the top 100 films of the 1990s<\/a>. The ones in bold I’ve seen. The ones in italics I’ve seen parts of.<\/p>\n01. The Thin Red Line (Malick, 1998)
\n02. Short Cuts (Altman, 1993)
\n03. Trois couleurs: Rouge (Kieslowski, 1994)
\n04. Breaking the Waves (von Trier, 1996)
\n05. The Age of Innocence (Scorsese, 1993)
\n06. My Own Private Idaho (Van Sant, 1991)
\n07. Eyes Wide Shut (Kubrick, 1999)
\n08. Trois couleurs: Bleu (Kieslowski, 1993)
\n09. The Ice Storm (Lee, 1997)
\n10. Goodfellas (Scorsese, 1990)
\n11. Being John Malkovich (Jonze, 1999)<\/strong>
\n12. LA Confidential (Hanson, 1997)<\/strong>
\n13. Sense and Sensibility (Lee, 1995)
\n14. The Double Life of V\u00e9ronique (Kieslowski, 1991)
\n15. Safe (Haynes, 1995)
\n16. All About My Mother (Almod\u00f3var, 1999)
\n17. Unforgiven (Eastwood, 1992)<\/strong>
\n18. The Remains of the Day (Ivory, 1993)
\n19. Pulp Fiction (Tarantino, 1994)<\/strong>
\n20. The English Patient (Minghella, 1996)
\n21. Chungking Express (Wong, 1994)
\n22. Close-Up (Kiarostami, 1990)
\n23. The Grifters (Frears, 1990)
\n24. Barton Fink (Coen & Coen, 1991)
\n25. The Piano (Campion, 1993)<\/em>
\n26. Secrets & Lies (Leigh, 1996)
\n27. A Taste of Cherry (Kiarostami, 1997)
\n28. Ed Wood (Burton, 1994)
\n29. Lost Highway (Lynch, 1997)
\n30. Happy Together (Wong, 1997)
\n31. Mother and Son (Sokurov, 1997)
\n32. Magnolia (Anderson, 1999)
\n33. Howards End (Ivory, 1992)
\n34. Les amants du Pont-Neuf (Carax, 1991)
\n35. The Long Day Closes (Davies, 1992)
\n36. The Silence of the Lambs (Demme, 1991)<\/strong>
\n37. Naked Lunch (Cronenberg, 1991)<\/em>
\n38. Heavenly Creatures (Jackson, 1994)
\n39. Lone Star (Sayles, 1996)
\n40. Raise the Red Lantern (Zhang, 1991)
\n41. Edward Scissorhands (Burton, 1990)
\n42. Naked (Leigh, 1993)
\n43. Fargo (Coen & Coen, 1996)<\/strong>
\n44. Schindler\u2019s List (Spielberg, 1993)
\n45. Husbands and Wives (Allen, 1992)
\n46. Beauty and the Beast (Trousdale & Wise, 1991)
\n47. The Truman Show (Weir, 1998)<\/strong>
\n48. La belle noiseuse (Rivette, 1991)
\n49. Miller\u2019s Crossing (Coen & Coen, 1990)
\n50. S\u00e1t\u00e1ntang\u00f3 (Tarr, 1994)
\n51. Jackie Brown (Tarantino, 1997)<\/strong>
\n52. Rushmore (Anderson, 1998)<\/strong>
\n53. Rosetta (Dardenne & Dardenne, 1999)
\n54. Dead Man (Jarmusch, 1995)
\n55. Groundhog Day (Ramis, 1993)<\/strong>
\n56. Underground (Kusturica, 1995)
\n57. Flowers of Shanghai (Hou, 1998)
\n58. The Wind Will Carry Us (Kiarostami, 1999)
\n59. Starship Troopers (Verhoeven, 1997)<\/strong>
\n60. Thelma & Louise (Scott, 1991)
\n61. Wild at Heart (Lynch, 1990)
\n62. Days of Being Wild (Wong, 1990)
\n63. The Player (Altman, 1992)<\/em>
\n64. La c\u00e9r\u00e9monie (Chabrol, 1995)
\n65. Beau travail (Denis, 1999)
\n66. The Talented Mr. Ripley (Minghella, 1999)
\n67. Fallen Angels (Wong, 1995)
\n68. The Big Lebowski (Coen & Coen, 1998)
\n69. Titus (Taymor, 1999)
