It’s a stretch to claim I read this book, since most of its contents are postage-stamp sized (almost) representations of Impressionist and Post-Impressionist art, but it has some introductory text that explains the background of the movement and its exhibitions in Paris in the 1880s. So I gleaned that bit of knowledge as well as determining that my second favorite Impressionist, far behind Renoir but still second, is Mary Cassatt.
So if you’re into Impressionism, it’s a good little book to show some of what’s included in the National Gallery of Art’s collection.
