where members of the FBI are suspects–and they come up with a plan to exchange the solution to that crime (and evidence of related FBI wrongdoing) to get the FBI off of their client’s back.
Even in the 1960s, as Spillaine and MacDonald were coming into paperbacks, the book is a bit of a throwback, but it’s still readable and enjoyable. As you know, I just bought this book, but it’s more a matter of last in, first out rather than my diving into this because I just couldn’t wait for a Nero Wolfe novel (although perhaps I was directed in this direction by the Wolfe entry in Madame Bovary, C’est Moi!).
It is noteworthy for its suspicion of the FBI as bad guys, though, but I suppose we were seeing the turning of the culture even then in the middle 1960s. But in a throwback novel, its presence might indicate the theme was already entering the mainstream.