\n70. Vanya on 42nd Street (Malle, 1994)
\n71. Crash (Cronenberg, 1996)
\n72. Ulysses\u2019 Gaze (Angelopoulos, 1995)
\n73. Van Gogh (Pialat, 1991)
\n74. Babe (Noonan, 1995)
\n75. Before Sunrise (Linklater, 1995)
\n76. A Brighter Summer Day (Yang, 1991)
\n77. Boogie Nights (Anderson, 1997)
\n78. American Beauty (Mendes, 1999)<\/strong>
\n79. Dead Man Walking (Robbins, 1995)
\n80. Kundun (Scorsese, 1997)
\n81. Porco Rosso (Miyazaki, 1992)
\n82. Smoking\/No Smoking (Resnais, 1993)
\n83. The Crying Game (Jordan, 1992)
\n84. Gattaca (Niccol, 1997)
\n85. The Nightmare Before Christmas (Selick, 1993)<\/strong>
\n86. Trainspotting (Boyle, 1996)
\n87. Trois couleurs: Blanc (Kieslowski, 1994)
\n88. Bullets Over Broadway (Allen, 1994)
\n89. Everyone Says I Love You (Allen, 1996)
\n90. Eve\u2019s Bayou (Lemmons, 1997)
\n91. Goodbye South, Goodbye (Hou, 1996)
\n92. Se7en (Fincher, 1995)
\n93. Carlito\u2019s Way (De Palma, 1993)
\n94. Romy and Michele\u2019s High School Reunion (Mirkin, 1997)
\n95. Un coeur en hiver (Sautet, 1992)
\n96. The Straight Story (Lynch, 1999)
\n97. Dong (Tsai, 1998)
\n98. JFK (Stone, 1991)
\n99. A Summer\u2019s Tale (Rohmer, 1996)
\n100. Edward II (Jarman, 1991)<\/p>\nStrangely, I take pride in having seen so few.<\/p>\n","protected":false},"excerpt":{"rendered":"
You know what I haven’t seen in a while? A list meme. The International Cinephile something something has presented its list of the top 100 films of the 1990s. The ones in bold I’ve seen. The ones in italics I’ve seen parts of. 01. The Thin Red Line (Malick, 1998) 02. Short Cuts (Altman, 1993) […]<\/p>\n","protected":false},"author":3334,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[24],"tags":[],"class_list":["post-5858","post","type-post","status-publish","format-standard","hentry","category-movies"],"_links":{"self":[{"href":"https:\/\/brianjnoggle.com\/blog\/wp-json\/wp\/v2\/posts\/5858","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/brianjnoggle.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/brianjnoggle.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/brianjnoggle.com\/blog\/wp-json\/wp\/v2\/users\/3334"}],"replies":[{"embeddable":true,"href":"https:\/\/brianjnoggle.com\/blog\/wp-json\/wp\/v2\/comments?post=5858"}],"version-history":[{"count":3,"href":"https:\/\/brianjnoggle.com\/blog\/wp-json\/wp\/v2\/posts\/5858\/revisions"}],"predecessor-version":[{"id":5861,"href":"https:\/\/brianjnoggle.com\/blog\/wp-json\/wp\/v2\/posts\/5858\/revisions\/5861"}],"wp:attachment":[{"href":"https:\/\/brianjnoggle.com\/blog\/wp-json\/wp\/v2\/media?parent=5858"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/brianjnoggle.com\/blog\/wp-json\/wp\/v2\/categories?post=5858"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/brianjnoggle.com\/blog\/wp-json\/wp\/v2\/tags?post=5858"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}