{"id":25117,"date":"2019-10-02T12:48:12","date_gmt":"2019-10-02T17:48:12","guid":{"rendered":"https:\/\/brianjnoggle.com\/blog\/?p=25117"},"modified":"2019-09-30T17:01:44","modified_gmt":"2019-09-30T22:01:44","slug":"book-report-henry-fuseli-by-carilyn-keay-1974","status":"publish","type":"post","link":"https:\/\/brianjnoggle.com\/blog\/2019\/10\/02\/book-report-henry-fuseli-by-carilyn-keay-1974\/","title":{"rendered":"Book Report: <i>Henry Fuseli<\/i> by Carilyn Keay (1974)"},"content":{"rendered":"<p><img decoding=\"async\" src=\"https:\/\/brianjnoggle.com\/bsgfx\/henryfuseli.jpg\" width=\"200\" alt=\"Book cover\" align=\"right\" hspace=\"4\">You know, the front material on these monographs tends to be of two varieties.  One offers biographical information.  The second offers critical interpretation of the artist&#8217;s work and what it means and why it&#8217;s important.  I&#8217;d like to generalize and say that the more famous the artist is, the more likely the monograph will have the first type of introduction.  You know, they&#8217;re famous because their art meant something.  However, that&#8217;s a bit misleading, as the <em><a href=\"https:\/\/brianjnoggle.com\/blog\/2019\/09\/24\/book-report-rodin-by-yvon-taillandier-1978\/\" target=\"_new\" rel=\"noopener noreferrer\">Rodin<\/a><\/em> monograph definitely leaned to the critical.  As does this book, which covers the career of an artist who worked in line drawing and painting in the 18th century.<\/p>\n<p>He&#8217;s mostly known today as an illustrator who did editions of Shakespeare, Milton, and Dante.  But the short critical piece at the outset says he&#8217;s an important transitional figure between the Age of Enlightenment and the Age of Romanticism.<\/p>\n<p>But, basically, it&#8217;s the equivalent of comic book art from the 1700s.  The best pieces (aka the ones I liked the best) were the line illustrations, but only a few of the paintings were in color, so they probably lost a little in that translation into black and white.  The paintings are a bit of <a href=\"https:\/\/brianjnoggle.com\/blog\/2016\/10\/20\/book-report-peter-paul-rubens-a-medaenas-monograph-by-susan-c-coffey-1984\/\" target=\"_new\" rel=\"noopener noreferrer\">Rubens<\/a> or <a href=\"https:\/\/brianjnoggle.com\/blog\/2018\/02\/11\/book-report-the-library-of-great-masters-raphael-translated-by-paul-blanchard-1991\/\" target=\"_new\" rel=\"noopener noreferrer\">Raphael<\/a> but blended with the Chiascurro of <a href=\"https:\/\/brianjnoggle.com\/blog\/2012\/10\/06\/book-report-rembrandt-by-trewin-copplestone\/\" target=\"_new\" rel=\"noopener noreferrer\">Rembrandt<\/a>.  But without the latter&#8217;s heroism or dignity.<\/p>\n<p>So, yeah, unheard of but perhaps important to art critics.  And not likely to have one of his prints grace the walls of Nogglestead soon.<\/p>\n<p>As this is an ex-library book from the Springfield Art Museum, we can judge its relative popularity by the last stamp on its checkout papers in the back cover.  In this case, 2\/17\/89, but it was overdue and a notice was sent on 2\/25\/89.<\/p>\n<p align=\"center\">\n","protected":false},"excerpt":{"rendered":"<p>You know, the front material on these monographs tends to be of two varieties. One offers biographical information. The second offers critical interpretation of the artist&#8217;s work and what it means and why it&#8217;s important. I&#8217;d like to generalize and say that the more famous the artist is, the more likely the monograph will have [&hellip;]<\/p>\n","protected":false},"author":3334,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[20,11],"tags":[],"class_list":["post-25117","post","type-post","status-publish","format-standard","hentry","category-book-report","category-books"],"_links":{"self":[{"href":"https:\/\/brianjnoggle.com\/blog\/wp-json\/wp\/v2\/posts\/25117","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/brianjnoggle.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/brianjnoggle.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/brianjnoggle.com\/blog\/wp-json\/wp\/v2\/users\/3334"}],"replies":[{"embeddable":true,"href":"https:\/\/brianjnoggle.com\/blog\/wp-json\/wp\/v2\/comments?post=25117"}],"version-history":[{"count":2,"href":"https:\/\/brianjnoggle.com\/blog\/wp-json\/wp\/v2\/posts\/25117\/revisions"}],"predecessor-version":[{"id":25126,"href":"https:\/\/brianjnoggle.com\/blog\/wp-json\/wp\/v2\/posts\/25117\/revisions\/25126"}],"wp:attachment":[{"href":"https:\/\/brianjnoggle.com\/blog\/wp-json\/wp\/v2\/media?parent=25117"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/brianjnoggle.com\/blog\/wp-json\/wp\/v2\/categories?post=25117"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/brianjnoggle.com\/blog\/wp-json\/wp\/v2\/tags?post=25117"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}